What Is Keeping You from the Writing Career You Want?

Working with writers as a writing coach for many years, I have discovered that there are several reasons why people who love to write don't turn this passion for writing into a career.

Check out the following statements and see if any of them apply to you.

Obstacles to a Thriving Writing Career

1. You hate the pressure of editor’s deadlines, but you work best when you have a timeline for completing writing projects.

2. You constantly lose your enthusiasm for writing projects before you complete them.

3. You procrastinate when you think about querying editors or looking for new writing clients.

4. You constantly think about how things that happen in your life would make for great articles and stories, yet you don’t turn these events into published materials.

5. You enjoy writing shorter pieces rather than novels and nonfiction books.

6. You don’t enjoy research and aren’t even sure how to effectively research topics you wish to write about.

7. You want to build confidence in your writing ability, but you know you need support and guidance to do so.

8. You want to learn new writing skills as you move closer to figuring out exactly who you want to become as a writer.

If any of these statements describe you, then check out my self-study e-course, Fearless Freelance Writing: Build a Career Writing about What You Know and Love.

It could be the path to a writing career that is just right for you.

Try it!

Suzanne Lieurance is a fulltime freelance writer, writing coach, certified life coach, and the author of over 35 published books.

For more tips, resources, and other helpful information about writing and the business of writing, get your free subscription to The Morning Nudge at www.morningnudge.com.

5 Things to Do When You Are Stuck Inside

House-bound? Whatever reasons you have to stay at home, let it be an opportunity to have fun, be productive, and learn something new.

Here are 5 things you can do when you are stuck inside:

1. Clean Up. Although the start of a season - whether it's spring, summer, winter, or fall - is a great excuse to get organized, you don't actually need an reason to do a refresh on your home. Sort things out, purge what you no longer need, and find lost treasures. Bonus points for doing a physical and digital cleanse of your home office.

2. Learn. Information is everywhere. Embrace it! Choose something you've always wanted to learn, and spend time educating yourself on the topic, whether it's through videos, podcasts, or books. Even as little as 15 minutes to an hour a day will add up. Before you know it, you will master - or at least have a working knowledge of - something new!

3. Cook. Just because you can't go out to eat does not mean your taste buds should suffer. Electronic shopping has made day-of delivery of super-easy; your local store may offer delivery too. Find a recipe you want to try, order ingredients, and get cooking. It's fun, relaxing (usually), and healthier than most of what you buy from out.

4. Connect. You don't need to leave your home to be social. Spend some quality time engaging with family and friends. Pick up the phone, do a Zoom or Skype chat, or send an email to touch base. You can also check out a new LinkedIn or Facebook group, engage in a Twitter chat, or spend commenting on posts. You never know where and when you will find people with common interests and make new friends. 

5. Write. No commute means you get extra hours added to your day. Dedicate that bonus time to a writing project. Spend time on a draft in progress or revision, or start a new passion project. And have fun with it! No matter what the genre, when you enjoy the stories you are writing, your readers will love them too!

Being at home have doesn't need to feel like you are in lock-up. Embrace the pace. And get things done!

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What do you do when you are stuck at home? Please share in the comments.

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Debra Eckerling is the author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals. A writer, editor and project catalyst, as well as founder of the D*E*B METHOD and Write On Online, Deb works with individuals and businesses to set goals and manage their projects through one-on-one coaching, workshops, and online support. She is also the author of Write On Blogging: 51 Tips to Create, Write & Promote Your Blog and Purple Pencil Adventures: Writing Prompts for Kids of All Ages, host of the #GoalChat Twitter Chat, and a speaker/moderator on the subjects of writing, networking, goal-setting, and social media.

Are Interviews What They Are Cracked Up to Be?

  

Are You Writing Interviews for Bloggers?

By Carolyn Howard-Johnson

Writing free content related somehow to your genre or title can be a fun way to add to value to your marketing campaign. I recommend bartering your writing skills for free content, especially for new writers. They get to do what they love; they get to write.

They also get bios, bylines, links to their books and even mini pitches for their books. That ups the backlinks to their websites and other online pages and, in turn, that ups their online presence. Not bad for doing what we love.

But caution. In my The Frugal Book Promoter I tell authors: “For a promotion to be successful, you have to promote the promotion.” I’m talking primarily social networking in this case, of course, but if you want more on how to do that, check out the book. That is not what this article is about.  This article is about the readability of interviews.

Today I read an amazing interview in Jim Cox’s newsletter. You probably know that he is Editor-in-Chief of the Midwest Book Review. In an interview from poet Carol Smallwood, he tells the story of how he started this project that helped propel the acceptance of self-publishing in the oh-so-staid publishing world, most of which thought nothing of practicing the most horrendous #bookbogotry possible. It is storytelling and it was fascinating. Suffice it to say, it broke all the interviewing rules from those we see in the AARP Magazine to Time Magazine to most blogs on any topic you might find on Wordpress or Blogger.  And certainly different from the “how-to-write-great-interview articles” you see in how-to magazines.

Everything we read about interviews tell us they should be short. They should be pithy. They do better if they are funny. People are in a hurry. People are used to reading “short and pithy.” It’s the Internet age, after all.

So, when are they successful?  Review the keywords in the first sentence, “related somehow to your genre or title.”  Now add “frequent.” You, the interviewer (or prospective interviewer) should be prepared to write a lot of them Then we mentioned promoting the promotion. If you don’t help drive traffic to the interview you write, they will garner very little attention. That’s true even if you access to some star-studded names. Relatively speaking, without a great presence on search engine, your work of art will be seen by few. 

I am in the mood to burst some bubbles here. I love to be interviewed. But I don’t write them for my blogs. And I rarely accept them as guestposts for my blogs! If you’ve read so far, you can see why. My favorite series of interview are in Time Magazine and, I admit, that I like them best when they are snarky but I don’t pay deep attention to them even then. They are good examples for learning more about interviews, though. You’ll find them on the back page of the magazine. What percentage of them would you say are controversial? Current?

Luckily, we--as the interviewers--are also the editors or at least one of the editors. That means we get to edit (shorten) rambling answers.  Interviews that are laid out in visuals that show the question and answers are going to be more easily read. We as the interviewers can make sure that happens, or at least encourage it to happen by submitting to our publisher (blogger, magazine editor, etc.)  in a form that cries out to be left as it is.

As the interviewer, you can ask your publisher for a hands-off policy  if you wish but they may still want to edit your piece to fit their style book. Associated Press, as an example, has a Style Book that tells them exactly what choices must be made and so they won't be eager to give over the editing or formatting job to you!

Note: If you are using interviews written by others—freelance or barter--tactfully let the interviewee know you might need to edit it for purposes of style or length. That way, they aren't surprised when they see copy (the questions or the answers)  that aren't exactly what they submitted. (-: 

Another thing. This comes straight from my  journalism experience. When we're wearing a journalism hat, we aren't required to let an interviewee (or informant) review, check, or otherwise monitor what we have written. We have a free press in the USA. So, unless you want help clarifying or editing or whatever, you aren't obligated to run what you have written by your interviewee.  Having said that, one of the biggest benefits of writing interviews--or reviews--is the opportunity it affords for building relationships. I think that networking is the best reason for writing interviews or giving interviews. Asking for input on your reviews can help you build relationships that can turn into bigger and better exposure for you, maybe in the form of being interviewed.
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Carolyn Howard-Johnson, is the author of how to books for writers including the award-winning The Frugal Book Promoter: How to get nearly free publicity on your own or by partnering with your publisher; now in its third edition. Don’t miss the multi award-winning second edition of The Frugal Editor; and Great Little Last Minute Editing Tips for Writers. The booklet, The Great First Impression Book Proposal is now in its second edition.  How to Get Great Book Reviews Frugally and Ethically helps you take full advantage of magical book reviews to keep your writing career move faster than you have imagined. Carolyn also offers free review services at TheNewBookReview.blogspot.com. Explore the opportunities for your book in the tabs at the top of the home page. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor

Writing a Fiction Story – Walking Through Walls Backstory

It’s always interesting how writers find ideas when writing a fiction story.

Some may simply come up with an idea, others may see something that triggers a story, and sometimes a story is handed to a writer.

I had never thought of rewriting a folktale until being given a rough outline of an ancient Chinese tale, Taoist Master of the Lao Mountain. This was the inception of middle-grade, fantasy adventure Walking Through Walls.

It was June of 2008, and I belonged to a writing critique group along with a nonfiction writer who had a basic outline of an ancient Chinese tale that he wanted to pass along to a fiction writer. Since writing a fiction story wasn't his cup of tea, he gave me the outline.

After reading the outline, I loved the lessons it could bring to children.

Folktales come from all over the world and usually provide morale messages geared toward doing right, rather than wrong. These tales are a wonderful way to teach children through an engaging and entertaining story.

Since the tale, as with many ancient tales, involved an adult as the protagonist the first step needed was to rewrite it for today’s children’s market. This meant it needed a child protagonist.

As I wanted to stay as close to the original tale as I could, I used some of its flavor, descriptions, and names. That’s how the main character’s name, Wang, was chosen.

Along with keeping the story's flavor, I wanted it to be engaging for today’s child, so I came up with new characters, the dragon, enhanced storyline and plot, and so on.

Having an outline to guide me was a great help; it offered a general direction, like an arrow pointing North. So, as I began to rewrite the tale it was able to take on a life of its own, while still heading North. And, to ensure the story kept its flavor, I made sure to include bits of the original story to keep it as close to the tale’s outline as possible.

Working on the story, I knew it needed to take place in ancient China, so decided to use the 16th century as the backdrop for the story.

To add an element of realism to the story, I researched ancient China, including foods, flowers, dwellings, and clothing. I also contacted the writer who gave me the outline for some additional cultural information.

I worked on the story for well over a year, revising it, having it critiqued numerous times, and revising it some more. I even had it professionally edited before beginning to send it out for submissions.

Fortunately for me, the timing coincided with the 2009 Muse Online Writers Conference and I signed up to have a pitch with 4RV Publishing. As nervous as I was, the pitch went well and the manuscript was accepted.

For the next year, it was more revisions, tweaking, additional elements to the story, and editing to make the middle-grade, fantasy adventure, Walking Through Walls, better than before.

Then the story was ready for a cover illustration.

Aidana WillowRaven was assigned to my book and although the dragon in the story was described as “a shimmering golden dragon,” Aidana ‘felt’ the flavor of the story pointed to a more traditional Chinese dragon. We went back and forth a bit about the dragon’s size and shape, but Aidana’s vision of what the dragon should look like was perfect.

Now, the description of the 'golden dragon' in the story needed to be corrected. So, I changed the text to read, “Suddenly a magnificent dragon with shimmering red and silver scales appeared.”

Done. The description of the dragon and the cover matched; we were ready to move forward.

Next came the interior design formatting, which includes the text. After blocking the text it was determined another six pages was needed to make the spine wide enough. So, I had to come up with more content.

As the story was complete, to fill the page count I came up with an Author’s Note page, four pages of Reading Comprehension, an Activities Page, and after more research eight pages of information on the Ming Dynasty time period and the Chinese dragon.

Finally, Walking Through Walls, a middle-grade fantasy adventure, won The Children's Literary Classics 2012 Silver Award.

Writing a fiction story from its inception to publication can take many paths; this is the path Walking Through Walls took.


This story was originally published at:
http://karencioffiwritingforchildren.com/2015/01/21/writing-a-fiction-story-walking-through-walls-backstory/

Karen Cioffi is an award-winning children’s author and successful children’s ghostwriter/rewriter. She is also the founder and editor-in-chief of Writers on the Move and as well as an author online platform instructor with WOW! Women on Writing.

If you’d like more writing tips or help with your children’s story, check out: Writing for Children with Karen Cioffi.

You can connect with Karen at LinkedIn:  http://www.linkedin.com/in/karencioffiventrice





MORE ON WRITING

Don’t Let Your Reader Get Disengaged

One Way to Build Your Freelance Writing Career

5 Ways to Annoy an Editor

Vanity Presses: Authors Beware

If you decide to bypass the traditional publishing route to publish your book—finding an agent or a publisher that doesn’t require an agent—you might be tempted to consider a “vanity” or “subsidy” publisher. The article, “The Difference Between Self-Publishing and Vanity Publishing,” posted on the International Association of Professional Writers and Editors website, Jan. 21, 2019, writes that with this type of publisher, “the author assumes all the risk and pays the publisher” to publish her book. A major catch is that the book becomes the property of the publisher; the author forfeits all rights to the book once it appears in the publisher’s catalog.”

Not so in my case. I found a publisher that offered a much better deal than that. I would pay the publisher a fee for a “package” they offered and when it came time to publish, apart from the cost to publish my book, the royalties would be mine. That is, if the publisher pays the royalties.

Buyer Beware
About two years ago, I chose a publisher that I’d been following, sold on the way the company presented itself on their website and in phone conversations I had with the company rep. I loved the packages they offered. My husband and I lived in a small town at the time. I didn’t have the advantage of a critique group or contact with a Society of Children’s Book Writers and Illustrator’s chapter as I do now, living in Albuquerque, New Mexico. I joked that my package—the Ultimate, mind you, promising the moon—was my “Harley,” a gift from my husband a few years after he bought his dream Harley. I would buy my dream: a way to publish my book with the help I believed I needed at the time. Now, after learning how much help my fellow SCBWI chapter authors are and the SCBWI organization itself, I see how wrong I was. But I’m getting ahead of myself.

As luck would have it, just days before my book—my first, a ghost story for 7-to-10-year-olds—was to be published, I read a book that changed everything: 10 Publishing Myths, by W. Terry Whalin. I had barely turned the first few pages before a feeling of dread crept into my soul, in Chapter One: “Myth One: I Will Make a Lot of Money Writing My Book.” Of course, I understood that. But in this chapter, Whalin makes the case that “to be a best seller, the book needs broad distribution to online plus brick and mortar bookstores who report their sales to a bestseller list. Balboa Press [a press that he uses as an example] is online and their books are not sold in brick and mortar bookstores.” This was not the case with my company, I assured myself. Whalin goes on to say that the overall production of these books is not good quality. Not mine. I'd already seen the cover and had worked closely with the artist. My book was beautiful! Whalin hoped this author didn’t spend a lot of money to produce her book.

Well, I did spend a lot of money. Harley's are expensive! As my alarm grew, I turned to the next page, where Whalin suggests doing a Google search to check out potential publishers, by typing "Publisher’s name + complaints." I did that and was in for the shock of my life. Not only were there a substantial number of complaints against my publisher, but these complaints were made by twenty-nine authors who had published with my company and created a revolt in a private Facebook page! Why? Not one of the twenty-nine had received one royalty check. Not one.

I spent two taxing days and sleepless nights reading the authors’ experiences, sent an email to one of them, and he invited me to join the group and tell them about my experience. The group welcomed me, and in their posts, I found the help I needed to obtain my files from the company and proceed to self-publishing my book. Most of them have published with IngramSpark and KDP at Amazon.

An attorney from the town where the company is located has gotten involved. He has agreed to help us for a nominal administrative fee. I enlisted his help. He is trying to get some of my money back. With his help, the company lost its Better Business Bureau rating as the company’s owner is not responding to repeated requests for authors' royalty checks. The goal for all of us is that we would like to see this company shut down. However, at this writing, the company’s website is still up, possibly snagging unassuming authors like I once was.

A Dynamite Editorial Staff
The sad part, and the part that boggles my mind, is that my experience with the editorial side of the company was a very positive one. Granted, I bought the top package, which might be why I was treated so well (other authors have written in their posts that they didn’t receive the service that they had expected). But the editors, illustrator, and support staff that I worked with did an excellent job. Lucky for me, I didn't lose any royalty checks because I found out about the authors' complaints in the nick of time. At the thought of seeing my book in print and not receiving any future royalty checks stopped me cold. I decided on the third day of my eye-opening odyssey, that I couldn’t live with that, and I cancelled my account. Thanks to help from the authors on our Facebook page, I was able to obtain the files I needed—the illustrations, the cover art, and the manuscript—to publish my book elsewhere.

Bottom Line
We—the twenty-nine authors and me—have agreed that we won’t stop until this company is taken down.

Sources: https://iapwe.org/the-difference-between-self-publishing-and-vanity-publishing/, International Association of Professional Writers and Editors, “The Difference Between Self-Publishing and Vanity Publishing, Jan. 21, 2019.
Visit https://terrywhalin.com/ to learn about his terrific book, 10 Publishing Myths.
Introductory image courtesy of https://www.educationworld.com. 

Linda Wilson, a former elementary teacher and ICL graduate, has published over 150 articles for adults and children, and several short stories for children. She has recently become editor of the New Mexico SCBWI chapter newsletter, and is working on several projects for children. Follow Linda on Facebook.

Descriptive Writing for Fiction and Non-Fiction

Make it Personable and Tangible

All of our writing, whether it be short stories, blog posts, essays, articles, or books are strengthened by using description details to engage our readers.

Descriptive sense words for sight, smell, sound, feel/texture, and taste, paint a picture for readers to enter the story. As long as the sensory detail fits the piece, the reader will form a viable mental image. The purpose of descriptive writing is to provide a written impression from which readers can easily form a mental picture.

Today we’ll talk about essays.
An essay is a non-fiction piece with categories that include expository, descriptive, persuasive or narrative. A descriptive essay is a genre of essay writing that describes an object, person, place, experience, emotion or situation. It can be a particular account of an event. We use sensory details, metaphors, analogy and simile to enliven the piece and help support the thesis.

Tips:
•  Make it personable, tangible.
•  Create the picture first in your own mind and your prose will follow with the details.
•  Details build the scene.
•  We make the topic tangible by placing it in a setting.

Essay structure includes a thesis statement, core paragraphs regarding the topic, and a concluding paragraph to wrap the discussion and reaffirm the thesis. An essay can be as long as needed to express your message.

Advice we often hear is “Show, Don’t Tell”.
But a telling narrative also has its place. Telling could be the better choice when describing an unimportant detail, to summarize events that happen repeatedly, or to give context to a scene. Still, whenever it works, we want a detailed description to engage the reader and to move the essay or story forward.

Cultivate Writing Descriptively
Move It Forward

It’s time to gather lists of sensory adjectives to prime our reserves.
These links will help.
* https://descriptivewords.org/ 

* https://grammar.yourdictionary.com/word-lists/list-of-descriptive-words.html

Magazine submissions for personal essays: https://thewritelife.com/personal-essay/

Contests for essay submissions:
https://www.writersdigest.com/writing-competitions-pricing-and-deadlines

https://writeradvice.com/latest-contest-information/

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts. 

Visit her writer’s website at: https://deborahlynwriter.com/   

See her caregiver’s website and her book for caregivers at: https://deborahlyncaregiver.com/

Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour