Descriptive Writing for Fiction and Non-Fiction

Make it Personable and Tangible

All of our writing, whether it be short stories, blog posts, essays, articles, or books are strengthened by using description details to engage our readers.

Descriptive sense words for sight, smell, sound, feel/texture, and taste, paint a picture for readers to enter the story. As long as the sensory detail fits the piece, the reader will form a viable mental image. The purpose of descriptive writing is to provide a written impression from which readers can easily form a mental picture.

Today we’ll talk about essays.
An essay is a non-fiction piece with categories that include expository, descriptive, persuasive or narrative. A descriptive essay is a genre of essay writing that describes an object, person, place, experience, emotion or situation. It can be a particular account of an event. We use sensory details, metaphors, analogy and simile to enliven the piece and help support the thesis.

Tips:
•  Make it personable, tangible.
•  Create the picture first in your own mind and your prose will follow with the details.
•  Details build the scene.
•  We make the topic tangible by placing it in a setting.

Essay structure includes a thesis statement, core paragraphs regarding the topic, and a concluding paragraph to wrap the discussion and reaffirm the thesis. An essay can be as long as needed to express your message.

Advice we often hear is “Show, Don’t Tell”.
But a telling narrative also has its place. Telling could be the better choice when describing an unimportant detail, to summarize events that happen repeatedly, or to give context to a scene. Still, whenever it works, we want a detailed description to engage the reader and to move the essay or story forward.

Cultivate Writing Descriptively
Move It Forward

It’s time to gather lists of sensory adjectives to prime our reserves.
These links will help.
* https://descriptivewords.org/ 

* https://grammar.yourdictionary.com/word-lists/list-of-descriptive-words.html

Magazine submissions for personal essays: https://thewritelife.com/personal-essay/

Contests for essay submissions:
https://www.writersdigest.com/writing-competitions-pricing-and-deadlines

https://writeradvice.com/latest-contest-information/

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts. 

Visit her writer’s website at: https://deborahlynwriter.com/   

See her caregiver’s website and her book for caregivers at: https://deborahlyncaregiver.com/

Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

Why I "Fish" Every Day (And You Should Too)

By Terry Whalin @terrywhalin

It takes great practiced skill to fish successfully. While some people fish for a hobby, the seasoned fisherman knows he has to fish many times to gain skill and also to catch fish.

To be honest, it has been years since I've been fishing but I “fish” every day. A fisherman puts his line into the water and is positioned to catch a fish. I put quotations around the word “fish” in the headline since I'm using fish for the word networking or connections. You have to be in the market talking and connecting with others every day to make a difference with your writing. Yes you need to craft an excellent book and good storytelling. I always encourage writers to learn that skill but you need something more than good writing. You need the right connection.

Much of publishing (and any business) is a matter of making the right connection with the right person at the right time at the right place. You can't make that connection working alone in your office at your computer or curled up with your legal pad writing your story.

What steps are you taking today to “fish” or network with others? It begins with your goals for your writing. Do you want to sell more books? Do you want a traditional publishing deal or are you going to self-publish? Do you want to build your platform or group of readers? Do you want more people to know who you are and what you ar doing? Then you have to make a conscious effort every day to reach out and touch other people.

Some of us reach out to others through Twitter.  I tweet frequently—like 12 to 15 times each day. To post frequently is one of the dynamics of Twitter. To be effective on it, you have to tweet often. I use Hootsuite to diversity and schedule my tweets. Look for tools to help you with social media.

Also I dig into my network of friends and connections. I pick up the phone and call people leaving little messages or connecting with them for a few minutes. On a regular basis, I speak with several literary agent friends. Why? Because these agents represent numerous authors who they want to get published.  Those agents need to be reminded that I'm constantly looking for great authors to publish through Morgan James. Our publishing program will not be right for every one of their authors. Yet it will be perfect for some of them. I'm looking for the right author—every day.

I have authors who have submitted their manuscripts and I'm scheduling calls with them to see if Morgan James is the right fit for these authors. I spend a great deal of time on the phone and answering my email but it's part of my daily work. Your daily work will be different but are you working every day at expanding your connections? I hope so.

I think about activity in the past which has been productive for me. For example, I've made terrific connections speaking at conferences. I'd like to do more speaking next year. It will not happen if I don't take any action. Instead, I'm making a list of conferences where I'd like to speak and conscious of who runs these conferences. Can I fill a need for this event with a workshop or keynote? There are numerous conferences and events where I can help others—but I have to be proactive to get on their radar.

My newest book, 10 Publishing Myths released in mid-December. I'm continuing to work to find people willing to read and review the book. It means I am looking for ways to promote it. 

It's not just with my new book but with older books. I continue to promote my Billy Graham and Jumpstart Your Publishing Dreams books (as well as other books that I've written or been involved with). Can I book a radio show or podcast or do a guest blog post or some other event to get in front of a new audience? The answer is yes but from my experience it does not happen without my initiative (sometimes but rarely). Most of the time these opportunities come through proactive pitching and follow-up work. Are you building this type of fishing into your daily schedule?

Throughout today I will be emailing and calling people. You have to have a line in the water to catch fish. What steps are you taking? Let me know in the comments below.

Tweetable:

This prolific editor and author will be “fishing” today and believes you should too. Get the details here. (ClickToTweet)
 
------
W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Book Proposals That $ell. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 200,000 twitter followers. 

3 Mistakes to Avoid When Writing Fiction

A few mistakes in your fiction can often make the difference between a very good manuscript and a not-so-good one that is rejected by publishers.

Below are just three of the most common mistakes in fiction that I see day after day as a writing instructor and writing coach:

1) Overuse of participle phrases to begin a sentence.

A participle phrase usually begins with a word that ends in the letters "ing."

There is nothing wrong with beginning a sentence with a participle phrase.

But when you do it too often, it begins to draw attention to itself and distract the reader from the action of the story.

Like this:

Reaching behind her, Mary grabbed her backpack and ran straight for the woods. Pushing branches and tangled vines out of her way, she was able to find the foot path. But a snake was stretched out across it. Turning around quickly and searching for another way through the forest, she suddenly heard someone call out her name.

Notice how clunky that sounds.

When you finish writing a story, go back over it and circle all the sentences that begin with a participle phrase.

If you have several of these phrases on each and every page, change most of them.

Like this:

Mary reached behind her and grabbed her backpack, then she ran straight for the woods. She pushed branches and tangled vines out of her way until she was able to find the foot path. But a snake was stretched out across it, so she turned quickly and searched for another way through the forest. Suddenly, she heard someone call out her name.

2) Dislocating or projecting body parts.

Yes, many writers actually do this in their stories.

The most common example of this is when characters' eyes leave their bodies.

Here's what I mean:

I was angry at my brother. I shot my eyes across the room at him and gave him a dirty look.

Yikes!

Was the poor brother left holding those eyeballs, or were they just stuck on the front of his shirt or something?

3) Dialogue that is punctuated incorrectly.

The most common example is when characters laugh words.

They simply can't do this.

Try it yourself.

Can you laugh and speak at the same time?

Not really.

Yet, when you use a comma to separate the dialogue tag from the dialogue itself, you are indicating the words were laughed.

Here's an example:

"I'd never try that in a million years," laughed Denise.

To avoid this mistake, simply use a period after the dialogue, creating two separate sentences.

Like this:

"I'd never try that in a million years." Denise laughed.

Each of these mistakes is easy to correct.

But now that you're aware of them they should be easy to avoid in the first place!

Try it!

For more writing tips and resources for writers, visit writebythesea.com, and don't forget to get your free subscription to The Morning Nudge.

Suzanne Lieurance is a freelance writer, author, and writing coach.

Children, the Environment, and Storytelling

Children, the environment, and storytelling: a few simple words yet when combined can become a powerhouse for teaching children the importance of taking care of our planet.

I belong to a number of writing groups and was a moderator of a children’s writing critique group. What I began to notice is how we as authors are missing the mark. I began to wonder why more authors aren’t incorporating conservation tidbits into their story telling.

Writers have the perfect format for teaching and molding children, and the perfect opportunity. From picture books to young adult novels, conservation and the environment are topics that authors should be thinking of writing about, or at least weave into their stories.

The saying goes, “you are what you eat,” well children become what they learn whether through their environment, including schooling, or reading. If young children are afforded reading material that paints a picture of the benefits and consequences of conservation in simple and entertaining stories, what better way to instill a sense that they can be part of the solution and help protect our environment.

If those same children, while growing up, continue to read fiction and non-fiction stories that make mention of conservation and our environment, how much more will it have an impact on them and become a part of their lives.

While most authors may not want to devote their time to writing books about the environment, just a sentence or scene woven into a story will certainly have an affect. It can be a subtle mention. For example, if it’s a scene with a couple of friends hanging out or on their way somewhere, one or two sentences in the scene might be:

Lucas held the soda bottle in his hand, aimed carefully, and tossed it right into the trash can.

“Nice shot, Lucas, but that goes in the recycling pail,” said Thomas.

This would be the extent of the comment or mention of conservation in the story. It’s short, almost unseen, and yet it becomes a part of the reader’s experience.

Isn’t this what writers want to do, leave an imprint in the minds and hearts of their readers? And, it’s all the more gratifying if it’s a child’s mind and heart that you're helping to develop and mold.

Why not make our lasting words take root in an impressionable child.

In addition to entertaining through our books and stories, we can make a difference in our future, our children’s future and the planet’s future.

I took advantage of using storytelling to engage children and bring awareness about our environment with a three-book picture book series: The Adventures of Planetman.

The first book is published: The Case of the Plastic Rings.

It's a great book for any children's home library and school library. Check it out to see how you can weave tips and awareness into your books.

And, you can check out my Books' page on my website for information on the second and third book in the series.

This article was originally published at:
http://karencioffiwritingforchildren.com/2015/07/27/children-environment-story-telling-2/

Karen Cioffi is an award-winning children’s author and successful children’s ghostwriter/rewriter. She is also the founder and editor-in-chief of Writers on the Move and as well as an author online platform instructor with WOW! Women on Writing.

You can connect with Karen at:
LinkedIn  http://www.linkedin.com/in/karencioffiventrice
Twitter  http://twitter.com/KarenCV

And, check out Karen's newest picture book: The Case of the Plastic Rings

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7 Gifts to Give Your Writer Self for Valentine's Day

Happy Valentine's Day, Writers!

Whether you you write full time, if writing is a passion project, or both, you are constantly creating. You are driven to write: to build new worlds, bring people's stories to the forefront, explore new genres and format ... and that's a good thing.

Writers, celebrate the love you feel for the work you do. Gift yourself something special for Valentine's day this year.

Here are some ideas:

1. Time. Set a weekly appointment to work on that passion project you never seem to get around to. An hour a week adds up, and you'll never create this potentially wonderful manuscript or story unless you earmark that time.

2. Patience. This is as true for writing as it is for anything else: people work on their own timelines, not yours. So, instead of getting frustrated that you haven't heard back from that agent or editor, give yourself patience. Breathe. And work on something while you wait. You know what they say about watching pots.

3. A Fresh Start. Do you feel frustrated with everything you are working on? Are you losing motivation and excitement? It may be time to reassess your goals and reboot your projects. You can put things on the side, too.

4. Sleep. Sleep in one day this weekend. Or ... sleep in one day every weekend. You work hard. You deserve it!

5. A Break. What's the one activity you keep wanting to do, but can't seem to make the time to actually do? Are you overdue for a walk or a workout? A cooking class or seminar? A movie or book club? Stop waiting for the right day. Just do it!

6. A Clean Office. Nothing is more refreshing that a tidy work space. Take the afternoon, file things, clean up. You'll be glad you did.

7. Gold Stars. Now, these don't have to be actual gold stars, but they can be. I'm talking treats. What makes you happy? Fresh writing supplies, a book by your favorite author, a meal out with a good friend? Reward yourself whenever you hit a milestone ... or on a holiday.

As a writer, it's important to acknowledge and celebrate all accomplishments. And a holiday, like Valentine.s Day, is a wonderful reminder to do something nice for yourself!

* * *

What is the best gift you have ever given yourself? Please share in the comments.

* * *

Debra Eckerling is the author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals. A writer, editor and project catalyst, as well as founder of the D*E*B METHOD and Write On Online, Deb works with individuals and businesses to set goals and manage their projects through one-on-one coaching, workshops, and online support. She is also the author of Write On Blogging: 51 Tips to Create, Write & Promote Your Blog and Purple Pencil Adventures: Writing Prompts for Kids of All Ages, host of the #GoalChat Twitter Chat, and a speaker/moderator on the subjects of writing, networking, goal-setting, and social media.

Carol Smallwood Interviews Author, Marketer Carolyn Howard-Johnson

The Great First Impression Book Proposal: Everything You Need to Know to Sell Your Book in 30 Minutes or Less, second edition
By Carolyn Howard-Johnson
Modern History Press
97816159948, $8.95, Paperback, $2.99, Ebook, 54 pages


Carolyn Howard-Johnson is the author of the multi award-winning series of HowToDoItFrugally books for writers including USA Book News' winner for The Frugal Book Promoter now in its third edition. An instructor for UCLA Extension's renowned Writers Program for nearly a decade, she believes in entering (and winning!) contests and anthologies as an excellent way to separate our writing from the hundreds of thousands of books that get published each year. Two of her awards are Woman of the Year in Arts and Entertainment given by members of the California Legislature and Women Who Make Life Happen, given by the Pasadena Weekly newspaper. She is also an award-winning poet and novelist who shared what she's learned.

Smallwood: I can see how you might be exhausted with two books released in a month, but I am hoping you'll share a little about the second one because it's brand new to me.

Howard-Johnson: I can see why you might be surprised because The Great First Impression Book Proposal now has "Second Edition" in it - even on Amazon. And it is really a booklet, closer to what we poets call a chapbook than a real book. So, most authors know me by the full book in my HowToDoItFrugally Series of books for writers, not the booklets for I rarely promoted them. I was just too busy with the information most every author needs for their books to be successful. That brings me to the fact that book proposals are a tool that most writers assume are only needed by authors of nonfiction as part of the sales process to find a publisher for it or an agent to represent their book to publishers but things are different now.

Smallwood: Please tell how it is different:

Howard-Johnson: Well, I didn't know it myself until I got an agent to represent the rewrite of my first novel This Is the Place. It is out of print and is now called This Land Divided. It is already an award-winner. The first chapter won WriterAdvice.com's Scintillating Starts contest, so I figured it would be easy to get an agent. But my agent, Terrie Wolf at AKA Literary wanted a book proposal! So I was the one asking, "Really?" Now that even big publishers expect their authors of about any genre to market or help market their books, most agents ask for a book proposal. It is a time-consuming process and most authors hate it. Lots of my consulting clients would rather pay me to write proposals for them than to ead the big, long, fat and utterly boring tomes that are out there as guides for the process. The trouble is, most authors can do it for themselves lots better than anyone else could. The author is the one with the voice! The author is the one with the passion!

Smallwood: Is that what lead you to write The Great First Impression Book Promoter?

Howard-Johnson: Exactly. I took the material I had written just to get the information I need to write a proposal for one of my clients and turned it into this booklet. I figured every author who must write a book proposal would rather learn how to do it in thirty minutes or so rather than read 300 plus pages! So, voila! There it is. 54 pages. Fast. I suspect the publisher at Modern History Press figured he could supply a copy of this booklet to the authors he was considering to get them to do the book proposal he needed - and they needed.

Smallwood: You say "they needed?"

Howard-Johnson: Actually, book proposals are great organizational aids. They can be a little like a story board for a film. They require all kinds of things an author and her publisher are going to need. Like a synopsis. A pitch. Nonfiction authors need a projected outline of their chapters or contents. But mostly a book proposal gets all authors thinking about their platforms and how to use them to market their books. Too many authors still believe the publishing works as it did decades ago. But we only need to be around a little while before we figure out that an author with a platform has an edge over an equally talented author who doesn't do much other than play with their friends on Facebook.

Smallwood: You're saying book proposals - for all the aches and pains - do as much for the author as they do for agents and publishers?

Howard-Johnson: Exactly. In fact all the planning and thinking they require can save them tons of time in the actual writing of their book. I remember reorganizing and rewriting the first chapter of my novel…well, lots of time. If I had an outline or storyboard or book proposal, I might have spend that time fine tuning the conflict, arc, characterization or whatever. A book proposal helps with all of that.

Smallwood: I don't remember seeing this book on your website.

Howard-Johnson: That's because Modern History Press did so much with it including a brand new cover from Doug West that blended with the new cover of the third edition of The Frugal Book Promoter. I love the typewriter. It reminds me of the one I used when I started out in journalism, which I did mostly because all of the smartest, cutest boys were on the high school journalism staff. There. Now you don't have to ask what got me into writing!

Smallwood: So, how can readers get this inexpensive, easy-to-read and use little booklet?

Howard-Johnson: "My" small press is as aware as big publisher are that a book isn't truly published without marketing. So Victor Volkman came up with the idea of using this book much like I had. It is available on Amazon as a hard cover, paperback, or e-book like all his books. (It was only available in the last two iterations when I self-published it.) And he is eager to get authors reading it because he feels as strongly as I do that it can make a huge difference to writing careers so he's also using it as a promotion. So those who the new release of my The Frugal Book Promoter, now in its third edition, directly from him at http://www.modernhistorypress.com/frugal/ will received First Impression Book Proposal at no additional cost. We both figure that a great way to get an author off on the right foot or to give her a nudge in the right direction even if she has already made a few really big mistakes. (Use the code GO Frugal, to get this extra benefit.)

Smallwood: Is there anything else you'd like to share?

Howard-Johnson: You know I have three full books full of things your audience should know. But here is just a teaser. Most authors misuse or underuse (or don't use) their review and interviews like this one to their advantage. They need to know a whole lot more about managing everything from managing Amazon reviews to getting reviews from the big journals like Library Journal. So, I'm suggesting my How to Get Great Book Reviews Frugally and Ethically: the ins and outs of using free reviews to build and sustain a writing career.

Carol Smallwood, reviewer, interviewer, and recipient of the Albert Nelson Marquis Lifetime Achievement Award, received a MLS in librarianship from Western Michigan University, MA in teaching from Eastern Michigan University. She’s done several dozen anthologies for American Library Association, Rowman & Littlefield, McFarland, and others; has had over a dozen collections of poetry and essays published; hundreds of stories, essays, interviews, poems, reviews in RHINO, World Literature Today, and others. A multi-Pushcart nominee in Wikipedia, the Michigan resident has founded humane societies.



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