Showing posts with label Conflict. Show all posts
Showing posts with label Conflict. Show all posts

The Meaty 5 PLANNING YOUR NEXT STORY: PART 4



The Meaty 5   PLANNING YOUR NEXT STORY: PART 4

So far, we’ve discussed your PREMISE, the PLOT POINTS and COMPLICATIONS, and SCENES.


Today let’s talk about determining the meat of the story which will help define what the story is about, who the protagonist is, what he/she wants/needs, who your audience is. Without answers to these questions, your story might be a great idea, but will it develop into a readable story?

These 5 points were the hardest for me to define. I had the most trouble with the THEME. It changed about fifteen times before I realized what it was.

First, let’s look at MOTIVE. This is not your protag’s motive, but that of the story. Here’s mine:

Tell a story set in the far future about how a strong female deals with an oppressive, male-dominated society.

Pretty straightforward. 

Next is DESIRE. This does apply to the protag. What is his/her biggest desire in the story? What must they accomplish or die trying?

Mine: to be left alone to live her own life her way, to meet her birth mother, her twin sister and be with the boy she loves without government interference.

GOAL. Every character in the story must have a goal. Even the antag has a goal. But here we are concerned with the protag’s goal. What drives your character?

Mine:  to get through this horrific experience, required by the government of all girls her age but escape if she sees a chance.

CONFLICT. I know you’ve heard this before, but it bears repeating: You don’t have a story without conflict. There should be LOTS and LOTS of conflict in a good story. We’re talking here about the MAIN conflict of the story and maybe one or two SUB conflicts.

Mine: Shawna’s bullying (jealous); government’s Generational Program which is inflicted on every girl age 12-20; internal conflict about who she is.

THEME. Like I said, this was the hardest for me. I read through list after list of possible themes looking for the one which fit my story. I found several, but they never seemed just right. For example, knowing who you truly are can make you strong enough to deal with adversity. While this is true of my character, it is not the theme of the entire story.  Information can lead to knowledge. Oppression leads to rebellion. By losing everything, sometimes you gain a true sense of self. While all of these held a glimmer of what the story is about, none were complete.

Then I thought of this one: Sometimes, it’s only by staring into the abyss one finds the courage to jump across.

This fit my story in many ways, which I listed in my notes and was pleased to see how well it fit. So don’t try on just one or two, keep looking for the right idea until you find the one that fits.

Another interesting way of getting the theme across is the use of Symbolism. What are some symbols you can use to establish the theme in the reader’s mind?

Mine: Rayna’s view out the window beside her top bunk is of a narrow street and the front of another tall building. The street is so narrow she imagines getting a running start down the central dorm aisle between the beds and launching herself to freedom across the chasm of the street, landing on the roof of the next building.

In the Exercise Yard, where they all go for one hour every day, Rayna presses so hard against the chainlink fence while staring down her street to freedom, that she become imprinted by the links on her cheeks, forehead, shoulders and hands.

Next month, getting to know your Protagonist.

For an in-depth discussion of these points be sure to read K.M. Weiland's Outlining Your Novel



Rebecca Ryals Russell, a fourth-generation Floridian, was born in Gainesville, grew up in Ft Lauderdale then lived in Orlando and Jacksonville with her Irish husband and four children. Due to the sudden death of Rebecca's mother, they moved to Wellborn, near Lake City, to care for her father, moving into his Victorian home built in 1909. After teaching Middle Graders for fourteen years she retired and began writing the story idea which had been brewing for thirty years.  Within six months she wrote the first three books of each series, YA Seraphym Wars and MG Stardust Warriors. The world she created has generated numerous other story ideas including two current works in progress, SageBorn Chronicles based on various mythologies of the world and aimed at the lower Middle Grade reader and Saving Innocence, another MG series set on Dracwald and involving dragons and Majikals. She is finishing a YA Dystopian Romance which has been a NaNoWriMo project for three years. She loves reading YA Fantasy, Horror and Sci Fi as well as watching movies.  Read more about Rebecca and her WIPs as well as how to buy books in her various series at http://rryalsrussell.com  You may email her at vigorios7@gmail.com

Tips for Writing Engaging Romance



I asked Romance Author Amber Lea Easton to sizzle up our blog today with some tips on writing romance. This is a growing market with all types of sub-genres, allowing the new to experienced writer to spread their wings and add some love to their book.

With Valentine’s Day only a few days away and lots of inspiration peeking around corners…maybe this little guest post will give you some new manuscript ideas.

Tips for Writing Engaging Romance



By Amber Lea Easton

All novels, regardless of genre, need captivating characters and hooks that pull the readers into the story.  Romance, in particular, is a character driven, highly charged genre.  In all great love stories, there needs to be an emotional connection, not just between the characters, but between them and the readers as well.  How do we novelists write engaging/believable romance without being cliché, crass or cheesy?  After all, emotion can go over-the-top if we’re not careful. 

 Flawed characters.  No one is perfect, even if the hero looks like a Greek God and makes you drool.  In order for the reader to connect, there must be a vulnerability that makes the character human.  Why root for someone if we think they’re superficial or mean?  

Attraction.  You may think that’s easy to write, but it isn’t.  Saying, “wow, he’s hot” is lame. Think about it...when you’re attracted to someone, don’t you have a physical reaction?  When I write attraction, I don’t tell the readers I show them through nonverbal cues.  In Riptide, when Lauren first interacts with Noah, I write, “little earthquakes of desire rocked through her until she thought she’d fall off the stool.”  For attraction to jump off the page, the reader needs to feel what’s happening, imagine being on that stool and talking with that man.  Non-verbal physical reactions are key to engaging the reader in this area, which we all know is a key element of any romance novel. 

Conflict. Nothing worth having comes easily, isn’t that the saying? Even though there is the attraction, there needs to be a conflict to overcome whether it’s trust issues, betrayal, or, because I write suspense, a life and death situation.  Even though I have the suspense in my novels that provides a natural plot conflict, there are still human conflicts that need to be worked out to make the characters believable.  We all have baggage--past heartbreaks, abandonment issues and what not--so the characters need those as well.

Sexual tension and sex.  The sex needs to come at a natural time in the evolution of the relationship, just like in real life. Now this timing varies from story to story depending on character development, but the readers truly need to be saying, “will they ever just rip each other’s clothes off already” before I give them satisfaction.  Writing sexual tension is fun...prolonging the actual act, building up to it...not only do the readers shift in the chairs with anticipation but so do the characters, which makes it all that much more rewarding when the sex scenes finally happen. 

Engaging romance readers is all about tugging at their heartstrings and making the characters as believable as possible.  We all want to be rooting for the happy ending and smiling when we turn the last page.  



Amber Lea Easton is a multi-published fiction and nonfiction author. For twenty years, she's worked in the fields of journalism and advertising with a brief detour into the financial industry.  Although she holds a BA in Communications & Journalism, she is a perpetual student of life who enjoys taking courses on a wide variety of subjects when time allows.  Smart is sexy, according to Easton, which is why she writes about strong female characters who have their flaws and challenges, but who ultimately persevere.

Easton currently lives with her two teenagers in the Colorado Rocky Mountains where she gives thanks daily for the gorgeous view outside her window. She finds inspiration from traveling, the people she meets, nature and life’s twists and turns. At the end of the day, as long as she's writing, she considers herself to be simply "a lucky lady liv'n the dream."


The World of Ink Network is touring author Amber Lea Easton’s contemporary romantic suspense (adventure) novel, Riptide throughout February and March 2013. You can find out more about Amber Lea Easton, Riptide and her World of Ink Author/Book Tour at http://tinyurl.com/a2azncg

To learn more about the World of Ink Tours visit http://worldofinknetwork.com

 
Visit Amber at:
Twitter - @MtnMoxieGirl

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