Freewriting Frees You From Your Inner Editor

How do you get rid of that inner editor—the devilish one that sits on one shoulder, whispering,

“That’s not very good. What makes you think you can write? You can even spell!” Or “Doesn’t that need a comma there?” Or “Is that the right word? I don’t think so.”

Freewriting or flow of consciousness is a great exercise to shake off that devilish inner editor and get yourself back into a fun, playful sense of creativity. I think Natalie Goldberg (Writing Down the Bones and Wild Mind) was one of the first who promoted this form of writing.

The rule for doing this is there are no rules. Choose a topic. Set a timer for ten minutes and put pen to paper. Do not stop for any reason. Don’t worry about commas and spelling and grammar. Don’t think about what you’re writing, just write whatever comes to mind, even if it’s “I can’t think of anything to write. This is a stupid exercise.” Something will come to mind. Go from there, see where it takes you. You may end up on a topic far from the one you started with.

But what do I write about? Anything you want. Something you see out your window, something that’s bothering you, a resignation letter to your boss, a mini-murder mystery in which you kill off your boss. When I teach beginning writing classes, I ask my students to make a list of 5-10 things they’d like to write about. Then each picks one and we do the 10-minute exercise.

Take something from your Work In Progress. Have your character talk to you or write you a letter. Write a page describing your setting. Pick a feeling and write everything you associate with that feeling: what’s your physical reaction? What smell does it evoke? What color do you associate with this feeling? Any tastes come to mind? Music? What memories?

You might end up with pages of drivel, but you might also find a diamond in the rough, something that could help with your WIP or be the beginning of a whole new novel.

Try it. You might enjoy it!

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A native Montanan, Heidi M. Thomas now lives in North-central Arizona where she blogs, teaches

writing, and edits. Her first novel, Cowgirl Dreams, is based on her grandmother, and the sequel, Follow the Dream, won the national WILLA Award. The next book in the series, Dare to Dream, and a non-fiction book Cowgirl Up! A History of Rodeo Women, have just been released. Heidi has a degree in journalism and a certificate in fiction writing.

How Much Emphasis Should We Use?

Isn’t it frustrating, when you’re writing, to figure out how to emphasize a word or a phrase? When you were starting out, did you (like I did) put words in ALL CAPS or in bold or underlined, or maybe all of the above? Oh yes, and let’s not forget the exclamation point!!!! The more, the better, right?

All of these methods are red flags that point to an inexperienced writer. I’ve had editors tell me no more than four exclamation points in the entire manuscript. When you submit a manuscript, agents and publishers do not want to see all caps, bold, or excessive exclamation points.

Here is some sage advice from pros: 

“Cut out all these exclamation points. An exclamation point is like laughing at your own joke.”  F. Scott Fitzgerald

“Five exclamation marks, the sure sign of an insane mind.” Terry Pratchett

“We only live once, but once is enough if we do it right. Live your life with class, dignity, and style so that an exclamation, rather than a question mark signifies it! “Gary Ryan Blair

When can you use an exclamation mark? 

“Fire!” Jane screamed. “Get out!” Fire is a good reason for emphasis, right? Well, maybe this is a little more than needed (two exclamation points plus "screamed.")

It’s better to show emphasis with action and dialogue. “I’ve had just about enough of this.” Maryann narrowed her eyes and turned to leave. (You can tell she’s not happy with the situation without adding any emphasis.)

You can emphasize a word with italics. But, use this method sparingly. Just like with exclamation marks, you don’t want to overload your manuscript. 

It used to be that editors wanted words underlined that were to be type-set in italic, but nowadays with computers, most accept and prefer italicized words. If you are submitting a manuscript, check your agent/publisher guidelines to see if they specify what they want.

So, for emphasis, challenge yourself to “show” the emotion you want to portray and try not to rely on the easy way out.

Anyone have any other ideas for emphasis?

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A native Montanan, Heidi M. Thomas now lives in North-central Arizona. Her first novel, Cowgirl Dreams, is based on her grandmother, the sequel, Follow the Dream,  won the national WILLA Award, and Dare to Dream rounds out the trilogy. In addition a non-fiction book, Cowgirl Up! A History of Rodeo Women has just been released. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of the Independent Editors Guild. She teaches writing, edits, and blogs. 

Commonly Misused Words

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” ― Mark Twain.

Words can have more than one basic meaning and some words sound similar but have a completely different denotation. For example:

(Wrong) Older people often suffer infirmaries.

(Right) Older people often suffer infirmities.

Some words are homonyms (sound-alikes) but mean very different things. For example, principal/principle or rain/reign/rein.

Then there are words with similar but distinct meanings.

            (Wrong) Television commercials continuously (unceasingly) interrupt programming.

(Right) Television commercials continually (regularly) interrupt programming.

Which vs That. Which is used to introduce non-restrictive clauses (extra but not essential information) such as in The leftover lettuce, which is in the refrigerator, would make a good salad. Which needs a comma preceding.

That always introduces restrictive clauses: We should use the lettuce that Susan bought. (This limits the lettuce to a specific lettuce.) That  does not need a comma.

And some words have related meaning (denotation) but different connotations:

·         Pride—sense of self-worth

·         Vanity: excessive regard for oneself

·         Firm: steady, unchanging, unyielding

·         Stubborn: unreasonable, bullheaded

·         Enthusiasm: excitement

·         Mania: excessive interest or desire

“For one word a man is often deemed to be wise, and for one word he is often deemed to be foolish. We should indeed be careful what we say.” — Confucius.

What words have you run across that are interchanged in the wrong way?

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A native Montanan, Heidi M. Thomas now lives in North-central Arizona.

Her first novel, Cowgirl Dreams, is based on her grandmother, the sequel, Follow the Dream,  won the national WILLA Award, and Dare to Dream rounds out the trilogy. In addition a non-fiction book, Cowgirl Up! A History of Rodeo Women has just been released. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of the Independent Editors Guild. She teaches writing, edits, and blogs.