Showing posts with label recognizing strengths. Show all posts
Showing posts with label recognizing strengths. Show all posts

Thursday, April 28, 2016

Three Ways Writing Builds Strength


"I never give in. I never give up. And I never take no for an answer."
Doris Roberts, Actress
1925-April 17, 2016
There are lots of ways to build strength in life: Eat right, exercise, get enough sleep, be social, stay mentally active. That last category? We writers have that covered in spades. After all, challenging our mental acuity is our game. I like to think for reasons beyond simply making an effort to stay healthy.

Tucked into suggestions to challenge our gray matter by the Alzheimer's Organization, which lists such activities as attending lectures and plays, playing games and working crossword puzzles, is writing. With all that serious writing entails we writers must be way ahead of the game.

Subtle Strengths Reaped from Being a Writer
1. Don't talk about it--DO IT: How often have you had this conversation with someone who wants to lose weight?
  • Weight Loss Challenger: I'm trying to lose weight.
  • You: Good for you.
  • Challenger: My goal is 15 lbs. but I don't know if I'll ever get there. I've tried every kind of diet and nothing works for me.
                                                                    STOP!

Too often the person who talks about weight loss winds up in an endless weight-loss-weight-gain cycle and doesn't reach her goal UNTIL she stops talking about it. Only then can she get down to business and DO IT. It takes strength to drum up the necessary discipline.

I use this example to illustrate the mistake I made as a beginner writer and the mistake other beginners might make: I talked about what I planned to write, even expounding on the details of the piece/story. Maybe I even started the project . . . but never finished it. Why? Talking about what you're planning to write can take the wind right out of your sails--it can rob you of the energy you've put into coming up with your idea in the first place, so that when it comes time to write, your enthusiasm is gone.

2. Now that you've leaped over one of your initial hurdles, pouring out your heart and keeping it between you and the page, you find that you soon enter THE ZONE--that magical place any serious creator occupies while working, be it an athlete, a musician, a homemaker who establishes a loving and pleasing environment--it doesn't matter. The very act of creating will get you there. The world will open up to you. You'll be in the candy shop, given carte blanche to pick any kind of confection you want: cake, ice cream, cookies; or hey, anything made with semi-sweet chocolate, my personal favorite (while being "strong" enough not to gain weight, mind you). You will begin to build or continue to build on your knowledge and skills and explore any and all aspects of life to your heart's desire. A writing friend once told me one of the benefits she loves about writing is that you become an expert on many subjects and you carry this knowledge with you for the rest of your life. There's a great deal of strength in that.

3. Learning your craft and sharpening your skills: This is a great accomplishment. You literally transform yourself into the ranks of successful people who have arrived at their success like you have, from their relentless efforts and hard work. A likely trajectory to becoming an accomplished writer can go something like this:
  • Write for your school newspaper beginning as early as possible; then become editor.
  • Establish a place to write and a schedule so that you write regularly every day, if possible.
  • Keep a journal. Come up with subjects that are important to you and think of ways you can write about them.
  • Take courses, read "how-to" books, join writing organizations and attend workshops and conferences. Share your writing with other writers.
  • Explore publication outlets online, at the library, with writing organizations you belong to. Find a publication(s) that would welcome what you have to say.
  • Learn photography, a handy skill to accompany your writing.
  • Learn how to speak in front of others.
  • Network, see what other writers are doing and learn from them. We are a sharing group .We have been known to go to great lengths to help and promote our fellow writers.
Before you know it you will have found your niche and if you keep working at it you will eventually reach your goals. Once you've reached your goals you can flex those buff writing muscles you've developed to benefit yourself, your readers and those fortunate enough to come in contact with you.

Photo: Courtesy of en.wikipedia.org

Linda Wilson, a former elementary teacher and ICL graduate, has published over 100 articles for adults and children, and six short stories for children. She worked as a weight-loss counselor for several years and understands firsthand the challenges facing anyone wanting to lose weight. Recently, she completed Joyce Sweeney's online fiction courses, picture book course and mystery and suspense course. She is currently working on several projects for children. Follow Linda on Facebook

Sunday, December 28, 2014

Networking: A Writer's Greatest Gift

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
                                                              Robert Frost, "Stopping by Woods on a Snowy Evening"
Imagine settling into a cozy cabin, sparkling clean with bed made and fridge stocked; prepared
expressly for you so that you may be free of distractions and focus solely on your writing.There is a schedule to keep. Of workshops and informal discussions presented by some of the dearest, most talented and successful children's writers of our time. Delicious meals to enjoy, lovingly prepared by a most welcoming and friendly staff. It's not a dream. It's a Highlights Foundation workshop.
 
The Gift that Keeps on Giving
So much is reaped from this experience it cannot be fully described in one sitting (See the links to my posts below). Your presence at a Highlights Foundation workshop is a gift to give yourself at any stage of your writing journey, from beginning to publication. To this day I continue to benefit from the "Books that Rise Above" workshop I attended in October 2012. Priceless is the information gathered and wisdom shared. But, it is the people I met who have made all the difference.

The very first participant I met was Rob Sanders, http://robsanderswrites.com/HOME.html, a creative writing teacher for K-fifth grade whose first picture book, Cowboy Christmas, had just been released by Golden Books-Random House. Two of his latest picture books, Outer Space Bedtime Race and
Ruby Rose on Her Toes, will be released in 2015 and 2016. Rob asked me if I had ever heard of Joyce Sweeney. Joyce is an award-winning author of fourteen novels for young adults and one chapbook of poetry. She has had numerous poems, short stories, articles and interviews published, and is involved with live theater productions as well. Rob said that Joyce has a unique approach to writing for children that she explores and shares in several online courses. He suggested I get in touch with her and see what she has to offer. I've been working with Joyce ever since and have had the pleasure of attending one of her workshops and having lunch with her on a recent trip to Florida where she lives.

Come get your Confidence here!
I have taken two of Joyce's online courses, Fiction Writing Essentials and Picture Book Essentials. To give you an idea of what can be learned from Joyce's courses, she has agreed to allow me to share one part of her philosophy, a most important part, that offers a writer a way to rise above the details and see the big picture of his or her work. It is a way to recognize a writer's strengths and weaknesses. Once identified and understood, a writer can build on the strengths and study the weaknesses in order to make them stronger. The four parts of concentration are Concept, Voice, Plot and Structure.
  • Concept: The idea of your book. You should be able to articulate the concept of your book. If you're slow, face it, you have a concept problem.
  • Voice: All aspects of the way you use language. You can dazzle your readers if your voice is good. If you think everyone else sounds better than you, then your voice needs work. Work at it, refine it, don't give up too soon.
  • Plot: A series of (mostly external) events that happen to the mc. Most writers are bad at plot. Things need to happen to your mc, things that test him or her. Plot is what stories are all about. Your mc needs to go through something that is valuable and important. Read The Heroe's Journey, described on this website: http://www.thewritersjourney.com/hero's_journey.htm. Watch movies and take notes.
  • Structure: Delivery system. Structure is the vehicle that carries the reader through the story. Examples of structure: Point of view, Time sequence, Length of chapters. To be good at structure you need to know how to show.
Put your Stories to the Test
Joyce says that every writer needs to ask the question: What am I good at? What needs work? Her weakness was once Plot. When she realized that she took the time to study plot and she improved. Here's an idea: Take a good, honest look at your rejections. Decide what is missing, what is weak. Then work to improve it.

Bottom line: There is always something to work on, always something to improve.

To Market, to Market?
Marketing could be a problem, too. If rejections mount up, it's likely that you've gone to market too soon. You need to work on your craft more.
 
Do this:
  • Work harder
  • Revise more
  • Study more
  • Make draft upon draft until you come up with something that's DAZZLING--a work no one can resist
  • Remember: It takes years for the best of writers to get published. There is always work to be done.
Personal note: Joyce's courses offer a wealth of knowledge. Take the knowledge she so graciously and enthusiastically shares and run with it. But the most valuable thing I learned from Joyce is to respect myself as a writer, to take pleasure in my humble attempts, to view my mistakes as stepping stones toward my goal and to revel in them for my mistakes are my teachers. I had heard this before but what Joyce gave me that no one else could is reassurance, reassurance that my efforts aren't in vain and that if I stick with it and don't give up I will succeed.

Give yourself a gift this holiday season and check out Joyce's plot webinar that can be purchased and downloaded, the next round of Fiction Writing Essentials that starts in February, and much more by visiting her website:  http://www.sweeneywritingcoach.com/.

Part One: Two Ways to Hook and Keep Your Reader
Part Two: Nouns Need to be Concrete and Appear More than Once
Part Three: Tent Pole Structure
Part Four: Leonard Marcus: Maurice Sendak, Storyteller and Artist
Part Five: Leonard Marcus: Let the Wild Rumpus Start
Part Six: Behind the Scenes with Deborah Heiligman
Part Seven: Deborah Heiligman's Casual Scream
Part Eight: On the Same Page with Betsy Bird
Part Nine: Patti Lee Gauche's Concluding Thoughts: Have your Own Standard of Excellence

Photo courtesy of: http://ewallpaperhub.com/free-winter-desktop-wallpaper/



Linda Wilson, a former elementary teacher and ICL graduate, recently completed Joyce Sweeney's online fiction and picture book courses. She has published over 40 articles for children and adults, six short stories for children, and is currently developing several works for children. Follow Linda on Facebook.

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