Showing posts with label Agents and Editors advice. Show all posts
Showing posts with label Agents and Editors advice. Show all posts

Friday, September 27, 2019

Agented Authors Share Tips on Finding an Agent

Once you’ve landed an agent and have sold your first book—then what? At this month’s SCBWI-NM ShopTalk meeting, our panel of four agented and published authors shared their experience to the delight and enlightenment of our members.

Advice to Help Find Your Way
Kyle T. Cowan: Kyle, actor and author of Sunshine is Forever, majored in screen writing. He says there is no one way to find an agent. Each author’s experience is different. Kyle googled and sought agents looking for what he writes.
Along Kyle’s journey, he was advised to turn one of his screenplays into a novel—a jump, he says, into a new dimension. “Screenwriting is all visual. You write only what you see; write the scene from the action is happening and then you add the dialogue. There are so many layers in a book.”

Q: Is it possible to change genres with your agent?
Kyle: This is a good question to ask when you’re interviewing agents. Some agencies, such as Andrea Brown Literary Agency, will represent across-the-board, or give you permission to find another agent. Be aware: some editors and publishers want their authors to stay in the same niche and genre. Keep that in mind. They’re interested in you and your brand.

Loriel Ryon: Loriel’s debut novel, Into the Tall, Tall Grass, grades 5 & 6, is coming out in April 2020, with Margaret. K. McElderry Books. Loriel also googled middle grade agents and looked in Acknowledgements for names in her search. She is working with an associate agent and has found the communication with her to be excellent. The importance of having an agent to Loriel is that her agent explained her contract for her and will deal with anything that could go wrong.

What helped were two excellent current comps—comparative or competitive titles—which she believes can help get an author in the door. Her editor is totally different. She raises questions and doesn’t try to solve them for her.

Caroline Starr Rose: Among Caroline’s books are Blue Birds, Jasper and the Riddle of Riley’s Mine, May B., and her latest book coming out in 2020, Miraculous. Caroline submitted to slush piles for twelve years before an editor advised her to get an agent. She does not advise this, but to seek an agent right away. An agent will get your foot in the door much quicker. Most important: Do your homework. Know what agents are looking for. Choose an agent you feel good about working with, and someone you can have a long-term relationship with.

Kit Rosewater: Kit’s debut novel, The Derby Daredevils, coming out in early 2020 and is currently working on Book 2. To find an agent, read reviews, social media, and publications such as Publisher’s Weekly.

Kit says having an agent is insurance. Agents are there for anything that goes awry. Her agent fought for Kit to get the illustrator of her dreams. Kit cc’s her agent in all emails with her editor. To get your book ready, Kit suggests asking people who are not writers or critique partners, CP’s, to read it, one round each. She polishes after each round.

More Sage Advice:
  • Check out this helpful website: www.manuscriptwishlist.com.
  • Build your brand as an author, not your series or book titles.
  • Send thank-you’s to readers who pre-order; create a database to stay in touch with important contacts and readers.
  • When things are quiet at the publisher’s, not to worry. More is going on than you realize.
  • Consult SCBWI’s The Book for resources such as critique partners, agents and editors.
  • Make sure the revisions requested by agents and/or editors fit your vision of your book.
  • With picture books, have three books under your belt to offer more if the one that is being considered is not accepted.
  • Pay for a professional edit to get a book ready.
  • Last but not least: Never pay an agent up front. Agents get paid when you get paid. 
Introductory Photo: By Linda Wilson

Linda Wilson, a former elementary teacher and ICL graduate, has published over 150 articles for adults and children, and several short stories for children. She has recently become editor of the New Mexico SCBWI chapter newsletter and is working on several projects for children. Follow Linda on Facebook.

Saturday, August 18, 2012

When it the best time to build an author platform?


There seems to be differing opinions about when or even if authors need a platform.

I cannot stress enough that with today’s digital world, the state of publishing, and the number of books written per year, the time to build a platform is before you begin writing your book.

Disagree if you wish, but publishers ask authors about their following, promotion, and willingness in helping market their book.

How do authors accomplish this? By the use of platforms, such as blogs, websites, social and network marketing, book signings, and the author finding bookstore shelf space on their own.

Publishing is no longer, as it was in the past. It is up to the author to be a publicist, marketer, and promoter for their book; or hire someone for all of this. Hiring someone is the easy way out for authors, but also expensive. Most authors cannot afford the cost of an agent, publicist, salesperson, and marketer, which would run thousands of dollars.

This leaves the author to do it all. Build a blog about your book project keeping the potential reader up to date with how the book is advancing. Build an authors page, use social media, make regular updates, and make a trailer for your book.

I may repeat this information, but it is only to stress that in today’s publishing environment, more is up to the author than ever before in publishing.

Many authors are opting to self-publish for more control over price and format. The author’s ability to create digital books for readers, and having their book edited by publishers in ways that go against ways the author intended the book. There have been title changes in publishing houses, changes from book to movie, and more.

Authors should have their book published the way they wrote it.


Robert Medak
Freelance Writer/Blogger/Editor/Reviewer/Marketer

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Sunday, July 8, 2012

Why Your Submissions are Rejected

Here are the top fifteen reasons agents and publishers reject our submissions. Provided by Anne Mini, from the 2006 Surrey, B.C. writers conference. Check her blog for more reasons and explanations.

1. An opening image that did not work.

2.Opened with rhetorical question(s).

3. The first line is about setting, not about story.

4. The first line’s hook did not work, because it was not tied to the plot or the conflict of the opening scene.

5. The first line’s hook did not work, because it was an image, rather than something that was happening in the scene.

6. Took too long for anything to happen (a critique, incidentally, leveled several times at a submission after only the first paragraph had been read); the story taking time to warm up.

7. Not enough happens on page 1

8. The opening sounded like an ad for the book or a recap of the pitch, rather than getting the reader into the story.

9. The opening contained the phrases, “My name is…” and/or “My age is..."

10. The opening contained the phrase, “This can’t be happening.”

11. The opening contained the phrase or implication, “And then I woke up.”

12. The opening paragraph contained too much jargon

13. The opening contained one or more clichéd phrases.

14. The opening contained one or more clichéd pieces of material. (The most I counted in a single submission was 5.) Specifically singled out: a character’s long red or blonde hair.

15. The opening had a character do something that characters only do in books, not real life. Specifically singled out: a character who shakes her head to clear an image, “He shook his head to clear the cobwebs.”

Have any of you received anything similar or different reasons? 

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A native Montanan, Heidi M. Thomas now lives in Northwest Washington. Her first novel, Cowgirl Dreams, is based on her grandmother, and the sequel, Follow the Dream, has recently won the national WILLA Award. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of Northwest Independent Editors Guild. She teaches writing and edits, blogs, and is working on the next books in her “Dare to Dream” series.  

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