7 Ways to Overcome Writer’s Block

Guest Post by Ken Myers

Sometimes the hardest thing to overcome in writing is the inability to write. You may have all these great ideas swimming around in your head, but they’re meaningless if you can’t get them down on paper. Nothing is more frustrating than staring at the screen, waiting for something to come pouring out of your fingertips, only to be left with nothing more than a blank page. It can be disheartening, frustrating and even leave you feeling hopeless. This inability to write, known as writer’s block, is a mental block that keeps you from being productive as a writer. Whether you write for your profession or for a hobby, writer’s block will be something you will face at some point. However, you can overcome it. Here are a few ways that you can beat the infamous writer’s block and get back to work:

1.    Start Writing –This sounds deceptively simple. Just write! Easier said than done, isn’t it? However, I don’t mean you can just start being creative when you have writer’s block. What I mean is that you need to go through the actions. Our bodies and minds have connections that we are not consciously aware of, so even though your mind may not be cooperating, you can force your body to go through the action of writing. Write about how much you hate writer’s block. Write about what is on your desk or what you can see from your window. Write one word over and over again. Just write. The act of writing itself is often a trigger for creativity. Keep in mind where and how you are writing as well. If you usually write at your computer in your office with your headphones on, then go through the whole experience. Do not just think you can plop down in the living room and write the same way you would in your office space. To get the full effect, the entire atmosphere must be prepared for you to do some serious writing. If you always write in the mornings, then sit down at the same time and write. You can actually fool your body and mind into believing you are being creative BEFORE you start being creative. I am not saying that this always works, but many times you’ll find yourself writing for real before you are even consciously aware something has changed. Habits do matter.


2.    Do Something New – If the first way didn’t work for you or you don’t want to try it or you just can’t do that right now, then try this next way. Sometimes writer’s block is not due merely to uncooperative minds. Sometimes you are just burnt out or out of new ideas. When you write every day or very frequently you can easily run out of fresh things to talk about. This is compounded if you do not have anything new coming in. Routine is great, but you need to shake things up once in a while. Do something new. Try out a new hobby or sport or activity. Check out a play or a new band. Join a club, volunteer at a food bank, eat at an ethnic restaurant. Everything new you do adds to your experiences, and that means you have more to write about. If you can’t get out and do something new then go online. Invest yourself in a new group. Cat people, gamers, sports fans – they all have forums, groups and websites online. Most groups love new members and are more than willing to introduce you to their passion. New genres of books, new types of art, and even new television shows can open up your mind to new ideas and get your creativity flowing again.

3.    Change Your Perspective – Related to doing something new, try viewing your writing in a new way. Look at what you want to write from a different perspective. For fiction writers, if you are writing from the hero’s perspective, try being the villain for a while. How do things change? How do characters look from the other side? You may get insight into a whole different world within your writing, which can help you want to write again. For non-fiction writers, you know you have an internal bias. You are for or against whatever you are writing about, no matter how balanced you try to be. Instead of being balanced, why not play Devil’s Advocate and be vehemently opposed to your natural viewpoint? Writing as your own critic can open you up to flaws in your argument that can actually enhance your viewpoints and make them stronger. Or you could change your own mind! Both fiction and non-fiction writers can also look at their idea from the reader’s point of view. What if a teenage boy read your writing? A retired lawyer? A police officer? A factory worker? A parent? Looking at your writing from a new point of view is sure to open your mind to new possibilities.

4.    Find Inspiration –Another way to open up your creativity is to find inspiration. Inspiration can come in many forms. Many of us are inspired by other writers. Reading something by our favorite author can often stimulate our own creativity. Or something by a new author can spark an idea we may not have imagined. Some people find inspiration in nature. Like Walden, getting out into nature and back in touch with the Earth can inspire new ideas and concepts. Being out in the woods alone, by the sea shore or at a calm lake can be both relaxing and invigorating to the mind. Other writer’s find inspiration in people. People watching at a park or gathering place can fill your mind with new characters. Talking to people about their lives can spark inspiration. Although many writers are not going to invest in a biography, the stories people tell become part of your memories and can inspire future writing. Visual art and beauty can also open the mind to new ideas. From sculptures to abstract art to photography, the visual aspects can inspire ideas.

5.    Get Active –Sometimes writer’s block can be more physical than mental. You are just plain tired. The human body was not meant to sit in one place for long periods of time. After a while you get knotted up, achy, sleepy and distracted. Instead of fighting to be productive in these circumstances you should get active!Do some jumping jacks and stretches at your desk, go for a walk outside, take the stairs up and down, turn on your favorite song and sing and dance along with it. Getting your blood pumping gets your mind moving and prevents those pesky aches and pains. When you do sit down again you will feel full of energy and ready to get started.

6.    Make an Outline – One thing that often happens to writers that makes it hard to write is that they have too many ideas at once. Sometimes your head gets filled up with all these great ideas and you can be scared to pick one in fear of forgetting the others. Get around this by writing everything down. Take quick notes on your ideas, fleshing them out briefly so that you don’t forget them. Once you figure out which one you want to focus on, create an outline. This does not mean you have to write according to your outline. You can still go with the flow and let your writing shine. However, having an outline available helps keep you on track when you get bogged down. You can easily look over and see what was coming next without having to keep it all in your head. It is much easier to focus on the now without having to keep track of the future as well. Writing down your ideas and creating an outline frees up your mind to concentrate more on what you are doing and can help you overcome a block.

7.    Turn Off Distractions – Last but not least, distractions can be a huge reason behind writer’s block. You may not even be aware you are being distracted sometimes. Things like construction noise, people talking, movements and even the climate can affect your concentration. Not to mention phone calls, texts and social media. The constant barrage of sensory information can overload your brain, making it impossible to focus on writing. Help your brain regain its calm by turning off the distractions. Shut down your phone, unplug the internet, shut the door or window and turn on some white noise. Many times you can control the distractions around you. White noise, nature sounds, and instrumental music can all help you block out disturbing sounds and keep you focused on your writing. People can also be a distraction, especially if you work in an open office or from home. Try to set strong boundaries with your co-workers or family. Let them know that you are not to be disturbed during set hours when you are writing. Having a set time to write frees you up to not answer emails, phone calls, or even open your door. It is not wrong to make time to concentrate, and if you make it a regular thing then you will be disturbed less and less frequently.

Writer’s block can be hard, but it is not insurmountable. Don’t give in to the feeling of hopelessness and frustration; instead, act to overcome it. There is always something you can do. From getting away to getting focused, you can overcome writer’s block and be productive once again.

About the Author:

Ken Myers is a father, husband, and entrepreneur. He has combined his passion for helping families find in-home care with his experience to build a business. Learn more about him by visiting @KenneyMyers on Twitter.

~~~~~
MORE ON WRITING

How to Write Satisfying Endings
Preserving the Old in a Digital World
Writing Murder Mysteries – Understanding Profiling

Freelance Writers: How to Stay Focused on Developing Your Writing Career

by Suzanne Lieurance, the Working Writer's Coach

One question I hear over and over again from the writers I coach is, "How do I get focused and stay that way?"

That's a good question. Even seasoned professional freelancers have trouble staying focused from time to time. And they usually find their writing careers start to suffer when that happens.



Here are some tips for getting focused on developing your freelance writing career and staying that way:

1. Brainstorm for a few minutes and make a list of all the things you like to write about. Once you've got several things on your list, narrow the list down to just your top two areas of interest. Stick with these two areas or topics for awhile. Any writing or research activities that don't come within these two areas of focus should be set aside - for now.

2. Every Sunday evening, or Monday morning, sketch out your marketing plan for the week. And remember, keep your two areas of interest in mind when you do this. Only put things on your marketing plan for the week that relate to your two areas of interest. If you've decided you love to write about parenting, for example, but you'd like to finish that novel you started years ago, don't even think about the novel right now. Instead, focus on the kinds of parenting articles you want to write. Start studying the different parenting publications you find at your local bookstore or library to get a feel for the kinds of articles they publish. Then, get busy and write some queries to a few of these markets.

3. Start small. Make just a few simple changes in your life that give your writing priority. For example, if you're trying to develop a freelance career while still holding down a full time job, don't over work yourself. You'll only end up frustrated and disappointed. However, do plan on structuring your days to give yourself at least 15 to 30 minutes EACH day to write queries or articles, research markets, or study books about writing techniques. Too many people think they have to allocate huge amounts of time in order to get a writing career started. And, since they don't have huge amounts of time available for writing, they don't write at all, so they never develop the freelance writing career of their dreams.

On the other hand, if you decide you absolutely MUST write for at least 15 minutes, every single day, and you stick to that, soon you'll see some big improvements in your writing and you'll also begin to feel more in control of your life. It doesn't matter when you schedule the 15 to 30 minutes. It could be in the mornings, in the evenings, or on your lunch hour at work. The important thing is, just do it.

4. Part of your weekly marketing plan should include how you will network with other businesses and other writers each week. Don't neglect this part of the marketing plan. Even if the only way you network with other writers is through a listserv or private email with another writer, make sure you do this each and every week. Contact with other writers will keep your passion for writing alive, even when the pressures of work and family threaten to make you lose focus. And networking with other business people just might result in a few writing assignments.

5. Have fun with your writing. Don't turn it into just another chore. If you do, chances are you'll give up on the idea of freelance writing very quickly. And, if that happens, you'll just feel disappointed in yourself again for failing to follow through on your dream.

Try all of the above tips for awhile. Then – if you find you can't manage to stay focused, or develop a marketing plan each and every week, or actually write queries or articles to submit to publishers – hire a writing coach. A good coach can keep you focused, will help you improve your writing skills, and will teach you insider tricks to marketing your work.

Suzanne Lieurance is an author, freelance writer, certified professional life coach and writing coach, speaker and workshop presenter. She has written over two dozen published books and hundreds of articles for newspapers, magazines, and other publications. She lives and writes by the sea in Jensen Beach, Florida.

Visit her blog at www.writebythesea.com and for daily tips to help you stay focused on your writing career, get your free subscription to The Morning Nudge at www.morningnudge.com.

Writing Commitment - It Can Be a Positive Thing

Guest Post by Irene S. Roth

    Most writers hate the word commitment because it usually has negative overtones. To be committed is to dutifully complete a project or to create an obligation to write a certain amount every day. So, commitment always requires something from writers. Is there any way of viewing commitment in a much more positive light so that writers don’t panic at the very thought of commitment?

    Commitment in itself doesn’t have negative overtones. Writers have to reframe what it means to be committed to their writing projects. Without commitments, it can be difficult for writers to actually complete writing projects on time. And many times if writers work with publishers and editors, they will have to make many time commitments to complete projects. That is all a part of the writing life and being a professional writer.

    There are ways of viewing commitment in a positive light.  Here are a few such ways.

1.    Commitments can give writers structure

Many times, writers tend to find it hard to schedule writing projects. However, if a writer commits to the project, she will create a writing schedule to complete the project in a timely fashion. And this will boast the writer’s self-confidence, productivity and success quotient.

2.    Commitments can help writers complete projects

So many writers have a difficult time completing writing projects. They start off being on fire and motivated but as time goes on their motivation dwindles and the drive to complete projects is curtailed if not ruined altogether. Many times, this is because other things and life intervenes.  But most times it is because our motivations tend to fluctuate.  Commitments can solidify a writer’s motivations and make them firmer.

3.    Commitments can help the writer determine the most important writing goals

So many things come across a writer’s desk in a given week. If a writer doesn’t make commitments to certain writing projects, she will probably take on projects and assignments that will take her any closer to completing her own main writing projects. Commitments can change that by ensuring that the writer does first things first at all times.

Given all the benefits of creating commitments, writers can’t afford not to commit to writing projects. After they have committed to them, they will be able to take steps to complete their most important projects and be successful. This will create self-confidence and ensure that the writer can start the next project and complete it too after this particular project is complete.

So, writers should reframe how they view commitments. Instead of being something negative, commitment can be positive and ensure that the writer will be most successful. And once a writer completes one project that she committed to, she will be able to commit to others as well. 

Try it!

Irene S. Roth
Freelance Writer, Author, and Editor

Irene writes for teens, tweens, and kids about self-empowerment. She currently has two empowerment books published, one for tweens and one for kids. She also leads workshops on the craft of writing through Savvy Authors.




~~~~~
MORE ON WRITING

Writing and Pacing – To Beat or Not to Beat
Writing for Children – Which Came First, the Chicken or the Egg?
The Dossier – Who is the Character?

~~~~~
P.S. If you haven't yet, please sign up for The Writing World newsletter (top right sidebar). You'll get weekly writing and marketing tips!

Writing Themed Gift Books

It’s that time of year again when people struggle to find just the right gift. This is especially so in tough economic times when people can't afford big lavish presents. Beautiful holiday themed gift books are always welcome gifts, especially when you match the gift to the recipient. So as authors, this is a ready market and one that you can fill with your own personal talents.

You could, for example, write a children’s book, a novel, or a nonfiction book of essays built around a holiday theme. Or, as Carolyn Howard-Johnson and I have done, you could create an attractive poetry book. What Carolyn and I have done is to keep our books to greeting card size and greeting card price, so that people are encouraged to purchase the book to tuck into a stocking or give with a box of Godiva chocolates or a bouquet of flowers. This way the books fit all budgets and provide a beautiful gift that can be customised for any recipient. We even offer Blooming Red (our Christmas themed book) in quantities of 25 or more, just like cards, at a 40% discount. The cover by Vicki Thomas is certainly pretty enough for a card--or a basket.  

You can find more information on the many holiday themed booklets that we've created on Amazon or on at Carolyn’s Web site at http://howtodoitfrugally.com/poetry_books.htm. Many of the books have won or been shortlisted for awards and have not only been fun to create, but have proved to be very popular promotional tools for us, some even hitting #1 on Amazon.  Although writing a book is never easy, building a book around a holiday theme is a great way to create work that is easy to promote and will meet a market niche. Why not drop by Carolyn's site, which is full of samples, videos, ideas and freebies. Have a look at the many themed gift books we created, and of course, steal the idea and customise it to suit your own particular area of expertise.  You have my permission.  Of course if you’ve got hard-to-buy people on your list, you might even like to grab a copy or even a set to giveaway as cards.  Happy holidays! 

Trust your Readers--Part 1

One of the hardest writing skills to master is the art of knowing what to take out.  Many rough drafts are guilty of repetition and over-explanation.  Consider the dangers of spoon-feeding your readers.  At best, you'll come off as lacking subtlety.  You'll rob your readers of the chance to exercise their brains.  At worst, you'll annoy them or insult their intelligence.  If you want to lose readers, there's no better way than by talking down to them.  If you want to keep readers, set things up and then trust them to draw the conclusion for themselves.

Problem #1:  Showing and then Telling.

A lot is said about how writers must "show, not tell."  Generally it's good advice, though telling sometimes works better and you shouldn't be afraid of using both strategies, depending on the situation.  What you really want to avoid is showing and then telling.  Here are some examples.

He slammed his fist against the table, stood up, and threw the telephone at the wall so hard the paint chipped.  He was angry.

Your reader figured out he was angry from his actions.  Cut out the last three words and let the action stand.

"What?  I had no idea!"  Ben was surprised.

The dialogue indicates Ben's surprise.  No need to tell us.

People were sharing seats, squatting in the aisles, and pressing themselves against the back wall.

"It's crowded in here," she said. 

Yes, Mistress of the Obvious, it is indeed crowded.

Dressed in his fluorescent vest, he stepped into the street, enjoying the power he and his sign held over the impatient drivers in the stopped cars.  The kids skipped past, chatting and laughing, texting and teasing.  Once his flock made it safely across, he hopped back onto the curb.  He liked his job as a crossing guard.

If you're afraid your readers won't understand what he's doing, or how he's feeling about it, revise your showing section.  Don't just tack a bit of telling on the end.  If you've done your job well enough, the reader will get it.

These are pretty blatant misuses of telling, though they pepper the manuscripts I've been reading lately.  What most of us need to look for in our own work are the less glaring examples.

Adam lifted his hand to knock on the front door, but the moment his knuckles hit, the door gave way and swung open by itself.  The hall lay empty, quiet.

"Mom?"

The nightlight was still on.  Dad always turned it off when he got up at dawn. 

"Dad?"

Something scritch-scratched in the living room.  Adam grabbed an umbrella from the stand by the door and held it up, facing the archway.  Bowser, ears sagging, padded through and whined at Adam's feet.  Something was wrong. 

"Something was wrong" can amp up the tension, but make sure it actually does so.  Otherwise, you're just negating all your showing.  Take out the last line and see what you think. 

Solution to Showing and then Telling:

When you revise, read your work slowly and look especially for direct subjective descriptions ("She was beautiful, The city was exciting") and statements about how people feel or what they want (John was happy.  Levi hoped she would stay).  Then check to see if you showed the same thing immediately before.  If so, cut out the telling.  Read it again a couple of days later and if it still makes sense, you didn't need it.  Your writing will be stronger for it.

Next time: 

Problem #2:  Beatingyour Reader Over the Head with Big Themes
Problem #3:  Spelling E-V-E-R-Y-T-H-I-N-G out

Melinda Brasher is the author of Far-Knowing, a YA fantasy novel, and Leaving Home, a collection of short stories, travel essays, and flash fiction.  Her fiction appears in THEMA Literary Journal, Enchanted Conversation, Ellipsis Literature and Art, and others.  Visit her blog for all the latest:  http://www.melindabrasher.com

Writing and Book Marketing – Crafting a Pitch (Part2)

Wow, the members of Writers on the Move who participated in our first December Innovative and Proven Writing and Marketing Strategies Week should get a round of applause – I certainly applaud and thank them. They really did out-do themselves with useful fresh information to help us on our book writing and marketing journey.

Today, we end this special week with Part 2 of Carolyn Howard-Johnson’s Pitch series

Crafting a Pitch (Part 2)

By Carolyn Howard-Johnson

Crafting a pitch may be easier if you reread your book to find possibilities for pitches within it. As you read:

1. Identify the aspects of your book that will most interest a reader in a given market or at a given time.

2. Write them down.

3. Turn these features into statements that show how readers or audiences will benefit.

4. Here’s an example of one I might use for this book: “The Frugal Book Promoter is a super coach for your book’s marketing campaign.” On the back cover of my book Your Blog, Your Business: A retailer’s guide to garnering customer loyalty and sales online and in-store (budurl.com/Blogging4Retailers), I tease future readers with practical ways to:

o   Build a blog in five easy steps.
o   Minimize the time it takes to run a blog.
o   Find material to blog about.
o   Integrate your blog with other social networks.
o   Manage a blog frugally or free.

5. A frequently-used fiction example is: “This book keeps readers turning pages late into the night.” I’m sure you can do better than this because you have the details of your plot stowed in your head. Working with and learning from the screenwriters’ loglines we discuss later in this chapter will help you with this project.

You can find possibilities in your book of fiction. My first novel, This Is the Place, is one of the most difficult genres to promote. I thought of it as a literary novel but found that it also fit into little bitty categories: a little bit historical, a little bit saga, a little bit romance, a little bit feminist, a little bit women’s, a little bit western. I also found that, by virtue of my age, there were lots of aspects of my past life and former careers that interested editors and could be worked into pitches for feature articles.

To avoid missing the obvious pitch for your book, set up a brainstorming session with three or more who have read it. Assure them no idea is too silly. No idea will be booed. Nothing is to be repressed. You may be surprised at how many angles come from such a group effort.

Because we are so immersed in our own writing we don’t see it clearly, writing a pitch for someone else’s book is easier than writing one for our own. Practice writing pitches for books you’ve read and movies you’ve seen.

Once you have an idea for a pitch, add a little cayenne.

• Boil down your plot or nonfiction premise into three sentences or less.
• Maintain the passion you feel for your story.
• Use present tense. “Is” instead of “was.”
• Use punchy, specific verbs. “Lobs” instead of “throws.”
• Avoid adjectives and adverbs. (If your verbs are strong enough, you probably won’t need them!) Find more on getting rid of unhelpful adverbs and adjectives (and turning them into metaphorical gold!) when you read my The Frugal Editor (budurl.com/TheFrugalEditor).

To learn more about writing pitches in all its forms, take a lesson from screenwriters:

• Join a screenwriters’ forum. Throw out the topic of loglines (very short, catchy plot synopses) and watch members of the group go to town. Offer up one of your own and let them tear it apart and rebuild a thing of beauty. Search for these groups at YahooGroups.com and GoogleGroups.com. With any such group it is only right for you to contribute as well as learn from others.
• Study Jonathan Treisman’s article at writersstore.com/article.php?articles_id=231. He is President of Flatiron Films and produced Warner Brothers’ film Pay It Forward.

Hint: The screenwriter’s craft is a fertile ground for learning both marketing and writing skills that may be adapted to any kind of writing, from poetry to science fiction.

Now you have a picture-perfect pitch or two, find a place for one or more of them:

• In your media releases.
• In your fliers.
• On your business cards and other stationery.
• On your posters—the ones you use for events like fairs and book signings.
• In taglines and credits.
• In your e-mail signature.
• On the back cover of your book.
• In your advertisements.

Stockpile your pitches in a special file in your computer so you can pick, choose, and perfect them as needed.

Now you can write pitches, let’s put them to work. Pitch an agent or publisher. Pitch the media. Pitch that all-important group we call readers.

Note: Your pitches to the media are indirect pitches to your readers. Their audiences will be the folks who read your book.

Stop by on December 17th, for Part 3 of this Pitch series.

~~~~~
Excerpted from the multi award-winning Frugal Book Promoter, http://budurl.com/FrugalBkPromo

Carolyn Howard-Johnson
Instructor for nearly a decade at the renowned UCLA Extension Writers' Program
Author of the multi award-winning series of HowToDoItFrugally books including the second edition honored by USA BOOK NEWS
Web site: http://www.HowToDoItFrugally.com

Innovative Marketing with Images

"A picture is worth a thousand words." We have all heard this well-known adage, attributed to a number of people including Napoleon Bonaparte, but what does it say for us writers? We're wordsmiths, not artists.

Obviously, unless we are writing comic books or children's picture books, we are going to use words. So this proverb doesn't apply. Or does it?

We've had some excellent suggestions in this special week of innovative and proven writing and marketing strategies, and you'll notice they all have one thing in common. They all make use of images.

Karen Cioffi kicked us off with a professional and attractive mini-poster that promised us "Tips, Strategies, Guidance—Your Way to Success." I don't know about you, but I immediately stopped what I was doing and read the article. Not because I wanted to learn more at that point. (I was in the middle of another project.) But because I was drawn to the article by the poster. And of course it was an excellent article.

The next blog post was by Annie Duguid, and this time I was attracted by her colorful screenshot. The bold red arrow drew my eyes to the icon for CamStudio, and I wanted to know more. Was this something I needed? Did I already have a similar package that I wasn't using? I read on . . .  Annie offers some fascinating suggestions on ways to create attractive screencasts as well as other software we can use to create promotional tools.

Next up, Magdalena Ball shared three clever (cheap) ideas with us, two of which involve creating images, either online or on a blackboard (which you could subsequently photograph and transfer to your computer for use on your websites etc.)

There's nothing new about the concept of showing pictures to attract attention to the message. Show, don't tell, remember writers? Okay, I know that means we should write to show, but this can also refer to showing images.

Imagine going to Amazon.com, or any other online bookstore, and reading through the pages of books— but they have no images. I'm sure you'll agree you wouldn't spend as much time browsing through their pages and almost certainly wouldn't spend as much money. (Hmmm!)

There is no question that images are one of the most powerful ways we can connect and engage with our readers. But no, images don't substitute for your words. They endorse them, or they encourage people to read them in the first place.  

Here are four ways we can use images in our marketing posts, blogs, websites, and social media sites.

1) Use Existing Images: 

The issue of copyright in connection with images is huge, and we have to tread very carefully through this mine-field. However there are sites out there which are genuinely free.

   a)  Morgue file contains a vast selection of high-resolution stock photography images which you are free to alter and use in different ways.

The image on the right is of a first birthday cake which I downloaded from Morgue. I then edited the image to create a banner for an event on Facebook, celebrating the first anniversary of my book, Strength Renewed.

   b)  FreeDigitalPhotos allows you to download and use small images of professional photographs in a resolution suitable for websites, for free. The only proviso is that you must include a short phrase of credit (and why wouldn't you?)

2)  Make your own images: 

   a)  Use your own photographs, or collect photos from friends, making sure they understand what you want to do with them. Don't forget to ask if they want you to give credits. Use them on your Facebook cover, or your profile picture, as well as on your website, articles, and bios when you guest blog.


This is a snap my son took of me shortly after the launch of Strength Renewed. I cropped the photograph and reduced it in size and I now use it extensively on bios as well as my profile picture on my Facebook author page. It is casual and relaxed while still clear enough to show the title of my book, and has proved to be a most useful photograph.

 b)  Use scenic photographs, and add quotes from your book, links to web addresses, or any other short phrase relevant to your message.

These can stand alone on sites like Facebook or on your website, or even be offered in a good resolution as freebies.

3) Get yourself a series of images or characters.

  a)  Adapt these to various subjects and situations. For example a few years ago, I purchased a set of 3D characters from Warrior Forum. These are not free, but I have used them extensively in all sorts of situations. They have been well worth the money I paid for them. (See the little character t the top with her whiteboard.)

  b)  There are other similar characters available on the web, but be warned that they can become extremely time-consuming.

  c)  Make a very basic comic strip with a message, using Comix H/O, a fun site which Annie Duguid told us about on 24 November. This is not difficult at all, and I can see how I can use this to incorporate my own characters, or in front of one of my scenic photographs.

4) Try out some free graphics programs and find one you are comfortable with. Start with simple tasks, such as adding text to an existing photograph. As you gain confidence, you will find yourself able to make different posters, advertising messages, and other images.

• Photoscape is a fun and easy photo editing software that enables you to fix and enhance photos.
• GNU is an image manipulation tool that many compare with the huge Photoshop, but it is free.
• Paint Shop Pro is a well-known program similar to, but much cheaper than, Photoshop. Nevertheless it is still expensive. However, you can pick up an older version of this, or of many other programs, for free at OldApps.com.

Finally, a warning and an encouragement. 

The warning: It is easy to get caught up in the creation of images and posters. As a writer, be careful the adage at the beginning doesn't turn into: "A picture just cost me a thousand words."

The encouragement: When you download, buy, create or edit images or posters, strive to make something you will be able to use many times. For example, yesterday's post by Caroline Howard-Johnson uses one of those 3d characters I spoke of above. The little woman is placed on a bright green background with the title, "It's all about Pitches." That same image could be changed to call out a hundred and more different titles. I could put it on a pink background and say, "Read Strength Renewed!" as a means to attract people to an article about my book based on breast cancer. I could even add a little pink ribbon to her chest and a link to the book at the bottom.

There is a lot of work involved in making images or logos, so go for ideas that you can use over and over again. Think of how you can use them to market your work in an innovative and time-effective manner.

For example:

As you find new ways to use images to market your work, you may well find your picture is worth a thousand words, because people who would normally skim right past your article will stop and read it--because your picture has attracted them to your words.

SHIRLEY CORDER  lives a short walk from the seaside in Port Elizabeth, South Africa, with her husband Rob. She is author of Strength Renewed: Meditations for your Journey through Breast Cancer. Shirley is also contributing author to ten other books and has published hundreds of devotions and articles internationally. 

Visit Shirley on her website to inspire and encourage writers, or on Rise and Soar, her website for encouraging those on the cancer journey. Follow her on Twitter or "like" her Author's page on Facebook, and if you tell her who you are she'll be happy to be your friend and follow you back.