Showing posts with label Carolyn Howard-Johnson. Show all posts
Showing posts with label Carolyn Howard-Johnson. Show all posts

The Magic of Words as Opportunity




Deadlines and Other Powerful Words

 

 

Opportunity Writ Large…Again

By Carolyn Howard-Johnson, multi award-winning author of the 
HowToDoItFrugally Series of Books for Writers

 

Deadlines. 

I’m not going to give you advice on meeting deadline because I’m in the middle of a booklet for my HowToDoItFrugally Series when I should be nearing the end. I’ve always believed in leaving early for social occasions, and to catch planes. And I’ve never had trouble with deadlines before. Now—suddenly—I’m feeling…inadequate and a little fearful of mentioning the word.

So here I am facing my November deadline for Writers on the Move. I just, well…sorta stole a little segment from the booklet I’m writing to share with subscribers and visitors to Karen Cioffi’s blog as well as her talented slate of regular contributors. 

It’s the story of how I came to write a booklet I’m working on. It’s little about deadlines, too, I guess. You’ll have to read between the lines.

Anthropologists tell us we humans have been storytellers since we first gathered around fires for warmth and companionship, long before we entertained the idea of writing. Stories were our entertainment. It’s also how we learned the easy way—from others’ experiences—rather than from our own shortcomings, our own seemingly insurmountable challenges, and our own oopsies. Having said that, when we do learn the hard way, sharing helps us see the value of applying humor to ourselves.

In important moments of working with my first editor, I found myself using the words saying or adage and immediately felt ill-at-ease about my vocabulary skills. I eventually acquired the more acceptable all-purpose word, apothegm when one was suggested in an editing class I was teaching and thereby expected to know about such things. It is somehow both more specific and more adaptable than sayings…and, yes, less humiliating. But it still didn’t let me bore down on the specifics I needed to communicated with editors--nor for my classes and the new book I was writing to use as a text in a class on marketing books. There were available books and texts galore out there but nothing that included public relations for authors, or promotional ideas or getting media attention for books. 

In the meantime, apothegms were leading me to all kinds of synonyms with slightly different meanings. They included more precise as well as well as subliminal interpretations for each: 

§  mottoes and catchphrases might suggest an unwanted commercialism.

§  proverbs imply a biblical passage; words of wisdom also connote religiosity or a philosophy that might or might not be appropriate for the title in consideration.

§  platitude smacks of clichésomething most of us work mightily to avoid.

§  maxims tend to be about rules of conduct. If an editor suggests you use them to introduce chapters and your book isn’t a “Miss Manners” book, explore the kind of apothegms they had in mind before spending good writing time researching quotations that probably won’t suit the tone of your book.

§  axiom, dictum, adage, and even the word sayings, itself! 

     As I started thinking of them as synonyms, it occurred to me to use a variety of the ones I was runningacross at the beginning of each chapter and as I found them, the book started feeling like a book rather than a collection of essays. When I couldn’t find what I needed, I started writing some myself. It felt like magic. Earlier this month, Terry Whalin published an article on this blog about grabbing down opportunity when it appears to you, and it occurred to me that was a bit of related magic. Sometimes we don’t recognize opportunity when it comes and perches itself on the bridge of our noses. The article made me realize that one simple word like apothegms isone of those opportune moments--one I nearly missed.

Soon I realized that very few authors use these, ahem!…sayings to make a book work as a full book and that maybe if I wrote a short book of vocabulary words related to the needs of authors, the content could help them apply this technique to their books. Different words might work differently for them, but each could be an opportunity for one of my fellows out there.

 I had found a way to make the interior design that would make my book more interesting than a theme paper. It wasn’t a new idea, by any means. But it had become an opportunity that kept growing. 

I had to self-publish because I was on deadline for my first class that fall. I started introducing each chapter with an apothegm or one of its semi-synonyms, depending on the topic of the chapter. One opportunity kept leading to others. Thinking of apothegms as opportunity, it’s a wonder they haven’t become an essential technique combined with the merest suggestion of interior design in seminars and presentations at writing conferences!  (If you are interested in reading Terry’s article, leave a comment at the end of this article and Terry, Karen, or I will send you the permalink a to make it easier for you to access!)

 

But back to my story. This one “accidental” piece of knowledge worked in favor of my flagship book, my UCLA Writers’ Department students, and is still making itself useful for me nearly three decades later. If you’re familiar with my how-to books for writers, you’ve probably already run across the motto or tagline I came up with early in the pursuit of clarity to replace my old sayings habit: 

 

Careers that arnot fed diareadily
aany living organism given no sustenance." 
~ CHJ

 

I still try to find somewhere to slip that one into all my how-to books for writers and promotional material. But it’s limited. It only works when I want to convince authors that they’ll need a “to know more about a lot of things they never suspected they’d need or wanted desperately to avoid.” It’s also an example of how the work you put into apothegms for one book might be recycled to benefit many books—even many promotional projects like handouts.

And here’s the icing on the cake. This (unfinished!) book has lead to another promotion I haven’t tried before. WinningWriters.com will be giving it as a gift to all those who enter their 2025 #NorthStreetBookPrize contest. If I’m lucky the contest entrants will tell others about it. Opportunity meeting opportunity. Speaking of opportunity! I mustn’t forget to add  WinningWriters’ clever pre-promotional idea to the next edition of my The Frugal Book PromoterThat would be its fourth edition. It seems a single word has more power than even I who love words could have imagined.


PS: Once finished, this booklet full of writer-related words, each a powerful opportunity, will be available from Modern History Press early in 2026.

 

MORE ABOUT TODAY’S WRITERS’-ON-THE-MOVE BLOG CONTRIBUTOR 


                                                                  Badge created by Carolyn Wilhelm for the HowToDoItFrugally Series of Books

 

Howard-Johnson is the recipient of the California Legislature’s Woman of the Year in Arts and Entertainment Award, and her community’s Character and Ethics award for her work promoting tolerance with her writing. She was also named to Pasadena Weekly’s list of “Fourteen San Gabriel Valley women who make life happen” and was given her community’s Diamond Award for Achievement in the Arts.  Carolyn writes nonfiction for writers, poetry, and fiction and has studied writing at Cambridge University in the United Kingdom; Herzen University in St. Petersburg, Russia; and Charles University, Prague. J. She is especially thankful to Karen Cioffi for letting her share stories like this with her #WritersontheMove audience. 

 

Carolyn Howard-Johnson Shares Newest Book with #NorthStreetBookPrize Entries for 2025

How To “Borrow” a Mantra



Badge Courtesy W. Terry Whalin, Fellow #WritersontheMove Columnist

The More Writers Know

By Carolyn Howard-Johnson
Writers Advocate, Educator, Writer of Fiction and Poetry and 
Author of Modern History Press’s HowToDoItFrugally Series of books for writers


“The more you know…the better advocate you make for your book, no matter how it’s published: 

You’re a partner for your publisher and its supporting staff if you’re a self-publisher 

you’re the 100% decider from do-it-yourself moments to knowing when it’s better to hire a worker bee.” 

“The more you know…” has become a favorite motto of mine.  I’m positive it’s been said before because I was once on a cruise with lots of sea days that allowed plenty of time for binge-watching TV which I had neglected for many decades before that including the news and the only ads this cruise ship aired were the ones that promoted their activities and their ports. Their chosen syndicated broadcasts filled ad time promoting their own efforts. That’s when I became a regular MSNBC watcher. “The more you know…” tended to lead to lots of new programming, new ideas, new anchors, and it was repeated so frequently eventually I realized it had been by own mantra for years without my realizing it. 

It also lead to the realization that it is an essential mantra one for writers, even if they are just aware of it subliminally. Everything we write we’ve learned from something we’ve experienced and none of that has never been experienced before. In other words, nothing is new. So no matter the kind of writing we do, we are always borrowers.

So, I borrowed “The more you know…” for the introductory lectures for the new classes I was teaching at UCLA, to included on the promotional material I was writing for the books I intended to use as my texts, for my clients…and for my kids. Both of my kids were diagnosed dyslexia before most of the medical community and given it a name; one turned out to be a tax attorney and the other a Ph.D. with a love of spreading my mantra to her own students.

As for my clients, I want them to know enough to avoid the pitfalls I fell into when I first started writing with the hope of publishing. Somehow I managed to make some major boo-boos because I assumed I had already done pretty well as a journalist, a marketer (yes, writers better learn a lot about that even if they hate the idea of pairing the art of writing and the lowly business of selling!) and teaching which gave me speaking skills I would need to promote my own books and to help my children through the tangle of educational opportunities.

“The more you know…” give writers to take advantage of myriad of opportunities available when we choose that joyful path as an occupation.

“The more you know…” gives writers the confidence to work with their agent as an equal and to be partners with their publishers even with things we are told we should avoid interfering with like editing and book covers. And the assurance to know when to rely more fully on them for their help.

“The more you know…” means they’ll know how to go about ascertaining that partner-publishing and/or honest-to-goodness self-publishing is right for their personality and their title. 

“The more you know…” lets you apply what you’ve learned in the past to what you want to take on in the future, get the help you need, and get it from the best places to accommodate your goals, with assurance.

The best, most frugal way to use a mantra  is to be open to new things and read a lot. As your budget allows,  choose the the best possible mentors and hang out with associates in as many aspects of the writing world as you can. When we’re new writers we can learn a lot from other newbies, but that should be carefully balanced with reliable, trusted, and vetted resources. Think accredited universities for both classes and activities like writers’ conferences. Think experience. Think, “The more they know… .”

“The more you know… the better equipped you’ll 
be to realize your biggest dreams, and the happier, too!” 

“The more you know…” the easier it will be to know when to “borrow,” when to give credit where credit is due and when to move on to something else you 
know…”

More About Today’s #WritersontheMove Columnist



Full disclosure here: This article may appear in the my new book to be introduced as one of the personal “Extras” I like to include in my nonfiction books.  Winning Writers will give the book  as a gift to all those who enter their work in their highly acclaimed #NorthStreetBookPrize for 2025 before it is released to the general public by Modern History Press in early 2026. The title is as yet undecided. I am considering, “ A Writer’s Vocabulary: Inspiring Better Writing and Empowering Writing Careers.”  Let me know if you have a better idea by leaving a comment.  And credit anyone who comes up with a title my publisher, Modern History Press, likes better. Frankly, I think that might be easy to do! (-:  Learn more about this contest with many value-added benefits at SharingwithWriters.blogspot.com and more about her series for writers at https:///www.amazon.com/dp/B0BTXQL27T.

 



Look what Adam Cohen of WinningWriters ran today;  it’s a day I really needed a boost (I brought my husband home from the hospital today so it was a an upper at just the right time! Those of you who subscribe (see the right column to subscribe if you haven’t alrady!) know that I have used WinningWriters’ newsletter to find reliable, vetted contests for years and that I highly recommend their own #NorthStreetBookPrize for the added value they offer to those who enter.  His warmth and high standards come through in all his ads and projects.  Thank you, Adam! 

Winning Writers - best resources for poets and writers



Why Every Author Needs To Update Their Editing Skills

 

 


Why Every Author Needs to Know Editing

 

By Carolyn Howard-Johnson

Author of The Frugal Editor: Do-It-Yourself Editing
Now In Its Third Edition

 

Last month I contributed an article “Ten Easy Ways to Keep Dialogue Sharp
to this #WritersontheMove blog with a promise to give authors reasons why
they need to know all the editing skills they can work into their busy writing 
schedule including those for writing dialogue that I covered last week. I hoped to entice
even nonfiction writers who don’t often use dialogue to start using
it. Even newspapers that once

demanded strict "who, how, were, and why leads”
 now include anecdotes in their front-page stories!

 

It surprises people when they learn that grammar rules change over time. Or that what they learned in high school or advanced grammar classes in college is either passé or may not apply to fiction. It also surprises them to learn that a perfectly edited book is never perfect because there are always so many disagreements among experts. And even experts are often misinformed. The worlds of grammar and style choices are filled with myths and misinformation like, “Never use contractions in your writing,” “Never use fragments,” and “Never end a sentence with a preposition.” Further, as my client base grew, I kept running into common misconceptions and outright annoying style choices that would never fly in the publishing world. Thus, a new edition of The Frugal Editor was a must! And, thus, I keep battling decades old misinformation about editing—especially among newer authors. 

 

But what about authors who can proudly point to decades of publishing? Well, sometimes they suffer a little hubris. They think they have done well without worrying about spending time on what they know from high school grammar classes. and therefore already know. So we’ll start off with a smattering of what is new in my The Frugal Editor in its third editionnew in that last few years, in fact! And—if you scroll a bit—you’ll find another list of editing myths you—still believe—yes! You personally—that just happen to still be lying in wait for an occasion to embarrass (humiliate!?) you:

·       The Third Edition of The Frugal Editor has been reorganized, and my publisher Victor Volkman at Modern History Press tells me I outdid myself with about 50% new (helpful!) material including new “Editor’s Extras” based on my own school of hard knocks!

·       Authors will love the all-new sections including:

o    Beta readers and peer reviewers

o    What you probably don’t know about custom dictionaries

o    Up-to-date rules for accommodating gender-specific and other cultural needs

o    A chapter for word-lovers and poets

o    Quickie reviews of word processors for you

o    What even traditionally accepted front and back matter can do for your book sales, your career, and your readers

o    Political Correctness considerations change and grow with each passing day. So, yes! Lots of updating here!

·       The Third Edition of The Frugal Editor still includes the basics that make you into an on-your-own editor when you must be. Few writers other than Stephen King can afford to hire an editor for every query letter, every media release, every media kit, every blog post. So until your career is so star-studded you can afford a publicist and editor on a retainer basis, writers need to know both the basics of editing and the little-known secrets.

·       The third edition is still loaded with reader favorites like what authors need to know about book covers—another aspect of publishing that even experienced authors might leave entirely up to others—but it’s updated!

·       New information will dispel myths like these:

o    Agents are a cantankerous lot. (Nope! In The Frugal Editor, twenty-one of the nation's best tell you their pet peeves and they do it in the best of spirits.)

o    If your English teacher told you something is OK, it is. (No! Language rules have changed since you were a sophomore. Anyway, your English teachers likely have no background in publishing, so apart from basic grammar, how much help can they be?

o    If a manuscript or query is grammar-perfect, you'll be fine. (No! Lots of things that are grammatically correct annoy publishers.)

o    Always use your Spell and Grammar Checker. (No! Some suggest you don't use it at all, but The Frugal Editorwill help you make it your partner instead of your enemy.)

o    It's easy to avoid agent and editor scams by asking other writers. Even other professionals! (The Frugal Editorgives you a to-do and not-to-do lists to help you avoid being taken even when you are doing just that. )

o    Your publisher will assign a top-flight editor. Even big five publishers are having budget problems and many cut expenses by using less experienced/qualified editors. (Maybe, but don't count on it. The more you know, the better partner you’ll be for an editor!)

o    Formatters and editors will take care of the hyphens, ellipses, and all the other grungy little punctuation marks that English teachers avoided teaching because they didn't know how to use them either. (Chances are, you'll catch even great formatters and editors—the ones you pay for their services—in an error or two if you know your stuff!

o    When you do know your stuff, you’ll feel more comfortable defying all kinds of rules that are still extant. You’ll even feel comfortable explaining to your editor why this choice is an improvement for this particular title, voice, time, or era.

 

NOTE: The parts of this article bulleted are reprints (edited and updated) from one of my sell sheets. They are widely used in publishers’ and authors’ review-getting process using query letters, ARCs, and accompanying marketing materials. Find a sample of sell sheets—front, back, and footer—in the Appendix of The Frugal Editor, third edition.

You’ll find the first part of this plea of mine for writers right here on Karen Cioffi’s Writers on the Move
blog in my column on basic dialogue tips posted  in May, 2025.

It will give you ten reasons why knowing more 
editing than your do already might make

you a better (and happier) writer . 

Go to:  
 https://www.writersonthemove.com/2025/05/dialogues-ten-basic-cant-go-wrong-rules.html

 

MORE ABOUT TODAY’S WRITERS ON THE MOVE CONTRIBUTOR


Carolyn Howard-Johnson was an instructor for the UCLA Extension Writer's Program for nearly a decade. The first book in her HowToDoItFrugally Series of books, The Frugal Book Promoter, won USA Book News' Best Professional Book Award and Book Publicists of Southern California's Irwin Award. The second, The Frugal Editor, is the winningest book in her HowToDoItFrugally Series of books for writers (The first edition was named best of 2004 by USA Book News.) TFEIII includes many more editing tips on dialogue—even punctuation for dialogue. Learn more about building a career in the publishing world at www.howtodoitfrugally.com

 

“Careers that are not fed die as readily as any living
 organism given no sustenance.


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