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In the Spotlight: An Interview with Children's Author Sherry Dunn

 by Suzanne Lieurance


Children's Author Sherry Dunn


Sherry Dunn is a new children's book author. 

Her first picture book, Maddie & Jasmine, was released this past June and is already an international best-seller. 

Sherry is also a speaker and an animal rescue advocate.  

Recently, I interviewed Sherry to learn more about the secrets to her success.

Suzanne Lieurance: Tell us a little bit about yourself as a writer and children’s book author. How did you get started? What kinds of things do you write?

Sherry Dunn: My journey as a writer started from a place of deep passion and love for animals, especially those in need of rescue. Growing up, I was always surrounded by books and stories, both real and fiction. I also grew up with pets around the house, several of them rescue animals. At an early age, I started forming unbreakable bonds with animals, not yet realizing I was forming a desire to advocate for the voiceless. When I decided to jump into the world of writing, it felt only natural to merge my love for storytelling with my advocacy for animal rescue. My aim was, and still is, to write stories that not only entertain and delight young readers but also communicate the values of compassion, empathy, and responsibility. 

My first children’s picture book, Maddie and Jasmine, is a prime example of this blend, illustrating the beautiful bond between children and animals while highlighting the importance of rescue and care. I predominantly write children's books and stories that revolve around these themes. I believe stories have an incredible power to shape young minds, and if I can inspire even one child to grow up caring deeply for animals, then I've achieved my goal. On my website, sherrydunn.com, I write weekly blog posts that resonate with animal lovers and avid readers. My monthly content includes an animal shelter spotlight, a children’s picture book review, furry friend stories, and pet care insights.

Each month, I highlight a commendable, no-kill animal shelter, discussing their invaluable contributions, sharing success stories, and discussing the impact they've made in the community.  It's my way of applauding their relentless efforts. I dedicate one post to reviewing a children's picture book that centers on the themes of animal rescue and adoption. I love to explore and to share these stories that foster empathy and awareness in young minds. In a special segment, I invite guest bloggers to recount their personal journeys about their adopted pets. These heartfelt stories never fail to tug at my heartstrings. As a gesture of gratitude and support, I donate $100 to the guest blogger's animal shelter of choice provided it is a no-kill shelter. Lastly, I share informative pieces on pet care, offering readers valuable tips, best practices, and insights to ensure their furry companions lead healthy and happy lives.

SL: How do you usually get the ideas for your books? Please explain.

SD: My ideas come from the real world. I work closely with several animal rescue/sanctuaries and have had the privilege to witness several heartwarming, and sometimes heart-wrenching stories of animals and the people who connect with them. These true stories are a collection of inspiration, filled with genuine emotion, challenges, triumphs, and the raw beauty of human-animal bonds. Sometimes, my idea might start with a story or article I see about a puppy or an older dog finding its forever home after a tough beginning. 

Other times, it's simply observing the sweet interactions between children and cats and dogs at a shelter. I try to keep my inner child alive and always active. When I think of a concept, I ask myself, as a child, would I like this story? Children have this natural sense of wonder and curiosity, and by channeling my own childhood emotions and experiences, I want to create stories that resonate with young readers. So, in essence, my stories are a blend of real-life inspiration from the world of animal rescue and my vivid imagination of adding a child to the human-animal bond.

SL: What is your favorite part of the writing process? 

SD: The writing process has its ups and downs, but my absolute favorite part is the creation phase. It's that magical moment when the characters, often inspired by real children and animals I've met or heard about, start to take shape in my mind.

I wrote a children’s story based on my own situation as an adult. I fell off my bicycle and broke my wrist. I was upset because I had just started taking piano lessons. I wrote a story about a little girl who was in the same situation. I had to introduce a rescue animal in the story. Ideas started to form, and I added a three-legged dog I saw at a shelter to my story. The characters grew, developed personalities, hopes, and fears and a story was born.

The process of setting my characters in a world, facing challenges, and watching them evolve is satisfying. I often find myself emotionally invested, cheering for every rescued animal, and feeling the genuine warmth of every bond formed.

I also love the research phase, especially when it involves interacting with children and animals. 

Since I write a blog post every week, I frequently need to research true experiences and ensure that the stories I write are genuine emotions and scenarios. It's a reminder of the very real impact of the stories I'm creating and the change they can arouse in young minds.

SL: What do you find to be the most challenging part of writing and freelancing?

SD: The world of writing is as rewarding as it is challenging. For me, one of the most challenging aspects is finding the right balance between my vision and the expectations of readers. Writing from the heart is critical, but there's also a need to ensure that the stories resonate with my audience. My mission is to share the stories of shelter pets and help them find their forever homes. Not everyone has this mindset. In Maddie and Jasmine, I take the reader on a journey of self-discovery, overcoming life’s toughest critics, and learning to love everything that makes you different. It's a delicate balance between staying true to one's voice and adapting to market demands.

I don’t do a lot of freelancing. However, beyond my books, one of my most cherished projects is the bi-monthly children's story I write for a local animal shelter newsletter. This allows me to delve into individual tales of shelter pets, highlighting their journeys, and the hope that they will find a forever home. It's both a responsibility and a privilege. To gather content for these stories, I often visit a shelter, spend time with the pets, and sometimes even talk with the staff to glean insights and anecdotes that can inspire my next story. These visits are not just research; they're a constant reminder of why I do what I do.

Feedback, edits, and rejection are part of this writing journey. Every author, no matter how renowned, faces criticism and rejection. J.K. Rowling rewrote the first book in her Harry Potter series 15 times. I rewrote the first book in my Maddie and Jasmine series 15 times. I think it is essential to learn to discern constructive feedback from the rest and using it as a tool for growth. I also believe an author must maintain the confidence and belief in one's unique voice and vision. Love your writing and believe in it!

SL: What is a typical writing day like for you? 

SD: My typical writing day usually starts early. I’m a morning person. I often find my best ideas come to me in the shower just as the world is waking up. My morning routine includes meditation and writing in my gratitude journal. Then I settle down with a cup of green tea at my desk and start to write. The first thing I do is read what I wrote the previous day. This helps me transition back into my story and gives me a fresh perspective. I write until my personal development class starts. When class is over, I practice the piano. I start writing again in the afternoon. The target I set usually coincides with deadlines. This tangible goal helps keep me focused and motivated. By mid-afternoon, I usually sit down and do additional writing or do researching for my blog articles, networking, or managing the business side of things. I take regular breaks, which usually involve Tai Chi practice, or more piano practice. If I don’t take these breaks, I could sit and write for several hours. These moments of pause are essential. They often bring bursts of inspiration.

I believe in the importance of a balanced day, so I always ensure to set aside time for personal reading, which not only relaxes me but also exposes me to different writing styles and enriches my own craft. Evenings are typically reserved for relaxation with my rescue cat, Jasmine, but sometimes, if a story is particularly insistent, I might find myself jotting down ideas. Throughout the day, Jasmine keeps me company, acting as a sounding board, and a constant reminder of the mission behind my stories.

SL: What types of things do you look for in your own manuscripts when you’re are revising them?

SD: Revising is an integral part of the writing process, a phase where I get to refine and polish the raw material into a cohesive story. When I dive into revisions for my manuscripts, there are several key elements I look for. Given that my stories are centered around the bond between children and animals, it's very important that the emotions come through genuinely. I pay attention for those moments that may tug at the heartstrings, ensuring they feel authentic and not forced. Whenever I do a reading of Maddie and Jasmine at events, I always have to stop and take a deep breath at the last page of the story. To me, it is very emotional, and the emotion is authentic.

Children's books, especially, need to have a smooth narrative flow that's easy to follow. I pay close attention to transitions between scenes and check that the pacing feels right. Children connect deeply with characters. I ensure that my protagonists, both human and animal, are consistent in their actions and developments, making them believable and relatable. Being an advocate for animal rescue, it's essential that my core message is clear without being preachy. I always check to see that the themes of compassion, empathy, and responsibility are subtly woven throughout the narrative.

Writing for children means being mindful of the language. I make sure the vocabulary is age-appropriate, but I also love introducing a few challenging words here and there to stimulate curiosity and learning. I don’t dumb it down.

While I may not be the illustrator, I still visualize how certain scenes might translate into illustrations. I ensure there's a balance between descriptive text and what can be conveyed visually to create a seamless experience for readers.

Before diving into revisions, I share my manuscript with my writing coach. Her feedback is invaluable, and I make sure her constructive critiques are addressed, and usually incorporated into the draft. I take a step back and look at the story as a whole. Does it come full circle? Are there any loose ends? Does the climax feel satisfying and have a great twist?All of these things ensure my children’s books and stories are written according to industry standards. While revisions can be challenging, they're also incredibly rewarding. With each pass, I see the story evolve, getting closer to the version I imagine.

SL: What do you think is the most common mistake made by new children’s writers?

SD: From my experience and observations, new children's writers are incredibly passionate, which is a fantastic trait. One of the most prevalent mistakes I've noticed is self-doubt, and it's a significant barrier that many new children's book authors, or any author, face. This lack of belief in their own writing can manifest in several ways and can severely hinder their progress and success. Writing is an intimate act. It's a piece of the author's soul translated onto paper. This vulnerability can make new writers hyper-aware and self-critical, causing them to second-guess their work continually. I think it's essential to remember that every author started somewhere, and each voice is unique. Also, the fear of rejection looms large for many new authors. This fear can be paralyzing, leading some to avoid submitting their work altogether. Lack of belief in their writing often convinces them that rejection is inevitable, even before they've begun. Believing in oneself is easier said than done, but it's crucial. I have noticed that self-doubt is a common challenge for new children's book authors. It's essential to recognize it is just a challenge, not an insurmountable barrier. In their quest for perfection, many new writers believe that their work must be flawless before it sees the light of day. This pursuit of the "perfect manuscript" can lead to endless revisions, rewrites, and eventually, stagnation. The beauty of children's literature often lies in its simplicity, where a single, focused narrative can resonate deeply with the reader.

SL: Your picture book Maddie & Jasmine was released in June. What has the marketing process for this book been like? Give details, please. 

SD: Marketing Maddie and Jasmine has been a truly enriching journey. Given the book's theme, it was essential to tailor my marketing approach to emphasize both the joy of children's literature and the significance of animal rescue. Emphasis was made on the fact that a percentage of proceeds from the book will be donated to animal rescue initiatives. The marketing process has been immensely rewarding. Not only has it amplified the book's reach but also shed light on the crucial issue of animal rescue. It's a testament to the power of literature in making a real-world impact. 

My marketing process began before I had a book cover design and before the book was published. When the book cover was complete, I had something tangible to give to people. I had bookmarks made with a picture of my book, my website, and my contact information. I handed out bookmarks to everyone, including bookstores. I introduced merchandise such as posters, wrist bands stamped with paw prints and “Adoption. A great option.”, and temporary Jasmine “catoos” for children. Plush toy cats based on the Jasmine character from the story are currently being developed. I had a very proactive approach of telling everyone I could about my upcoming book, Maddie and Jasmine. Word-of-mouth is always a good start, especially from an enthusiastic author. I loved my book, and I was enthusiastic! I told my friends, my neighbors, the produce manager at my Publix Supermarket, a table waiter at my favorite restaurant, and the CEO and President of the local performing arts Lyric Theatre. That same CEO later asked me to do a book signing event at the Lyric. 


Sherry Signing Books at the Lyric Theater in Stuart, Florida

I visited animal shelters and businesses in my area and received their support. I built a platform for my book by starting a website and blog dedicated to my writing and my passions, rescue animals and children’s literacy. My platform, sherrydunn.com, allowed me to share regular blog content about animal rescue which was perfect for marketing my book.

I frequently reminded my followers on Facebook about my book and my book launch. I had a virtual book launch the day my book was released to the public. I’m proud to say that by noon, on the day of my book launch, I had earned International Best Seller status. I feel having a wonderful book along with early and constant marketing made it happen. I still market enthusiastically and continually. 

Even though Maddie and Jasmine has been released to the public, my marketing job is not done. I had two successful book signings and have three more in the process of scheduling. I still hand out bookmarks. Maddie and Jasmine was featured on several animal shelter social media pages and websites. I also sent copies to influential children's book reviewers. I work closely with libraries, donating copies to each library in two counties of my state. I will work with those libraries to organize regular reading sessions, paired with talks about the importance of animal compassion and care. I am currently setting up a schedule of school and library visits. I am collaborating with local animal shelters for marketing opportunities.

My advice is to continue to write. The best marketing for your book can often be your next book. I plan on my readership growing with each publication. I am now working on my marketing plans for the second book, Maddie and Jasmine Go Shopping, in the Maddie and Jasmine series. (Do you see what I did here? I promoted my next book.) Marketing is not a one-size-fits-all endeavor. It's essential to understand where your audience spends their time, what their interests are, and how best to reach and engage with them. Persistence is the key.

SL: How do you stay focused on writing on a regular basis? 

SD: Staying focused on writing, especially with the myriad of distractions in today's world, can indeed be a challenge. However, given my passion for both storytelling and advocating for animal rescue, I've developed a few strategies to keep myself consistently engaged. I set a daily writing routine. I have dedicated hours where I commit to writing. This disciplined approach ensures that I'm consistently making progress, even on days when inspiration might not strike. My frequent visits to animal shelters and interactions with children provide a constant source of stories and emotions. These experiences rekindle my drive to write and share these narratives. I set clear goals. Whether it's a word count, or finishing a draft, I always have a tangible goal in mind. I reduce distractions. I have a designated place in my home where I write. My office is set up specifically for writing. It is my writing sanctuary where I can create.

I am a life learner and continual learn about writing children’s books. I attend workshops, webinars, and read books on writing. I read children’s books and have a library of children’s books for reference. This continuous learning process not only hones my craft but reignites my passion for storytelling. The key lies in recognizing the profound impact stories can have, especially on young minds. Every time I think about a child resonating with my stories or being inspired to care for an animal, it's all the motivation I need to stay focused and keep writing.

SL: What is your best tip for writers? This can either be a writing tip or a marketing tip.

SD: My best tip, LOVE YOUR BOOK! 

Especially for those writing with a mission or message at heart, is to write authentically from a place of passion. Authenticity resonates deeply with readers. Children, in particular, have an uncanny ability to sense genuineness, and they engage more profoundly with stories that come from the heart. When it comes to writing, delve deep into what truly moves you. For me, it's the bond between children and animals and the incredible stories of rescue and compassion. This genuine passion shines through in the narrative, making it relatable and impactful. 

Know and connect with your audience. Today, it's easier than ever to interact with readers.

Listen to their feedback, understand what resonates with them, and involve them in your journey. Whether it's through social media, book readings, or school visits, that direct connection can offer invaluable insights and foster a loyal readership. 

Your enthusiasm for your book is contagious. By showing your excitement, you make the event more enjoyable and engaging for your audience, and you pique their interest in reading your book.



For more author interviews, visit www.writebythesea.com. While you're there, don't forget to get your free subscription to The Morning Nudge and have writing tips and other resources delivered to your emailbox every weekday morning.

Suzanne Lieurance is the author of over 40 published books, a writing coach, and speaker.

 

Do You Have a Side Hustle?


By Terry Whalin 
@terrywhalin

Do you have a side hustle? Almost every writer has one but maybe you aren’t calling it a side hustle. I’m talking about something you do on the side apart from your main writing. Last month I encouraged every author to have a safety net. In this article, I want to give some ideas about various paths to diversity your income stream and begin a side hustle. Sometimes the side hustle will take over your main task.

Here’s why you need to read my advice and get ideas for your own life: I have not had a full-time job with a regular salary for decades. Within the publishing community I have fulfilled various roles: acquisitions editor, writer, author, co-author/ collaborator/ ghostwriter, internet marketer, teacher at conferences, and many others. Whichever role I’m taking at a particular time interacting with you, the bottom-line is I am an independent contractor with diverse ways of making income. It is nothing steady and a lot like the up and downs of riding a rollercoaster. Yet I also compare it to a monthly walk of faith. 

Decades ago, for 17 years I was a missionary with Wycliffe Bible Translators. During this period, I raised my own financial support through monthly donations from individuals and a few churches. Through the years, I saw many times the Lord provided in unusual ways—and this process continues during my life as a writer. Admittedly there are some tests of my faith experiences, but I can tell you God has been faithful to provide through my work and writing.

The Role of Non-paying Writing

You may read my writing here, or on my blog, The Writing Life (subscribe to it via email here), book reviews on Amazon and Goodreads, my social media posts and other writing. The bulk of this writing earns zero income. Why do it? For the exposure, the marketing and other reasons. Podcasts, radio interviews, etc. are all about exposure to my free information and lead magnets where readers sign up for my email list. The statistics have proven that someone has to hear about your book at least seven times before they buy it.  These nonpaying markets are about exposure which sometimes leads to other writing opportunities.

Ideas for Multiple Income Streams

In the information below, I’m going to give a number of different possible ideas and resources. Whatever you write, look at these opportunities as side ventures that you can do in addition to your main writing task. At times these side hustles will become your predominate task for a day or several days. From my experience, the more diversity you can add into this mixture, the better. The first chapter of Jumpstart Your Publishing Dreams (which I originally self-published) includes a detailed list of different types of writing. Here’s the link (a 29-page PDF) for you to look at the variety of writing tasks and try some of these for your writing. 

Here’s nine different ways to get you started (Please copy and paste URLs that are not hyperlinked into your browser.):

1. Write and sell your own books. In this teleseminar, I give about a dozen different ways to make money with your books. 

2. Edit books for others. Some people have made a consistent career editing books for others. 

3. Earn Affiliate Income. I give the details and a free ebook about how to make money with affiliate income (http://www.right-writing.com/makemoney.html?unique=15872190210738811). 

4. Create Online courses. Creating book proposals is one of my areas of expertise and I created an online course: https://www.writeabookproposal.com/

5. Speak at events online and in person To get these opportunities, you have to pitch directors and other leaders.

6. Write Work-Made-For-Hire Projects (Learn more at http://terrywhalin.blogspot.com/2020/08/five-reasons-to-write-work-made-for-hire.html.) Many writers resist such projects but they are great for cash flow and consistent work.

7. Ghostwriting/ Collaboration. Many writers only want to write their own books but there are an infinite number of stories to write for others. 

8. What do you teach? I have an inexpensive program to teach you the details. Also, a free teleseminar on how to get more mileage from your content. 

9. Magazine writing to high paying markets. Some writers have stopped writing articles because the Christian market doesn’t pay much for them. In the general market many publications pay $1 per word or more—and you can write for them.

Find Your Side Hustle

Throughout this article, I’ve included website links to audios and other resources. First, save this article, then follow each link and explore it for your writing. Then take consistent action on the side hustles that make sense to you and get started. If you write fiction, consider writing nonfiction. If you write nonfiction, consider adding fiction to your mixture. The possibilities and opportunities are endless, but you have to open the door and get started. 

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Do you have a side hustle? This prolific writer and editor recommends you create diverse income streams. Learn the details here. (ClickToTweet)


W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

A Search for the Best Writing App

 

 

Contributed by Margot Conor

I started looking for alternative platforms for my creative writing process. Moving all my projects is a daunting thought. I’ve written everything in MS Word since I first got a computer. I have many unfinished manuscripts and short stories. This also means they have been written in various renditions of Word.

I’ve recently realized that it is not easy to move Word documents into other programs. Word has hidden coding that gets messed up when transferring. Both personal data and field codes. Which is a pain in the neck to deal with if you want to format your book for publication in a different program.

If you use Word and want to share pages of your manuscript or short stories written in Microsoft Word with colleagues, agents, or publishers it's a good idea to review the document for this hidden data or personal information and remove it. Copying content from Word and pasting it into other programs often does not convert, and shows up as garbled text.
 
MS Word 365 is also expensive. It will cost you $159.99 to install (at the time of this article). No doubt that the price will increase. You can only install it on one machine. Files written in new versions don’t play well with older versions.

Microsoft Word files are considerably larger than text files. Some people have complained that the interface is too challenging to learn and there are too many options: Most people only use 50% of the offered tools because of the complexity of the system. I can attest to that.
Finally, a big downside for authors, that it’s not compatible with EPub or Mobi.

I was surprised to learn there are open-source alternatives to Word. For those of you who are familiar with all the ins and outs of Word but want something more affordable, I found two Open-Source options that are like MS Word. They are available in other languages too. Both are free and can basically do everything Word can do.

However, I don’t plan to use them because they are not compatible with EPub or Mobi. In some cases, there is a workaround by getting extensions. But I am not very tech-savvy to begin with and I’m not interested in complicating my process. 

These are two WordMS alternatives:

Apache Open Office: https://www.openoffice.org/
Has an extension: Writer2ePub: https://extensions.openoffice.org/en/project/writer2epub

Libre Office: https://www.libreoffice.org/

Here is the point of realization, MS Word and alternative programs like it, were created for office use, and they are not the best tools for an author. My goal is to find the most advantageous place to create stories and novels. So, then, I asked myself… if MSWord and its alternatives are not the best platform for an author, where should I be creating?

This led me to my writer's groups to ask what programs they use. I will share my discoveries and my research here. There are now some very sophisticated alternatives designed specifically for writers, which I found encouraging.

Scrivener App:

- Cost: Scrivener offers a 30-day free trial to let you explore the features and find out if it’s right for you. 

The full version for Windows or Mac OS costs $59.99. There’s an educational license for students and academics for $50.99.

- Helps you organize long writing projects such as novels, nonfiction books, academic papers, and even scripts.

- Simplifies Editing is an essential part of any writing project. Scrivener has many tools to help you edit more efficiently whether it’s correcting simple errors or restructuring entire sections and chapters.

- Helps you clarify your ideas and plan your manuscript. Scrivener’s folders and subfolders help you arrange and rearrange the various parts of your writing project.

- Formatting for screenwriters. You easily format your screenplay so you can focus on the essential elements of character, dialogue, and action.

- Features for academic and nonfiction writers. It has features such as footnotes, references, and a bibliography correctly formatted. Scrivener provides templates for writing in styles such as APA and MLA so you can focus on your writing.

- Tools for exporting and publishing. Scrivener integrates with many formats so you can export to Microsoft Word, Open Office, RTF Final Draft (for screenplays), PDF, and more.

- For Editing it lets you track word frequency. Allows you to color code to label characters, POV topics, or any other specific category you need.

- It does bookmarking, tracks your progress, has a compile tool so you can take sections from different documents into one document.

- Formatting lets you quickly change fonts, headings, block text, and titles.

- Has a metadata feature to add dates, lists, and other data to track important issues.

- I can do a split screen for an easy view of two sections of your book.

- Compatible with EPub.

AutoCrit:

The monthly subscription is $30 and the annual is $297. A lifetime subscription is only offered occasionally.

I’ve praised AutoCrit in previous articles, so I am not going to go into too much detail here about how it works. What I can tell you is that the 2.0 version went from a simple editing platform to a full-on writers' community. You can now write your entire novel on your Writer’s Desk in the app. They have a header that looks a lot like MS Word but is easier to use.

- In addition, there is a whole system built-in to edit and restructure whatever you write. There are digital notes and note boards if you are a plotter or just want to keep track of some details. 

I have a lifetime pro membership which gives me access to clubs and other special features. They also have courses and other perks if you are a paid member. And it is affordable. I went from a monthly payment plan to yearly, and then jumped on the chance for a lifetime membership when they switched to 2.0.
 
- With the new version, they have a voice reader with eleven voice options. This is handy for catching mistakes in your text which you might otherwise overlook.

- They offer Zoom courses on the craft of writing and give their members a lot of personal attention. They will do first-chapter critiques and feedback on your pitch to agents. (These are for an additional fee, but it is reasonable.)

I have to say, however, that the free version is very limited. A budget-limited young writer I suggested it to showed me how all the great things I told her about were not accessible to her in the free option.

While I haven't felt like writing there, I do use it for editing, and love it. Honestly, I should have transitioned fully to AutoCrit for writing, considering I’ve already paid for it. I can’t explain my reluctance.

Pro Writing Aid: 

 Cost is $20 a month, $120 per year, or you can get their lifetime subscription for $399.
 
- The free version offers many features, but the word count is limited to only 500 words at a time.

- You can select your document type. Fiction writers can choose from various genres, such as fantasy, historical, or contemporary. You can also analyze your writing against other famous authors.

- They check your grammar, give you feedback on your style issues, pacing, cliches, overused words, sensory details, and more.

- A big plus is that you can download it to your desktop so you’re not limited to on-line use.

- It offers writing reports, such as diction, which looks for vague words, transitions, and alliteration.

- There are no writing clubs or classes or other services.

Story Planner: https://www.storyplanner.com/

- This is an extensive writer’s app designed to help you organize what you write from the synopsis to the structure of your story. It outlines the scenes, locations, and characters.

- There are synchronization issues that some authors have complained about, and it can also be slow to render. This is an app best suited to plotters who like to outline everything.

I was not impressed with their website, mainly because there was no breakdown of what they offer in each type of account. It only says that the premium starts at $15 for three months. But nothing about what comes after that, and you must commit without knowing. I personally do not like the lack of transparency.

Campfire: https://www.campfirewriting.com/

A paid subscription is $14 a month or $140 yearly (with 2 free months).

The artist in me is attracted to this app. First of all, the design is just beautiful, and you can customize everything. 

- You can add photos or illustrations to your character bios, and make interactive maps. The layout is great, making it possible to reference your notes while you write. You can do collaborative projects too.

- With the free tier, you get access to all worldbuilding tools, collaboration, unlimited storage, and some tutorials. 

- You can export to EPub and other formats. 

- With a paid subscription you get unlimited elements and you can edit any element.

Hemingway Desktop App: https://hemingwayapp.com/

They took an interesting approach. They use different colored highlighting to point out where things need improving. Blue for adverbs, green for passive voice, pink highlights a phrase that could have a simpler alternative, yellow are sentences that are hard to read, and orange for very hard to read. There is a simple header with a few options.

This is a simple app that could be very useful to writers who are learning their craft.

It seems to only be available in a beta version, but there is a waitlist to use it.

OmmWriter: https://ommwriter.com/

Cost is only $6.11 to download to your desktop.

Their premise is simplicity. They provide the ideal setting for you to concentrate and just focus on your writing. They take the minimalist approach to design, with only basic functions required for writing. Simple upload and download buttons.

- Other selections include typeface, backgrounds, and sound elements. It opens into full-screen mode so nothing disrupts your creative flow.

- The environments are meant to transport you to a natural setting with the sounds of nature. There are various music options and audio tracks.

- One cute thing they do is add keyboard sounds when you type, one is like an old fashion typewriter. I love everything about this app. It is just a beautiful design with a fresh take on what a writer needs.

I hope this gives you some ideas of what's out there and what you'd like in your writing program.

ABOUT THE AUTHOR

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.

 You can learn more about Margot and her writing at her Facebook page: https://www.facebook.com/margotconor/



The Author Website: Which is the Best Hosting Service?

 


Contributed by Margot Condor

Make no mistake, as an author you are embarking on a business. To be successful you must be willing to step outside the creative space and learn how to market your product. Even if you’re traditionally published, there will be an expectation that you get involved in the process of driving traffic to your bookstore.

Websites are no longer optional investments for businesses in the twenty-first century, if you’re a professional, an online presence is important. Sure, social media landing pages are good, but if you want to put yourself out there as a serious writer, you need a website.

The question becomes how much are you able to invest in that website?

As a new author, I have only just begun to research the various options for creating one, and I can tell you I hit a wall immediately when it comes to cost.

What I find absolutely maddening is the fact that many of these sites do not have an easy-to-find cost options page. When I tried to Google this simple question and I get directed to a page that says “Get Started.” Basically, it means unless you commit, you don’t find out what you will be paying! They obscure the cost and want you to join before that information can be seen. I really don't like the lack of transparency!

This article will explore the various options I researched. In order to get the information, I share with you here, in some cases, I just had to ask other authors what web hosting service they use, how easy their site was to create and use, and what they paid. I’ll explain later what I finally decided for myself and why.
 
Let me begin by suggesting that you buy your own domain, (this is the URL of your site) this can be added to any of these plans to make it easier for your readers and fans to find you. I use Dynadot: https://www.dynadot.com/). On the average it is around $12 a year.

I should say that there are several sites offering variations on the same basic package, they have templates, and they are easy to set up, even if you know nothing about coding, which I don’t. When you find a template you like, you can customize it to fit your needs. Drop in your own images, add your text, add pages, there are a lot of ways to make them unique to you. The template is just a place to start.

I was so impressed with the variety of options out there now. Many years ago I designed my first artist’s website with the help of my husband who does know all those magical things that turn a series of digits into images on your screen.

The design part was a laborious endeavor and took me forever. Of course, at that time, the only way to get a website designed, other than going through that grueling process, was to hire a pro to do it. But that wasn’t affordable for me or many creative people I knew. It still isn’t.

A DETAILED LIST OF HOSTING SERVICES FOR AN AUTHOR WEBSITE

1. WIX was the first to show up on the market that let you drag and drop your art into easy-to-use templates. The problem there was the lack of a personal URL. Last time I built a WIX website for an art collaboration they offered a way to get around having a link that featured WIX in your e-mail address rather than your name, by opting for a paid WIX site rather than the free one. Now… they no longer offer the free variant.

It is difficult to find the payment options on their site, so I’ll just give you that direct link: https://www.wix.com/upgrade/website

It starts with 3 GB of storage space for $16 a month, to 100 GB of storage space for $45 a month. Each of their tier options offers a variety of services. On the upside, they have a huge choice of templates, more than most: 900+ and 250+ apps. It’s easy to use and not a bad price, depending on how much you plan to load on your pages.

2. WEB.COM is another do-it-yourself website builder. They offer a free domain with your website package. With drag-and-drop template designs. They give you one-hour free tech support with their experts. It will work with WordPress, eCommerce, and shared hosting platforms. You can also move your existing WordPress website to Web.com hosting. They have a 99.9 percent uptime guarantee. Evidently, some sites crash a lot. They promise theirs will not.

Web.com offers 24-7 customer support by phone or through their online help center. They do not have a free plan. Their low introductory rates draw users in, but renewals are much more expensive. For example, starting at $4.95 to $19.95 per month, that only lasts for one billing cycle. Afterward, they jump up to $9.99 to $39.99, which is a significant increase. So, once you’ve committed and built your beautiful website, you end up paying a lot more than you expected. Seems dishonest to trick people who are not paying attention to the small print.

But if you stick with them, one upside is the social media integration for platforms including Instagram, Disqus, and Pinterest. You can showcase your Instagram Feeds, add a Pinterest “Pin It” button or link all your social media profiles. With the eCommerce Essentials or eCommerce Premium plan, you can sell on Facebook or Instagram to get your followers on your sales funnel. https://www.web.com/

3. GO DADDY has a free option; just pick a template to start. There are 15 categories with twenty options in each one to choose from. Add your content and business info to make it yours. Use built-in marketing to let people know you’re open for business. Manage everything from one dashboard on any device. Upgrade to an online store when you're ready to start selling. Their paid options are from $12 to $23 a month.

4. WEEBLY is impressive, although, similar to these others. I like their clean and simple interface, where everything is easy to find. Including their price structure which is quite affordable. They have the drag-and-drop builder, like the others, but also some extras that are not common elsewhere: Advanced animation effects, custom fonts, video background elements for dynamic designs, and you can add your own videos too. There is a built-in photo editor. This web builder appeals to the artist in me.

5. PUBSITE: I was very interested in this site. A couple of writers’ webinars I attended gave presentations about this site and it looks like an amazing place designed specifically to support authors. It is also a do-it-yourself website platform. It lets you easily display all your books, excerpts, videos, social media links and feeds, author tours, and online bookseller links, and you can sell your books directly from your website. Seems there are two options for blogging, design in-site or import your WordPress blogs that you created elsewhere.

It sounds very user-friendly and they have thought about everything you need as a writer. Pub Site has a monthly fee of $19.99 which includes hosting. Which comes to around $240 a year. Not bad considering all they offer. Everyone I have talked to who uses it has had great things to say about it. 

6. SQUARE SPACE:  I have several writer friends who swear that Square Space is the way to go. Honestly, after researching it, this is my least favorite choice, and I would not recommend Square Space to any writer who is not very tech savvy. This site does not offer a free plan either.
 
The cost to build a website with them depends on the number of pages, custom features, and functionality you choose. You pay extra for search engine optimization. You pay more if you have a project deadline, like a book launch. You pay differently depending on the expertise of the person designing for you. The cost of expert help is around $100 an hour. You’ll end up paying at least $2000 on the low end for their help with the design.

They want you to buy your domain name through them at the cost of $20 to $70 yearly. (I pay $12.00 a year at Dynadot.com) Then on top of all that, their yearly hosting fee is between $200 to $600 with an average cost of $300.

7. CANVA PRO is what I will be using, I saved it for my last entry as I am sharing more links on this one. I am already paying for the pro app to make leader magnets and social media ads. Canva Free, Canva Pro, Canva for Teams, and Canva for Education users can publish websites for free. But you get a lot of extras with the paid options.

There are a ton of templates for anything you want to do, all for $120 a year. Included in all plans are: Docs, whiteboards, presentations, social media templates, video, print options, and of course Website hosting is included in that price. All designing is drag and drop and easy to use. My feeling is that their design options are as good as any of the other sites I researched, but in addition you can create a lot of other things to help with promotion.

On the Pro option, they have amazing goodies: starting with 100 million stock photos, videos, and graphics, (if you need them. I have my own images that I created; I don’t use stock). But that alone is huge! For authors who want to self-publish, you can use their royalty-free stock and design your covers in Canva.

Logo and brand kits are available. There are some impressive video editing tools. For example, you can remove images or backgrounds in videos with one click, you can auto-match soundtracks with video footage. You get Magic Eraser, Magic Write, and Beat Sync.

Another cool feature: you can schedule social media content on 8 platforms! There is 1TB of cloud storage, which is way more than the other sites offer. That beats all other sites on options and price.  I’m not sure I will use all of that, but it is included.

Be sure you build on a website template. They have other templates that look similar which are for portfolios. I made the mistake of building a whole website design with multiple pages and then realized I could not make it live because it was not made for website. The tabs look different: a website template has a little square icon on the tab, all other design templates have a circle with a C in it.

Here are some additional links for “how to” if you also want to try Canva Pro:

How to use your own domain with Canva
(You can buy your domain URL through them or with an outside hosting company).
https://www.canva.com/help/publishing-websites-own-domains/

How to create a blog on Canva:
https://www.canva.com/learn/how-to-start-a-blog/

Your blog can be linked to your Canva website:
Choose the "embed" option in the Canva design editor then paste a link to the blog post into the embed field. The blog post will then appear in the design where you can resize it to fit into the design as you like.

Here it shows you how to do it:
https://www.youtube.com/watch?v=5eSkF6NR9Ys

You will first need to host your Blog elsewhere. Hostinger.com is an affordable option. It manages over 29 million users across 39 countries worldwide.

Hostinger's Key Plans:
Single Shared: $1.99 per month (discounted price)
Premium Shared: $2.99 per month (discounted price)
Business Shared: $3.99 per month (discounted price)

Creating a newsletter on Canva:

https://www.canva.com/newsletters/
https://www.websitebuilderinsider.com/how-do-i-create-a-newsletter-on-canva/

Newsletter e-mail from Canva:
https://www.websitebuilderinsider.com/how-do-i-make-a-newsletter-email-on-canva/

I haven’t finished building my website yet. But I hope you will look for Margot Conor and check out what I put together with Canva! I’ll be posting updates there. 

ABOUT THE AUTHOR

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.

 You can learn more about Margot and her writing at her Facebook page:
https://www.facebook.com/margotconor/



All About Work-for-Hire Opportunities for Writers

by Suzanne Lieurance 



What is work-for-hire, you might ask?

 

Well, Webster’s Dictionary defines work made for hire as “work (art, music, writing, or a computer program, for example) that is the property of an employer when made by one acting as an employee or is the property of the party for whom it is specially ordered or commissioned when that is expressly stipulated in writing —used in copyright law.”

 

With that definition in mind, let’s take a look at the different kinds of work made for hire (known as WFH or simply write for hire or work for hire) in the writing world.

 

When a publisher or other client offers a flat fee for a writing project, with no royalties, and they buy all rights to a project, this is a work-for-hire. 

 

An employer could also have an employee write something as part of their regular job but the employer (not the employee) would retain the copyright to the work.

 

Books, short stories, articles, scripts, testing materials can all be work-for-hire projects. 

 

The company hiring the writer is usually the one to come up with the concept or idea for the item to be written. 

 

For example, often publishers will hire writers to adapt old fairy tales or other old stories for today’s children’s book market. 

 

The publisher gives the writer very definite guidelines to follow, then the writer writes the story according to those guidelines. 

 

The writer is paid a flat fee to write the story. 

 

The writer does usually get a byline for the story, even though he/she is giving up all rights to the story once it is published by this publisher. 

 

Many children’s publishers also hire writers on a WFH basis to write nonfiction books on a variety of topics.

 

These books are usually part of a series.

 

Other children’s publishers have fiction projects, such as easy readers, early chapter books, etc. as WFH projects.

 

Finding WFH projects can be a bit tricky however, since most publishers don’t mention WFH on their websites.

 

Instead, they rely on a stable of freelance writers who have written for them in the past.

 

These publishers also post WFH at online job boards such as indeed.comlinkedin.com, and Upwork.com.

 

Some of these job boards require you to sign up for membership to search their job listings and they also charge a fee for each project you acquire through them.

 

Instead of going through these job boards, another way to get WFH jobs without paying a fee (although it might take a bit longer to get a project this way) is to research publishers who offer WFH and then send them a submissions packet.

 

Generally, this packet should include a cover letter, your resume, and one or two writing samples that show you can write the type of materials they publish (so be sure to tailor make your samples for each publisher you send a packet to).

 

You probably won’t hear from these publishers right away, but if they need a writer and see from your resume and samples that you can do the work they need done, they will contact you.

 

FYI – years ago I sent a packet to a publisher and didn’t hear from them for over a year. But once they contacted me, I got regular assignments from them for years. It was a great way to earn money, gain publication credits, and get experience working with editors. It also helped me grow as a writer since I had really strict guidelines to follow for each project. Throughout the years, I have had many work-for-hire assignments from other publishers and individuals, as well.

 

Here are a few companies that offer WFH opportunities:

 

ABF Creative – They create and publish multicultural content (mostly podcast material, but look around at their website to learn more about their content).

https://www.abfc.co/work-with-us/

 

Study.com – They create study and testing materials, so this would be good if you’re a teacher or former teacher. You’ll probably find opportunities with this company at sites like upworks.com, but get familiar with study.com first.

https://study.com

 

Benchmark Education Company

Study the different book series for children to get a feel for what they produce

https://www.benchmarkeducation.com/

 

Capstone Publishing – Scroll down the page to see how to apply for WFH assignments

https://www.capstonepub.com/contact/submission-guidelines

 

Red Line Editorial – The website says they are always looking for freelancers. If you want to write nonfiction books for kids, this might be a good publisher to try.

https://reditorial.com/jobs/

 

Brightpoint Press – Hi-Lo Nonfiction for Teens

http://www.brightpointpress.com/about.html

 

Check indeed.com and Linkedin.com regularly for WFH job postings, then study each publisher before you apply. 


For more about work-for-hire, check out this article by Terry Whalin.


And, more writing tips and other resources delivered to your mailbox every weekday morning, get your free subscription to The Morning Nudge.



Suzanne Lieurance is an award winning author with over 40 published books and a writing coach.


Visit her site for writers at writebythesea.com.

Should Dialogue Be Used For Exposition and Description

  Contributed by Karen Cioffi, Children's Writer  I read an interesting article on Nathan Bransford’s site (link below), which discusses...