Writing, publishing, book marketing, all offered by experienced authors, writers, and marketers
Avoid Publishing Pitfalls
The Hidden Costs of Publishing
Authors Have a "Magical" Life
By Terry Whalin (@terrywhalin)
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Jumpstart Your Magazine Writing
How can you write and submit exactly what the magazine editor is looking for? You get some insights from reading the submission guidelines but I’m talking about something much more specific and a simple list of topics and ideas for this publication. Seasoned magazine writers know about this tool and after reading this article, you will know about it too: a theme list. Publication editors will brainstorm this list of story ideas, post it on their website and also send it to their regular contributors. Using a theme list is a sure way to grab the reading attention of the editor.
Recently I attended a Christian writers’ conference. It’s one of the key places where you can build relationships with editors and learn how to meet the needs of editors. If you write what an editor needs, then you are much more likely to get published than randomly writing something and sending it into the publication. If a writers’ conference is not in your plans, make plans to get to one soon. As editors, we publish people that we know, like and trust and you can build these relationships at a conference.
During an editor’s panel at this conference, I heard an editor’s cry for help. I’m not going to give the specific magazine but use this incident as a way to help you be more successful and on target with your magazine submissions. This magazine editor leads a 200,000 circulation Christian publication which publishes a theme list with their guidelines. With each monthly magazine, they publish articles outside of their theme but in particular they need articles tied to their theme. In front of the entire conference, this editor mentioned several of his projected themes did not have a single article ready for publication.
As I listened to this editor’s cry for help, I recalled my work at Decision, the publication of the Billy Graham Evangelistic Association. As associate editor, I was looking for theme related articles. For example, I needed articles about love for a February magazine (Valentine’s Day). It was not easy to get these articles even for a large circulation magazine like Decision whose circulation at that time was 1.8 million. To gather these needed theme-related articles, I would call or email some of my author friends and ask them for submissions.
If you want to be published in magazines, in general there are two options. You can write whatever you want (inspiration) and then try to find a publication for it. Or you can look at the themes an editor has created for their magazine (their needs) and write an article to meet those needs. The second approach of writing for a particular theme is more likely to be published from my experience.
The Christian Writers Market Guide includes over 150 magazine listings. Many of these listings include the location of their guidelines and theme list. Another way to find these publications is to use Google with the search words “Christian editorial theme lists.” I instantly found several pages of Christian publications with their theme lists.
As you meet needs of the editor (use their theme list) you will be published in magazines and become a dependable resource for your editor. Don’t overlook this important resource for your magazine articles. Writers do much more than publish books. If you write for magazines and have never published a book, call yourself a writer.
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Why I Give Away Books
By Terry Whalin (@terrywhalin)
If you have a published book, you have a powerful tool in your arsenal. I hate to admit it but when I entered publishing years ago, I was tight with my books. Each time I gave away a book, I was thinking about what that book would cost for me to purchase it. As the years have passed, I’ve become less cautious about the actual cost and more aware of the way books can help others. In this article, I want to give you some reasons to give away your books.
Several years ago at a Morgan James author event in Nashville, I asked one of the authors for her business card. She didn’t have one. Immediately she said, “Why don’t I give you a book and I will write my website into my book?” Your book can be the perfect business card in that situation. This author has been around publishing many years. I’m certain she had no idea that I’ve written hundreds of Amazon reviews. I gratefully received her book and carried the book home. A week or so later, I read the book cover to cover. It was excellent and I wrote a short book review on Amazon and Goodreads. While this author had recently launched her book, she only had eight book reviews. My short review helped her add to this number and I told others about my review through a short tweet with the book on X or Twitter.
To be realistic, I understand that my response to the gift of a book is not your normal response—but you can suggest readers post a review on Amazon and Goodreads as you hand them your book. Simply from the power of your suggestion, some people will do it.
At the same event, another Morgan James author asked for a copy of my Billy Graham book. I pulled it out, autographed it and handed it to her. She promised to read it and write a review. Each time I discover a new review, it gives me an opportunity to tell others about this review on social media (X/ Twitter, Facebook, LinkedIn, etc.). Marketing people understand a reader has to hear about your book seven or eight times (at least) before they decide to purchase your book. With each new review, you should seize the opportunity on social media to tell others. That exposure is building and adding to the time when that reader will purchase your book.
Here’s several reasons to give away your books:
1. Books change the lives of readers. I know books change lives because years ago, I read a book changed my life. You can read my story in this article: https://terrylinks.com/twowords.
2. Books in the right hands can help you promote your book. Be watching for other readers and others who write reviews of books and give them a book. Also be generous with people who are in the media to give them copies of your book. Be prepared to give away your books. Carry the books in your car or briefcase and use them as you have the opportunity.
Finally, follow up with the individuals after you have given away your book. In your follow-up note, tell them what you would like them to do and make it easy for them to do it. If you aren’t telling them (asking), they may not think of the idea on their own. Your follow-up note can be simple saying something like:
“I’d appreciate it if you could leave your honest review of my Billy Graham book in three places:
Amazon: http://amzn.to/1gYtzbx
Barnes & Noble.com: http://bit.ly/1zLviz6
Goodreads: http://bit.ly/1rTDzYB Your review will be a huge help.”
Notice several details about my follow-up note. It was short, specific and I gave them the actual links to go to the right location online to leave their review. You can use my follow-up note as a template for your own actions with others.
If you are generous with your books (give them away) and tell people what you need from them, many of them will be glad to help you. Do you give away your books? Let me know in the comments.
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How to Repurpose Your Radio Interviews
As an author, you want to hire a publicist who has connections to radio and podcast hosts and can book you on those programs. As an editor, I’ve encouraged some of my authors to book radio interviews. After the interviews, one author told me he didn’t believe they helped sell books. Then I asked some follow-up questions. Did you get the recording from the interview? Are you storing that interview on your website, so it does not disappear? This author was not taking any of those important follow-up actions. In this article, I want to help you increase the effectiveness and longevity of your interviews.
As an author, your publicist will schedule you on various radio programs. These radio programs are wonderful opportunities to talk about your book. The talk show host normally receives a series of interview questions ahead of time. These radio hosts interview different authors day after day on their program. You can’t assume the host has read your book—and you are better off assuming they have not read your book. Instead, they will use the interview questions to speak with you about your book.
For example, I’ve done more than 50 radio interviews about Billy Graham and my biography. I’m asked the same questions over and over. Yet each time, I answer them with enthusiasm as though I’m hearing the question for the first time. Depending on the radio program, often these shows only cover a certain area of the United States. How do you get more mileage from these interviews?
First, ask for a recording of the interview. Sometimes the radio station will put it on their site after the interview. Other times if you ask, they will email the audio file to you. You have to ask for it or search for it and preserve this audio file.
With this audio file in your possession, the next step is to listen to it. Is it a solid recording? Do you need to cut out local commercials or anything to make it universal and just your interview? I use an audio program called SoundForge for this editing process. Just like Microsoft Word edits words, you can use SoundForge to edit audio files.
I create or check to make sure I have a solid recording of my interview. Next I upload the audio file to my own hosting site. If I just link to the interview from someone else’s site, they are in control and I’ve had these links disappear. When I put it on my own site, I know the interview is always going to be available online and never disappear. You have to make sure you preserve the interview on a site that you control.
The final step is to incorporate this interview into your on-going social media efforts (X/Twitter, Facebook and LinkedIn). Here’s an example from one of my radio interviews about my Billy Graham book: http://terrylinks.com/KPOFGrahamInt The interview was recorded months ago, yet because it was a morning radio show, it sounds like it happened yesterday. The listener doesn’t need to know the real date.
Because I reuse these interviews, people will regularly email me saying they heard my interview and compliment me. I respond with gratitude and never say when it actually happened (not relevant information for that listener). These recordings continue to promote and drive book sales and exposure for my book—long after the interview. Like many of these actions in the marketing area, they do not happen unless the author takes control of the interview (storing it on your website) then continues to promote it.
Promoting your book on the radio or a podcast is important and something every author should actively pursue and continue. In my view, it is equally important what you do with these recordings after the interview. Use these live events for on-going and continued promotion of your book and work. These interviews are essentially timeless and can be used repeatedly if you take action.
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How to Hire the "Right" Publicist
An effective publicist can be a great asset to you as an author when you launch your book into the world. Yet like hiring an editor, literary agent, or anyone else in publishing, you have to use wisdom and all your resources to find the right publicist. Rick Frishman who ran one of the largest public relations firms in the United States for many years, often tells these firms have a solid “guarantee”: that they will charge you every month. A typical publicist fee is $3,000 to $5,000 each month. With these amounts of money, you can quickly spend a lot of resources with little results if you aren’t careful.
As a cautionary story in this area, several years ago I acquired a book for Morgan James Publishing where I had a lot of hope for great success. One of the co-authors had sold their company for millions of dollars and they had a large publicity budget to launch their book. As these authors told us their plan, it had one glaring red flag: their publicity firm. We had never heard of this firm and we’ve worked with many different publicists over the last 20 years. This firm may have a great reputation for getting their clients on television programs. These authors produced an excellent book, but they ran through $30,000 on their publicity campaign with this firm and did not sell books.
To avoid this type of disappointment, I recommend several steps to hire a publicist:
• Get a number of recommendations
• Interview each one and speak with their clients about their results
• Check their reputation online (type the name of the company + complaints)
• Check with your publisher for recommendations
Ultimately, you are making an important decision to hire a publicist and you want to make sure you get value from this expense.
Understand the Role of a Book Publicist
Whether a traditional and recognized publisher launches your book or a self-publisher, the author has to be engaged in the promotion and marketing of their book. One of the key players in this process is the book publicist. Many of these publicists have valuable connections and relationships with the media and others to help you promote your book.
Recently I finished reading a book from publicist Claire McKinney, who has worked in publicity for major publishers for over 20 years and is a recognized expert in self-publishing appearing on The Today Show for example. Do You Know What A Book Publicist Does? is the name of McKinney’s book with the subtitle, “A Guide for Creating Your Own Campaigns.” As the number of new books entering the market increases every day, authors need to understand the role of a book publicist and how to work with them in the process of book promotion. Managing expectations about what a publicist can do for a writer is great information and woven into the fiber of this book.
The promotion or sale of any book is tied to key connections and relationships—for example to the media. Book publicists like Claire McKinney have been building these relationships for years. Every author needs to understand their role in publishing. Do You Know What A Book Publicist Does? fills a critical role in this process with pointed insights throughout.
McKinney answers common author questions like what is a press release and what is a book launch and the best time to launch a book? The answers are packed with her years of experience in such tasks.
In the section on Reaching the Media, McKinney writes, “I’ve found that “fear” is the one thing that holds most people back from reaching out and from developing good pitches. Of course, you don’t want to be insulting, use the words “extraordinary” or “dynamic” just to create hype doesn’t help either. If you are honest about your intentions and what you are looking for, you are more likely to get a response. It takes extra effort, but that is also how you will build a relationship with the contact that could benefit another book or could enrich your experience in another way. If you don’t ask, you don’t get it. I’m sure you know that expression. If you get a snappy response, chalk it up to a bad day. What is the worst that can happen?” (Page 100-101)
Like many other aspects of publishing, I encourage you to move carefully and ask many questions before hiring a publicist. If you do, then you will locate the right person for you and your book.
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Do You Want to Write a Bestseller?
As an acquisition’s editor at a New York publisher, I often speak with authors about their dreams and ambitions for their book. Many authors want their book to become a bestseller. Every business has a pinnacle of success. It is the ultimate mark of achievement. In book publishing, this mark of success is tied to winning a particular award or getting your book on a particular bestseller list. Many writers proclaim their book will be a New York Times bestseller. While it is an admirable goal, just making such a statement is another publishing myth because of the difficulty involved. It is equivalent to a brand-new actor proclaiming he is going to win an Oscar. Eventually, this actor may win an Oscar, but rarely does it happen right away.
When an author lands on the New York Times list, the achievement is forever carried with their publishing life. They are introduced as a New York Times bestselling author. In many ways, it is the holy grail of publishing to achieve such a milestone. I’ve never achieved such a milestone, but I know a number of authors who have reached this goal. Several years ago, I moderated a panel with three members of the American Society of Journalists and Authors who have become New York Times bestselling authors.
As the moderator, I pulled together the speakers and organized the session into three parts: the pitch or the proposal, the writing, and the promotion and life changes that came from the experience. I asked each speaker to pull together some tips and suggestions into a handout.
This event is at a “members only session” for the ASJA. In other words, you have to be a member of this organization (about 1400) and have registered for the conference and traveled to New York City for the event (an even smaller number). Here’s the handout for this event (www.terrylinks.com/nytwh). This document is nine pages of solid information and insight.
I encourage you as an author to continue to market your book, yet understand reaching the New York Times bestseller list is not easy or simple. Many people seek it but few attain it. For the majority of authors, it is a myth for them to reach any bestseller list—not just the New York Times bestseller list but others like the Los Angeles Times or Wall Street Journal.
In this article, I want to focus on several practical steps every author can take to help generate additional book sales on an ongoing basis. One of the most neglected areas for authors is the book launch. From working with authors on book production, the final push to complete a book and get it ready to print can be grueling. There is a lot of detail work to finalize a book for printing and when it is finished, there is a huge relief. Yet it is not a time to stop and do nothing. This silent period is called the pre-launch stage. To become an effective book selling author, it is time for you to crank even more energy into this pre-sales process.
Many authors let down and do nothing during this stage. The exceptions and successful authors will use this time to promote the pre-sales on the book, write press related materials, hire a publicist and gather a launch team or at least people to write reviews. I’m going to give you more details about each of these activities.
Create a Pre-Launch Campaign
The period when the book has been completely produced and finalized but not released into the bookstore is called the pre-sales season. As an author, one of the most effective actions you can take is to organize a pre-sales campaign. Dave Jarworski, was one of the early employees at Microsoft and the winner of the first Microsoft sales award from Bill Gates. He ran an effective pre-sales campaign for the launch of his book. After he left Microsoft, Dave and I worked together at Christianity.com. We kept in touch and Dave wrote a book about Microsoft called Microsoft Secrets (www.microsoftsecrets.com). Dave gathered unusual resources with his book such as some unpublished videos and launched a pre-sales campaign for this book. If you pre-ordered the book, and after your order, returned to Dave and told him (giving an order number for example), you got access to these extras. The pre-sales campaign drove people to pre-order the book from different bookstores.
Also the pre-sales campaign is something Morgan James can promote to our bookstore sales team who in turn promoted it to the bookstores. When Microsoft Secrets launched, the physical books were sold into the majority of the bookstores throughout North America and Canada. Authors who do not have a pre-sales campaign will sell into a limited number of physical bookstores, but because of the pre-launch campaign, Microsoft Secrets received much broader distribution than normal (and increased sales as a result).
Because a successful campaign was launched for the book, this author activity spilled into other areas such as foreign rights. At this writing, Microsoft Secrets has been sold into two additional languages besides English, Vietnamese and Simple Chinese. Ironically after 22 years away from Microsoft, Dave Jaworski rejoined Microsoft as an employee. Worldwide Microsoft has over 154,000 employees. To create this pre-sales campaign, you can study the activities of other authors and watch how they launch their books. You may need a website or other help with this process. Get several recommendations before selecting the right person to help you. The key difference maker to become a bestseller it to take consistent action to be telling people about your book and where it is available. Finally, every author needs to have a realistic view of their book and what can happen with it.
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Why Even Self-Published Books Need A Proposal
No matter what method you choose in the publishing world, I encourage you to create a book proposal. Whether it is fiction or nonfiction, you need to create this document because it is your business plan for your book. Years ago, as a frustrated acquisitions editor, I wrote Book Proposals That $ell, 21 Secrets to Speed Your Success. This book has over 150 Five Star reviews and many people have used it to get published. I also have a free book proposal checklist at: www.terrylinks.com./bookcheck and a free teleseminar about proposals at: www.askaboutproposals.com.
I’ve read thousands of book proposals as an acquisitions editor and a former literary agent. I continually teach on the topic because I believe many writers don’t understand the critical nature of this specialized document called a book proposal.
On the traditional side of publishing, editors and agents read proposals. It doesn’t matter whether you’ve written nonfiction or fiction because this document includes information which never appears in your manuscript yet is critical in the decision-making process.
Many authors have not written a book proposal because have written a full manuscript. From my perspective of working in book publishing for over 20 years, every author should create a book proposal for their book—whether eventually they publish the book with a company where they pay to get it published (subsidy or self-publishing) or whether they find a traditional book publisher. In the proposal creation process, the author learns critical elements about their book concept plus they are better positioned in the marketplace.
Here are four of the many benefits of proposal creation:
1. You Define Your Target Market. Many authors believe their book will hit a broad target—everyone. No successful book is for everyone. Each book has a primary target audience, and the proposal creation process helps you define, pinpoint and write about this audience. It is important in nonfiction but it is also important in fiction. For example, romance is the largest fiction genre yet there are many divisions within the romance genre. The proposal helps to define this division and helps the publisher understand who will be creating the sales.
Every proposal needs a target which is defined—yet large enough to generate volume sales. You learn and achieve this balance when you create a page-turning book proposal.
2. You Understand Your Competition. Book proposals force writers to take a hard look at what is already on the market, and what if anything they bring to the conversation. Many new authors believe they are writing something unique with no competition. It’s not true. Every book competes in the marketplace, and you will be a better equipped author if you understand your competition.
3. You Create A Personal Plan For Marketing. As you create a book proposal, you will include practical, specific and measurable ideas that can executed when your book enters the market. The proposal will be a valuable reference tool for you because you’ve done this important evaluation process.
4. You Possess A Valuable Tool To Pitch Agents and Editors at Traditional Houses. Literary agents and editors do not read manuscripts. They read book proposals. Even novelists need a book proposal for their initial pitch to an editor or agent. And if you self-publish and are successful with selling your book, because you own everything, if you receive an attractive offer from a traditional house, then you can move the book. Without a proposal you can’t properly pitch the concept and you’ve eliminated this possibility.
Throughout my years in publishing, I have made multiple trips to New York City and met with some of the top literary agents and editors. Almost each time, I am asked, “Where is the next Prayer of Jabez or Purpose Driven Life or Left Behind or ______ (name the bestselling book)?” Each of these books sold millions of copies. The Left Behind books continue to sell over 100,000 copies a year—and they were originally published over 20 years ago. These professionals are actively looking every day for the next bestseller. Yes, they may be telling you their agency is full and they have no room on their list for your book—but the reality is something different.
I encourage you to keep looking for the right fit for your manuscript. It’s part of the editorial search that every writer undergoes to discover the right place for their book to be published.
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