11 Essentials of a Good Query Letter

Query image Copyright © 2013 Joan Y. Edwards

"11 Essentials of a Good Query Letter" by Joan Y. Edwards

Does your query letter have what It takes? Does it contain all the essentials of a good query letter? Does it have all the necessary ingredients to cook up a good deal for you?

A great query letter follows the latest guidelines of the editor or agent listed online. Here are 11 essentials of a good query letter:

1. Your manuscript is the genre this editor/agent accepts for representation and/or publication.
2. Gives the following information at the top right hand side: your name, address, city, state, zip code, phone number, email, websites, and blogs, and date.
3. Puts the name editor/agent, followed by name of publisher or agency in the left-hand side followed by Dear and the name of the editor or agent as directed by the guidelines.
4. Contains a great selling pitch that leaves the agent or publisher so moved by the story that they can't wait to see your full manuscript.
5. Tells why you believe this editor/agent is the right one for this book.
6. Compares your story to 1-3 books published by this publisher or represented by this agent.
7. Explains why you are the best person to write this story and gives your credentials.
8. Asks the question: "May I send you my manuscript?"
9. Thanks the editor or agent for considering your work.
10. States when you expect to hear from him according to the guidelines.
11. Send by email or snail mail with a self-addressed stamped envelope (SASE) as specified by the guidelines.

Here's my article: "Components of a Good Query Letter." You might enjoy it.: http://joanyedwards.wordpress.com/2011/04/17/components-of-a-good-query-letter/

Thanks for reading this post. Please share what you believe are the essentials of a good query letter.

Celebrate you.
Never Give Up
Joan Y. Edwards

My Books:

Flip Flap Floodle, even mean ole Mr. Fox can't stop this little duck

Paperback, Kindle and Nook

Joan’s Elder Care Guide, Release date June 2014 by 4RV Publishing

Website/Blog

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Copyright © 2014 Joan Y. Edwards

On Point of View, Political Correctness, and Creativity

Guestpost from Carolyn Howard-Johnnson

Many of you know that in my other writing life, I take up serious themes like discrimination so I’m especially sensitive to it when I see in the publishing world.

Not long ago, my writing friend Leora Krygier was asked by a reporter for the Orange County Register if she felt qualified to write from the point of view of a young Vietnamese girl in her book When She Sleeps. Having once been in journalism and been in a position to do some interviewing of my own, I was a bit incensed. It seemed amazing to me that someone would presume to tell a writer they couldn't or shouldn't write from any point of view they so choose  or suggest that doing so would cause resentment. How could a reader (or a reporter) possibly presume we couldn't write from the point of view of someone of a different race, a different religion or culture. And why would they tinge that question with a hint-of-haughty in the voice, a bit of a look-down-the-nose demeanor.

My daughter, a cultural anthropologist, suggested that such ideas were a function of our intensity to be as politically correct as possible and The Register did have a large Vietnamese population, which was probably one reason they were doing the interview in the first place. Because I believe that being politically incorrect in most instances, simply promulgates bigotry, I tried to put all my arguments—arguments in favor of creative writers—aside and forget about it.

Then I ran into another instance of this kind of question in Time magazine. There is was in my face again:

Belinda Luscombe put on her snarkiest interview hat to interview Pulitzer-prize winning novelist Michael Chabon. It went something like this: "A central character in your book Telegraph Avenue, Arcy Stallings, is the black co-owner of a record store. Did you feel anxious writing from the point of view of a black guy?" In addition to the haughty and snooty tendencies listed above, her question smacks a bit of the passive aggressive.

I admit it. That got me a little riled. But the interviewer persisted: "But race is a charged subject. In the book, there's a white lawyer, Moby, who talks like a black guy. Didn't you worry that that was you?"

Then I went on a full scale rant, albeit a quiet one to myself. Exc-u-u-se me! But don't writers of fiction always use something of themselves when drawing a character? None of us can pull any character trait that we haven't personally seen, experienced, or read about from thin air! I sniffed! But it doesn't have to be us.

And doesn't fiction work—especially great fiction—because at our cores we are all the same? Sentient human beings who share needs and feelings? When I suffer under one kind of prejudice, as an example, isn't that at some level very similar to what someone else suffers under another? So wouldn't that qualify white-girl me to write from the point of anyone I so chose—if I took care. If I had a worthy subject and theme. And isn't that the job of the artist to decide?

And, (I actually huffed! Almost aloud!), haven't these reporters ever heard of research? Or imagination?

And what about that idea of getting too close to something, so close that we may feel responsible or fear we're putting our souls in danger? Or that someone might mistake sincerity for satire? Of vice versa? Wouldn't any thoughtful person understand that every time an author picks up a pen he or she puts herself in some kind of emotional (philosophical?) danger? And don't readers understand the difference between fiction and reality? Do they really think that every character in our books is us rather than seeing that every character may be us, but may also be a reflection of someone we've observed? Or read about? Or devised by mixing traits of many people we've met?

And this is the answer I came up with.

Apparently not.

CHJ

 

-----
Carolyn Howard-Johnson occasionally contributes to AuthorsOntheMove. She is the author of award-winning books This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a series of chapbooks of poetry; and how to books for writers including the award-winning second edition of, The Frugal Book Promoter: How to get nearly free publicity on your own or by partnering with your publisher; The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success; and Great Little Last Minute Editing Tips for Writers . The Great First Impression Book Proposal is her newest booklet for writers. She has three FRUGAL books for retailers including A Retailer’s Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques. Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor .

Increasing Visibility on Amazon

I attended the IndiRecon, a free online conference for writers.

One of the things that struck me most was this point, by David Gaughran. New authors tend to spend a lot of time promoting on social media, blogging, etc.

 But think about this. “If someone is on Facebook, they're probably chewing the fat with friends or looking at cat pictures.

On Google, they're searching for something—their wallet is only half out. On Amazon, they are ready to buy.” It makes sense, then, to focus more on Amazon until you get well known enough that social media and blogging will help you connect with the readers you already have, and through them expand to new readers.

So here's the advice I compiled from several presenters who held similar opinions, all about how to increase your discoverability on Amazon.

Make Your Title and Cover Work for YOU

-Do NOT confuse anyone with your title or cover. This includes, but is not limited to: unpronounceable words, cutesy non-fiction titles that don't explain what the book's about, titles completely at odds with the genre listed, titles too small to read on the thumbnail, books where the reader isn't sure which is the title and which is the author.

-Remember that shorter titles tend to sell better.

-Make sure the title and cover convey at very least the genre and tone of your book. Better that they convey some of the story too.

Choose Categories Strategically

-Get as specific as you can. In the Kindle store, “Fiction—General” may have a million books in it, and the chances of a browsing customer just happening upon your book are extremely slim. “Genre Fiction-Sea Adventures” has less than a thousand titles, and will bring you and potential fans together better. Provided, of course, that your story really is a sea story.

-Find smaller categories. They make it easier to get into top-100 lists.

-Decide on your ideal categories by looking up popular books similar to yours. You can also browse categories by clicking on the“shop by department” drop down menu and then drilling down (you'll often have to scroll to the bottom to find the department subcategories).

-If the category you want is not available to you through KDP, select non-classifiable as one of your categories and then e-mail Amazon, giving them the exact path you want to be in. Example: Kindle Store>Kindle eBooks>Teen&Young Adult>Historical Fiction>Ancient Civilizations.

Test Keywords

-Brainstorm keywords and phrases for your book, then run them through a keyword analyzer to see which ones have the most searches. One program is the Keyword planner on Adwords. To get ideas for more words, you can also type your keywords into Amazon or Google and see what it autosuggests.

-Remember that Amazon allows you 7 keyword phrases, so “Young Adult Paranormal” is counted as one keyword.

-Test your keywords by putting them in the Amazon search box and see if the right sort of books pop up.

-Use associated words to improve SEO (search engine optimization), so if “young adult dystopian” and “teen science fiction” both apply, and you think people will search by both, use them both. Search engines think this makes your content a more reliable.

-Use your keyword phrases in the title, subtitle, or description. Repeat your classification/sub genre in the keywords, even if Amazon tells you it's unnecessary.

Pretty Up Your Book Description

-Think of your description as sales copy. It's not just your back-of-the-book blurb.

-Use headlines, sub headers, and bullet points to draw the eye. Bullet points in fiction, you ask? If nothing else lends itself to bullet points, use blurbs from reviews.

-Use html to get bold, headlines, etc. A list of approved html: http://www.tckpublishing.com/amazon-kdp-kindle-book-description-html-update/

-Use actionable words.

-Show social proof that it's good (awards won, best-seller status, etc)

-Include a call to action, like “Scroll up and grab a copy today.”

-Repeat your title in your description. You can also include excerpts. Especially for non-fiction books, include the table of contents in the book description. It's a really slick way to get your keywords in without sounding forced.

-Try using keywords in a subtitle, like “An Inspirational Romance.” Just don't make it too cheesy.

Price to Sell

-Price your books competitively.

-Johnny Truant, Sean Platt, and David Wright advocate always having some way for readers to get a complete, stand-alone, satisfying entry into any book or series you've published. This is not the same as the standard e-book sample, which comes with the understanding that the reader will reach the end of the sample—maybe mid sentence—and have to buy the rest. It shouldn't simply be an excerpt on your blog or Facebook, which isn't the same experience as a book. Possibilities for free entries:
'
a) For a series, make the first book free.

b) For a stand-alone novel, publish a free short story or novella set in the same world or with the same characters.

c) For a non-fiction book, publish a free essay on a similar theme or a stand-alone chapter on one specific topic covered in your book.

-Don't fear giving your books away. This may seem counter intuitive if your goal is to make money, but people love free things. They'll be more willing to gamble zero dollars on a new author. Then, if they like it, they may very well buy others. But these people never would have been exposed at all if that first bite weren't free. Think of it as a loss-leader in a grocery store.

-Amazon won't allow you to simply price your e-book free. However, they match other sites. So, if you want it perma-free, make it free somewhere else, like Smashwords, and then have someone report it to Amazon. They'll turn it free.

Get Reviews

-Ethically-obtained reviews legitimize your book and attract customers. For ideas on how to get more, join me next month.

Think like Amazon

Understand that Amazon's mysterious algorithms are all to help customers find things they will buy. Set up your product in a way that helps Amazon link you with the right customers, and your sales will increase.

Resources:

Michael Alvear's The Guerrilla Marketer's Guide to Selling Fiction On Kindle
Optimizing Searched on Your Book [Metadata/SEO] by Lori Culwell
Jim Kukral's Webinar: The Amazon Power of Selling by Jim Kukral from Author Ad Network
David Gaughren's article: Understanding Amazon's Recommendation Engine
Write, Publish, Repeat: How to Turn your Art from a Hobby into a Real Business Live Podcast with Johnny Truant, Sean Platt, and David Wright.
(Sorry, but none of links work so had to be removed!)

Melinda Brasher loves to travel, write, and play difficult card games.  She has short stories and travel writing published in various magazines, and is the author ofFar-Knowing, a YA fantasy novel. Visit her blog for all the latest: http://www.melindabrasher.com

How to Build Your Online Authority With Focused Writing Goals

By Karen Cioffi

We’re in the last month of the first quarter. It’s time to reassess.

As each year comes and goes, you need to put your writing focus and writing goals under a microscope. Take the time to analyze if you’re known for who you want to be known for.

In other words, if you ‘really’ want to be known as a top-notch ghostwriter is your focus and goals leading in that direction? Are your actions leading in that direction? Or, are you here, there, and everywhere? Are you lacking online authority in your niche?

You don’t want to be known as a ‘jack of all trades, master of none.’

While it can be that you have a number of different areas you’re involved in, you need to pick and choose to be ‘master’ of one or two.

It’s this focus that will enable you to gain authority in your niche and to attract customers or clients.

It’s this focus that will motivate you to take the necessary steps to reach your goals.

So, how do you focus in on who and what you want to be known for?

This is interesting, because it can change as the years come and go. For example, I started out as a children’s writer, and while I still love this aspect of my writing, I have evolved into a freelance/ghostwriter (specializing in business incentive and health writing) and an online marketer (specializing in helping authors create and build their online platform).

Taking my freelance writing and marketing skills a bit further, I created a new business, the Article Writing Doctor.

Finding my focus, I took the time to analyze my actions and revamp my websites to reflect what I want to be known for.

While I have three businesses going, they’re all very closely connected – my focus is intact.

Updating this article, there are times when your 'calling' or what you should be doing pushes you in a certain direction.

As I mentioned, I started out as children's writer and veered off in other directions. But over the past two years or so, I've marketed myself as a children's ghostwriter and people have been coming to me to ghost their stories. I could have four or five clients at one time. So, obviously, my focus is back on being a children's ghostwriter.

Fortunately, I'm passionate about writing for children so it works out well.

I still do marketing e-classes, but it's separate and I don't market them. I work through sites like WOW! Women on Writing.

What about you?

Maybe you write for children. Maybe you're a romance writer, a technical writer, or business writer. Maybe you're a freelance writer or ghostwriter. Maybe you're all these things.

But, what do you specialize in? What are you known for?

Do you have online authority in a particular niche?

To help determine your area/s of focus you need to write down the questions below and answer each one (write your answers out):

•    What writing arenas are you involved in?
•    Do you find yourself leaning toward one or two more so than the others, if so what are they?
•    Can you effectively market yourself in these areas?
•    Are you writing and marketing as a hobby or to earn an income or a supplemental income? If your goal is to make money, write down how much?
•    Did you have a writing/marketing goal for last year? Did you reach it? If not, why?
•    What does success mean to you – what does it look like?
•    Do you really want success? If so, is there anything blocking your path to it (often we sabotage our own success)?
•    What do you want to be known for?
•    What can your new ‘signature’ tag be?

You’ll need to think about these questions. It might be helpful to actually have someone ask you each question and quickly give answers. Sometimes this helps you get a glimpse of what’s going on subconsciously.

Once you have your goals in sight, write them down; be sure to include the tasks of increasing your online presence and mailing list. You’ll need to keep those goals front and center and read them every day. The reason for this is our ‘intention’ can quickly be sidetracked if we don’t continually keep it in sight and in mind.

After you have your goals in place, write down action steps to get there. It’s advisable to have a yearly calendar with goals to reach each month. Then prepare a weekly writing/marketing plan to achieve those monthly goals. Again, you need to keep those goals and action steps visible. Remember: out of sight often really does mean out of mind.

Creating focused writing goals and implementing focused action steps to reach them will definitely help you increase your online authority.

This works even if you switch niches as I have. It just takes more focus and work to become known as an authority in a different niche of field. But, it can be done.




MORE ON WRITING

Tips on Writing Humor
Borrowing from Superheroes
Trust Your Readers (Part 1)

WANT HELP BUILDING YOUR AUTHOR/WRITER ONLINE PLATFORM?

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It's a 4-week, in-depth, interactive WOW! Women on Writing e-class that covers basic website optimization, blogging, email marketing, and even social media marketing. All the elements needed to boost your visibility, authority, and sales.

Check it out today: CLICK HERE

Tips on Writing Humor

Photo by Kim Byrd Copyright 2014

In articles about writing funny, some authors say if you can write well, you can also be funny. That sounded reasonable. Others say humor writing is "tricky." Getting warm. Note: mustn't mistake for hot flashes. I didn't even let Frank Gannon discourage me when he said, If you want to write humor "you obviously have something wrong with you, and that is the one single quality that all humorists must have. You have something wrong with you, but you don't want anyone to notice what it is. Therefore, you try to make them laugh." What a relief. Finally, someone has the guts to tell me what's wrong with me--I want to write humor!

Jokes aside the truth is, most say humorous writing is hard work. I say, we writers work hard at everything else. Why not humor, too? Here are three reasons to try:

• People love to laugh; laughter is good for us.
• Humor is an effective communication tool that can humanize our work and even make the act of writing more enjoyable. Also, it boosts creativity by challenging us to approach our craft in new ways. From: How to Write Better Using Humor, by Leigh Anne Jasheway.  
• Toss in the bottom line and there you have it, every reason to give humor a go: "Humor is the one thing that I've never seen an editor say they have too much of . . . period. They all say they'd like to see more." Jan Fields, Author, Instructor and Web Editor of the Institute of Children's Literature.

Ways to Ease into your Funny Bone

Make your humor lighthearted: Try poking fun at human nature. Funny things happen around you every day. Everything you do has potential for humor. The keys are to remember to be gentle, be consistent throughout the book; and as stated below in the Tips, your humorous parts must move the story forward and/or relate to the story's theme (just like everything else, or out it goes).

• An unexpected turn in Bruce Coville's book, The Skull of Truth, made me laugh out loud when the main character, Charlie, ate dinner with his family. Charlie had somewhat of a problem: he was a liar. Throughout the book the theme of "Don't lie" came out loud and clear. The dinner table discussion offers a seamless example of combining humor with the book's theme: "Andy Simmons ate a bug today," put in Charlie's youngest sister, Mimi, who was in kindergarten . . . "Then he spit it out. It was gross." She looked very pleased with herself. Charlie wondered if the story had any truth to it. He still hadn't figured out how to tell when Mimi was fibbing."
• Jack Gantos' book, Dead End in Norvelt, the 2012 Newbery prize winner, is replete with good ole, new-fashioned edgy humor. If the first sentence about Jack's mother ruining his summer vacation doesn't grab you, the excruciatingly long second sentence will: "I was holding a pair of camouflage Japanese WWII binoculars to my eyes and focusing across her newly planted vegetable garden, and her cornfield, and over ancient Miss Volker's roof, and then up the Novelt road, and past the brick bell tower on my school, and beyond the Community Center, and the tall silver whistle on top of the volunteer fire department to the most distant dark blue hill, which is where the screen for the Viking drive-in movie theater had recently been erected." Talk about getting hooked by an introduction. I was already smiling, which made absorbing the opening facts effortless.

Exaggerate: Author Connie Willis wrote that Mark Twain called exaggerations "stretchers." Stretching the truth is funny, just don't go too far.

•  Later in the Norvelt story, it would be hard to top how Jack saved a deer his dad had in his sights when they went deer hunting together. At the most intense moment when his dad was about to pull the trigger, Jack was squatting high up in a tree house in the freezing cold   . . . when . . . "a gut desire to save the deer gave me just enough oomph, and I let out a thin stream of gas which sounded roughly like the slow opening of a creaky coffin lid that had been closed for a thousand rusty years .  . .'Good timing.' [his dad] said sarcastically without even looking at me." (I urge you to read this exhilarating, hilarious yet touching book because this example is far too brief and covers only a slight part of that scene; like so much else in the book it is hilarious while at the same time pulls the heart strings.)

For Children:
Bathroom humor: Describe situations where someone breaks wind, something smells, mention underpants, make-up words and names
Slapstick comedy: Exaggerate physical clumsiness, such as slipping on a banana peel
Tell Jokes

David Lubar, author of Hidden Talents, an ALA Best book for Young Adults, voted onto over twenty state lists by thousands of kids and educators; the sequel True Talents, and short collections including, In the Land of the Lawn Weenies on writing funny:
Overstatement: Comic exaggeration or overstatement is especially easy with first-person narration. In "Get Out of Gym for Free:" "I figured the gym teacher would be tough, but he looked like he was about to bite off someone's head and spit it on to the floor. Maybe after sucking out the eyeballs."
Understatement: In "At the Wrist:" "I'd lost Dad's hand. This was not good."
Death, and taboos: In general can be funny as long as it isn't personl. Lubar wrote a whole series about a dead kid that is a hoot.
Relief: We laugh at pratfalls because we're relieved that they happen to someone else.
Surprise: The joy of figuring out the unseen connection or seeing the unexpected solution. Humor arises when the reader figures out the unstated connection. In "Cat Got Your Nose?": "Emily liked visiting Miss Reaker. She made wonderful cookies, as long as you didn't mind a bit of cat hair among the chocolate chips, and the occasional little crunchy thing that was better left unidentified." Seeing the connection between two objects is funny, too: "Even with his face wrapped in black cloth, I had no trouble identifying Jimmy, thanks to a unibrow that could have been mistaken for a climbing rope." From: Seven Stages of Humor, by David Lubar.

Ideas from Susie Brown's blog: 

Use Funny Words:  For "destroy, " say "pulverize;" for "impractical," say "dorky."
Timing: Construct an artificial lull by starting a new paragraph before something funny happens; gives the reader time to think about what came before and brace themselves.
Tell a dumb joke, then make fun of it.
Say the punch line in a foreign language.
Make fun of yourself: Keep self-ridicule light; don't be afraid to call yourself a dimwit, but if you do, do it proudly. The key to self-ridicule is confidence. From: Write Funny--You'll Make More Money.

Additional sources: How to Write Funny, by John Kachuba, Chapter 6, "The More and Less of Writing Humorous Fiction," by Connie Willis, and Chapter 12, "Writing 'Funny Bits' for Kids," by Patricia Case; "Writing Humor--But Seriously, Folks," by Esther Blumenfeld and Lynne Alper, Writer's Digest, January 1982; "How to Write Funny," by Lynn Coulter, from an undated SCBWI newsletter; "Funny Business," by Frank Gannon, Writer's Digest, December, 1993.

Next month: Tips on Writing Humor, Part 2

Linda Wilson, a former elementary teacher and ICL graduate, has published over 40 articles for children and adults, six short stories for children, and is in the final editing stages of her first book, a mystery story for 7-9 year olds. Publishing credits include Biography Today, Highlights for Children, Pockets; Hopscotch; and true stories told to her by police officers about children in distress receiving teddy bears, which she fictionalized for her column, "Teddy Bear Corner," for the Montgomery County Sheriff's Office Crime Prevention Newsletter, Dayton, Ohio. Follow Linda on Facebook.

Improve Your Writing

They say there is nothing new under the sun. 

When it comes to writing, I say, yes, there is!

Daniel Peckham / Foter / CC BY-NC-SA

Writers are emotionally invested in their writing. Personal experiences help create what we write. We can be protective of our writing to the point of forgetting how we can improve - or that we should improve.

We're never too old to learn or re-learn some things we thought we knew. 

Here are some helpful points to keep us fresh:

• Be humble. Do we think "been there done that?" I hope not! There is always room for learning and growing. See your life as a never-ending journey of anticipation for improvement. Take a refresher course in grammar rules. Take a course to help you write tighter. Stay humble. Learn from anything and anyone you can.

• Be curious. Don't get stuck in a rut. Are you a seeker? Scouring the sea shore for shells never gets old. But do we take time to scour fresh ideas to improve ourselves?  Schedule some time each week to learn something new. Peruse the internet for new articles on writing or marketing skills. It might just open up a new door for you.

Every day, every week, every month is a fresh start. There's always room for improvement!

~~~

After raising and homeschooling her 8 children, Kathy has found time to pursue freelance writing. You can find her passion to bring encouragement and hope to people of all ages at When It Hurts -http://kathleenmoulton.com

Stand Up for Writers

Panic tremors shiver down my backbone. My legs jerk and my feet tap the floor uncontrollably. Some part of my brain 
wonders pathetically if this could be considered exercise. Too little, too late. 

I am doomed to disability according to a new study published in the Journal of Physical Activity and Health.

I can do exercise classes twice a week, muck out my horse twice a day, diet on the odd occasion, but if I'm sixty years 
old or older, every hour spent sitting may well double the risk of becoming disabled.

"This is the first time we've shown sedentary behavior was related to increased disability regardless of the amount of moderate exercise," said Dorothy Dunlop, professor of medicine at Northwestern University Feinberg School of Medicine, Chicago,  and lead author of the study. "Being sedentary is not just a synonym for inadequate physical activity."

Dangers of Sitting

So it's the sitting that does it. And all writers spend most of their working day sitting or do they?

Do the new findings mean I can sit till I'm fifty-nine and 364 days? Till I'm fifty-five? Till I'm sixty-one if I exercise a lot?

All studies should be read with caution and Professor Dunlop points out that because the study examines data at one point in time, it does not definitively determine that sedentary behavior causes disability. "It draws attention to the fact that this is a potential problem." 

Animal studies have shown that immobility is a separate risk factor for negative effects on health. Professor Dunlop's study, co-authored with Rowland Chang M.D.,is the first to corroborate that data using objective evidence from over two thousand adults over sixty.

Stand Up for your Health

According to Pilates instructor Nina Cranmer, sitting is one of the worst postures for the human body. A new mother and nowhere near sixty. she parks her laptop on a high window ledge and always stands when using it. 

My mother was a great believer in Winston Churchill's dictum. When asked to what he attributed his success, he said, "Economy of effort. Never stand up when 
you can sit down, and never sit down when you can lie down."

I realize now she never followed this advice herself, being always on the move. But it was a great way to keep children at bay.

Now shall I wriggle about on my Pilates ball while I write or find a book to read in bed? No contest. I'm with Churchill all the way.

All tips to help writers avoid a sedentary lifestyle welcome in the comments below.

 Anne Duguid is a freelance content editor with MuseItUp Publishing and she passes on helpful writing,editing and publishing tips from time to time at Slow and Steady Writers 

Writers and Cabin Fever

Will this winter ever end?

Plans changed, events cancelled, over and over again. Snowstorm after snowstorm and bitterly cold temperatures have been the status quo lately.

I like to get out of the house and do something fun on occasion, meet with my writers group, check out the bookstores and libraries, and look for inspiration. It seems like I have been housebound more than I have been away from home! And to top that off, I just got over cold #2 for the winter of 2013-2014. At least I don’t do public speaking for a living!

Thankfully, we have had power, so I've been able to do some research, reading and writing. Recently, I found a website that can be helpful for those of us who seem to be spending a lot of time inside and might be going a little stir crazy:

Toasted Calender – writing prompts for every day of the year. http://www.toasted-cheese.com/calendar/ There are also writing contests, forums, chats, writing exercises, even a pre-NaNoWriMo challenge.

However, I am so ready for an off-site conference, retreat, dinner out, shopping expedition, a walk in the park . . . .

How has your winter and your writing been going? What are your ideas for beating cabin fever?

24 more days until spring!

Debbie A. Byrne has a B.S. in Mass Communication with a minor in History. She is a member of the Society of Children’s Book Writers and Illustrators (SCBWI) and is working on her first children’s book.

Three Tips for Finding Writing Inspiration

Are you ready to start a new writing project but are struggling with finding that new story?  I have known a number of writers who can't seem to find a new direction after finishing a big project.  If you're need of some inspiration try one of the following techniques to jumpstart your next writing project.

Dream Your Manuscript into Being: If you having trouble coming up with that

next story, stop thinking about it and start dreaming about it.  After finishing her first novel, debut author Crystal Chan worried that she might not have another story in her. One night while tossing in bed she woke up and saw in her mind's eye a boy with outspread arms standing on the edge of cliff. As she saw him jump, she heard in a girl's voice the words "Grandpa stopped speaking the day he killed my brother John".  She jumped out of bed, fired up her laptop and Bird was born.  By the time she stopped typing that night, she had written the first chapter.  If you don't think you can jump out of bed when inspiration rouses you from your sleep, keep a notebook on your nightstand.  This will keep those creative ideas from slipping back into your subconscious.

Create a Vision Board of the Story that’s Coming Next:  I often recommend story vision boards when you have a clear plotline.  You can also use this technique if you need to come up with the topic for your next project by creating an Idea Vision Board. You'll need a poster board, markers, glue and a few magazines. Start pulling out pictures and words that you are drawn to and glue them to the paper. If a picture evokes a feeling, write the word on the board. Do you want to travel across the country speaking about your next book, put pictures of faraway cities. Have fun with the process.  Fill the board with images, words and colors. When you’re done, post it where you can see it each day and see if you can find some inspiration in the board.

Find Your Story Through Creative List Making:  On your mark, get set, go! You have 90 seconds to create a list of possible characters.  Next make a list of... 

• settings
• personality quirks
• problem situations
• time periods

The list categories could be endless.  Once you've created your lists, mix and match items from each list. (e.g. A single woman in the Bayou, bites her lip when she’s nervous, just lost her job, 1950s)  Keep your lists; you can come back to them when you are ready for your next writing project.

I’d love to hear how you find inspiration when your searching for an idea for your next writing projects.

Mary Jo Guglielmo is writer and intuitive life coach. For more information check out:

http://theadvantagepoint.wordpress.com

http://twitter.com/do_north

http://facebook.com/DoNorth.biz  

Five Challenges Writers Face

Now that I have your attention. Everyday, writers face challenges that keep them from the page. 

1. Distractions: These can include telephone calls from friends, those emails in your inbox, or the fox that crosses the yard in front of the window of your work room. Limiting distractions is something every writer must learn to control. I remember speaking to a writer and hearing how whenever anyone flew into town, they called him to pick them up at the airport, after all, he was just sitting around at home. Teach those around you that your writing time is valuable and a job that you take seriously. Then train yourself to quickly clean your inbox and keep focused on the page.

2. Fear: We all face fear at sometime in our life, whether it's related to our writing or driving in an unknown city. The best way to deal with fear is to move forward and get your thoughts on the paper. Later it can be edited by you or the professional you hire. Don't worry about grammar or format, worry that you can't type fast enough to get it all down and keep going. 

3. Negativity: I remember someone asking me, "Don't all writers only have one book in them?" "No," I snapped. "The saying is everyone has one book in them. Writers have multiple books, several poems and a number of screen plays." If only I had time to flesh out all the story lines that cross my path. Remove yourself from those who tell you it can't be done, and instead surround yourself with positive thinkers.

4. Procrastination: Putting off until tomorrow what can be done today is not the way to live your life as a writer. Writing is hard work and it requires effort. Don't put off your writing project, instead sit down now and get started.

5. Perfectionism: So you finally get your story down and then you go back and edit and change and edit and change and edit and change. Perfectionism can stop a writer cold. Of course, you can always find a slightly better word choice, it's just that at a certain point in time you need to move on. 

Don't let the five challenges stop you from achieving your dreams. Instead, sit down and get to it. 

_______________________________

D. Jean Quarles is a writer of Women's Fiction and a co-author of a Young Adult Science Fiction Series. Her latest book, House of Glass, Book 2 of The Exodus Series was written with coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.  

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook

Writing for Magazines - Is It the Perfect Job for You?

by Suzanne Lieurance, the Working Writer's Coach


Happy Valentine's Day from the beach! Life is good here in Florida, where I live and write by the sea. One of the reasons it is so good is because I have the perfect job. This wasn't always the case.

Years ago I was a classroom teacher in the midwest. While I loved working with my students, I did not love the restrictions of working in a classroom, so one summer I decided to quit my teaching job to become a full-time writer. It was scary at first. But within 3 months I had more than doubled my monthly income as a teacher. One of the ways I was able to do this was by writing for magazines.

In many ways, writing for magazines is the perfect job for me. If you like to write, it just might be the perfect job for you, too.

The Pros of Writing for Magazines
One of the best reasons to write for magazines is because you can create a substantial income this way. But there are lots of other perks, including:

1. You can work when and where you want. Now that I live in a beautiful condo on the beach in southern Florida, I often work on magazine articles in the early morning as I watch the sun rise over the Atlantic Ocean from my balcony. Other times I take my writing with me when we travel. I might write from a hotel room, or a friend's house in some distant city. I've even been known to jot down a few notes for a magazine article in my pocket notebook when we're having dinner at a nice restaurant.

2. You can write about a wide variety of topics, depending on your interests, skills, and contacts. Almost anything can be turned into a piece for a magazine. I've written articles, essays, and stories about all sorts of things, and it's so fun to see these pieces published in magazines. It's even MORE fun to be paid for writing them.

3. You can become a better writer. Writing for magazines has helped me become a better writer in many ways. I've learned how to research a topic and find expert sources. I've learned how to turn a fun idea into a marketable idea (one an editor is willing to buy).

4. You can turn your travels into articles. While I'm not a travel writer, per se, I have used my travels as the basis for articles from time to time. This has also resulted in free press passes, and even my family being featured in a national magazine.

5. You can have assignments come to you. It's tough to keep tracking down new assignments, week after week, which is why writing for magazines is the perfect job. Once you break in with one of the publications you wish to write for, and you write at least a couple of articles for this publication, most likely, the editor will start contacting you with assignments.

6. You can write magazine articles faster than you can write books, so you can make more money quicker. I've written over two dozen published books. Many of these books were written on assignment from a publisher. Most of these books have taken months to write. All of the magazine articles I've written have taken just days or weeks to write. With this in mind, I make much more writing a magazine article than I do writing a book and I make it faster. I love writing books. But when I need cash, I write magazine articles.

While there are many great things about writing for magazines, there are also a few things to consider before you decide if this might be the perfect job for you.

The Cons of Writing for Magazines
1. It often takes a while to break in with any publication. Most writers who try writing for magazines give up when they don't immediately get an assignment from a publication they wish to write for. You must be prepared to submit several queries to a particular publication before they finally accept one of your queries. If you learn how to write "winning queries" you'll have a better chance of breaking in with your first query. But don't give up. Keep pitching ideas until you finally get an assignment.

2. You'll need to start with no-pay or low-pay markets, for the most part. You probably won't get an assignment from OPRAH magazine until you get some clips from smaller markets. Still, there are ways to break in with major magazines even before you get published in smaller publications. You just need to learn how.

3. You need to have plenty of ideas, all the time. Writing for magazines is a numbers game. You need to have queries out making the rounds to publishers at all times.

4. You must be able to handle deadlines. If you're a professional writer, you already deal with deadlines. But magazines often have tight deadlines because once you break in with any publication, an editor can call with an assignment that another writer suddenly couldn't do or complete and you'll have only days or weeks to meet the deadline if you accept the assignment.

5. You must have confidence in yourself and your writing ability. If you're afraid of rejection, writing for magazines probably won't be your perfect job because you'll get rejections all the time, even when you start breaking in with major publications.

6. You must be willing to take direction from editors. Again, if you're a professional writer you're used to taking direction from editors. But if you hate to change a single word you've written, then writing for magazines won't be your perfect job.

Okay...so now that you have some of the many pros and cons of writing for magazines, you might decide, like I did, that this is the perfect job for you.

If you do, what's the next step?

Well, you should study the markets, of course.

Try it!

Suzanne Lieurance is an author, freelance writer, certified professional life coach and writing coach, speaker and workshop presenter. She has written over two dozen published books and hundreds of articles for newspapers, magazines, and other publications. She lives and writes by the sea in Jensen Beach, Florida. She can teach you everything you need to know to start making money writing for magazines. Find out more about her new program, The Quick Start System to Writing for Magazines at www.howtowriteformagazines.com and sign up for her free 5-module e-course, Jumpstart Your Freelance Writing Career, at www.morningnudge.com

Writing From the Heart

Today's post is by Writers on the Move member Gilda Evans. She had some technical difficulty getting the post up, so I posted it.

Gilda's article below is an excellent example of the power of writing. Along with writing books, there is article writing to inform, to enlighten, to touch the heart, to be controversial, to be thought provoking, to shock, to be cathartic, and so much more.

What emotions does this article invoke in you? Please let us know in the comments.

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When We Grow Up, revisited

By Gilda Evans

The recent Los Angeles Times article featuring my father has served not only as an inspiration to many, but also as a reminder of things that should never be forgotten. My thanks to my agent, Terrie Wolf, who suggested re-posting this blog story from 2012. It is an appropriate companion to my father’s story which you can read via the link near the end of this post.

And now, a blast from the past -

Yesterday was a beautiful morning – sunny, not too cold with the hint of coming spring in the air. Yet, this beauty was marred by an act so ugly and abhorrent it caused one to momentarily overlook the natural surroundings and become aware of the basest part of human nature. An Israeli flag with a swastika painted on it was placed near one of the gates leading to my daughter’s school. So, one has to ask – what would prompt such a senseless act of hatred? When the children passed by and saw that heinous emblem, who answered them when they asked why? And how did they answer? How confusing for those young people to wonder what they had done to illicit such venom directed at them.

In fact, this type of despicable act has no place in what purports to be an advanced or enlightened society. Whether these acts are directed at one person, or a group of people because they happen to be jewish, muslim, black, gay, female or pink with purple polka dots does not condone the action under any set of circumstances. None of these criteria gives anyone the right to judge another person’s value, character or righteousness. I believe that a person is defined by their words, but even more so by their actions. Stealing is wrong, murder is wrong, senseless hatred is wrong. Yet, there are those who are guilty of these and other atrocities in every ethnic and lifestyle group, including all those I just mentioned (pink with purple polka dots excluded).

And so, it makes me wonder what the human race is going to be like when we finally grow up. We are by nature greedy and territorial. Our genetic make up insures survival of the fittest, and our need to mate is intended to insure survival of the species. So, if we are defending our mate, our clan or our home against an enemy we are programmed to fight and protect ourselves. And because of this programming, chances are there will always be battles to be fought on some level, in politics and in business on a domestic and global scale. But hatred based on the simple color of someone’s skin or lifestyle choice is not given to us by nature. It has to be learned, and is therefore given to us by those of the prior generation who haven’t grown up yet. Those who haven’t learned how to share their toys or play nice in the sandbox. Those who bully and steal lunch money because they can. Funny…isn’t it usually the bullies who end up in jail or in some menial labor job and the nerds they picked on who end up running the big corporations?

Just recently Billy Crystal came under fire for donning black make-up to portray Sammy Davis, Jr. in one of his skits at the Oscars. Even the daughter of Mr. Davis later came forward to say that her father would have given his blessing to his dear friend Billy’s skit. Yet, there are those who still say that it wasn’t ok and choose to take offense at what was intended to be good-natured humor. My question is then, if that isn’t ok, why is it ok for a film like “White Chicks” to be made, where a couple of black guys put on white face and dress like women? Shouldn’t all white females be outraged? The answer, of course, is no. In both instances, those who do take offense need to grow up. One of the basic cornerstones of an adult attitude is the ability to laugh at yourself and appreciate the humor in life. (I’m talking about humor here, not blatant racial slurs or bigotry.) Because the reality is, it doesn’t really matter who the joke is directed at – it’s just a joke, and we’re all just people. When you cut us, we all bleed red. That’s the bottom line, and until we all as a global society take that to heart, we will never get to graduate.

Original source:http://www.gildaevans.com/when-we-grow-up-revisited

Gilda Evans
Author/Speaker/Blogger
www.gildaevans.com
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Write Tight: Self-Editing Tips

Every writer should present the most-polished, best version of what you have written, whether to an agent, a publisher, or especially if you are self-publishing. I recommend everyone have your work proofread and professionally edited.

Here are some things to look for when you are ready to polish your work.

1. Ask this question: Does this scene (paragraph, dialogue, sentence) move the story forward? If I take it out, will the story still make sense? Or, can it be condensed, streamlined, simplified to do so?

2. Watch for weak passive language: the “ly” words, “to be” verbs, especially when used with “ing” words. Use strong, active verbs to “show” rather than “tell.”

3. “Show” versus “tell.” If you write “She was sad,” I, as reader, want to know how sad feels? I want to experience it with the character. Every action elicits a re-action. Someone you thought was a friend ignores you at a function. How do you feel?

Use the five senses whenever possible to show feelings, indicate mood and develop the character. (Sight, Sound, Smell, Taste and Touch)

4. Look for extraneous words: That, Just, Very, Really, Some, Stand up = stand, Sit down = sit, Turned around = turned, He thought to himself = He thought, She shrugged her shoulders = she shrugged, She whispered softly = she whispered, He nodded his head = he nodded .

5. Taglines: Do you try to find 101 ways to say “said”? Not necessary. If you use a tagline, it’s best to stick with the simple. But, whenever possible, use an action or a reaction instead. This helps to build the character by showing what he is thinking, how he is reacting, and it provides action in a what could otherwise be a static “talking heads” situation. And if you commonly write “Dialogue, blah, blah, blah,” she said, AS she did some action—delete the “said” and go with the action.

These are just a few (but important) things that can help you polish your manuscript. Do you have any other tips to add?

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she A native Montanan, Heidi M. Thomas now lives in North-central Arizona where she blogs, teaches writing, and edits. Her first novel, Cowgirl Dreams, is based on her grandmother, and the sequel, Follow the Dream, won the national WILLA Award. The next book in the series, Dare to Dream, will be published in May 2014. Heidi has a degree in journalism and a certificate in fiction writing.