Do you have an eReader?

If not, you might want to buy one. Or win an eReader, like I did!

Last year, I won a Kindle Fire. I love it! I’m still learning about all the things it can do, but mostly, I use it to read books. I have many books on my eReader, and have read some of them. They are about various subjects such as writing, business, health, home improvement, and money. I also have some novels and children’s books.

I have apps on my Kindle. Newspapers, travel, organizational, and shopping apps are mostly what are useful to me. I also purchased an app that helps me to categorize my books. I find that is the easiest way to locate what I am looking for. And the layout is attractive and organized.

An eReader can be used to access the internet, making it convenient for on the go. You can check your email and read social media sites. If you don’t want or need to carry around a laptop, an eReader may be what you need.

You can buy digital books on all kinds of subjects. If you have a Kindle, you can get books from Amazon. If you have a Nook, you can get them from Barnes and Noble. There are a number of websites where you can download free eBooks too. You can also borrow them from your library. Some also offer classes on how to borrow books with your eReader. Be sure to check out what your local library has to offer. You might be surprised.

Besides the Kindle and the Nook, there are other eReaders such as the Kobo and the Sony Reader. I recommend researching eReaders to learn which one is best for you.

I still buy, read and borrow regular books. I think I always will. However, I have found the Kindle to be very convenient, easy, and fun to use.

I plan to write about technology in future blog posts, as I learn more about my eReader and contemplate purchasing additional gadgets.

Do you have an eReader? How do you use it or would like to use it? If you don’t have an eReader, do you plan to buy one?

Debbie A. Byrne has a B.S. in Mass Communication with a minor in History. She is a member of the Society of Children’s Book Writers and Illustrators (SCBWI) and is working on her first children’s book.

4RV Publishing Entered the Staples’ PUSH It Forward Contest and Needs Your Help

I’m an author and editor with 4RV Publishing and I know the quality and care that goes into the books it publishes. Being a small publishing house, 4RV incurs all the expenses of publishing books and like all publishers is feeling the financial squeeze.

So, please vote for 4RV in the Staples’ PUSH It Forward Contest. 

CLICK HERE TO VOTE EVERY DAY through May 31st.

The following instructions and contest information is courtesy of Holly Jahangiri:

You can help a deserving small business win $50,000 – and maybe win $1500 for yourself, while you’re at it! Voting is easy:

1. Go to http://tinyurl.com/a7hrdmv – this is Staples’ Facebook page already set up for you to vote for 4RV Publishing.



Next, you’ll be taken to this page, where you can Vote for 4RV Publishing – just click Vote now > :

2. Next, you’ll be taken to this page, where you can Vote for 4RV Publishing – just click Vote now >



You will be asked to give Staples’ app some permissions (Might as well – you can always revoke them later, but they ask only for access to your public profile data – something everyone can see, already – and to your friends’ list, presumably so that you can share this with them and promote the contest via Facebook. I have plenty of friends participating and have not seen any of them “spamming” me in the name of Staples, so I feel pretty confident in granting the requested permissions.)



3. Last, but not least, when you vote, you’ll have a chance to enter to win $1500 for yourself – how cool is that? Just for helping a small business achieve more. We could all use this kind of “push,” right?



A big thank you to Holly for allowing me to share these step-by-step instructions!

VOTING ENDS MAY 31, SO PLEASE CLICK ON THE LINK EVERY DAY AND VOTE FOR 4RV Publishing: CLICK HERE

For a great interview with Vivian Zabel, founder and owner of 4RV, visit:
http://jahangiri.us/2013/interview-with-vivian-zabel-founderowner-of-4rv-publishing/

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Moving Out of Your Writing Comfort Zone

My husband loves to wash dishes.  It’s not one of my favorite chores.  I like scrubbing sinks.  He doesn't seem to notice the scum at the bottom of the sink.  We have found a comfortable division of household labor. Generally we’re both responsible for chores we enjoy, or at least we’re able to avoid the ones we hate. 

Writers aren't always that lucky. There are many aspects of a writer’s life, and most writers spend a majority of their time in the role that is in their comfort zone.

Here are just some of the pieces of the process.

• Generating ideas

• Research

• Writing the first draft

• Revision

• Submission

• Marketing

The list could go on….

I recently heard Linda Sue Park, Newberry Award winning author of A Single Shard, talk about the role of Writer vs. Author. She felt marketing, speaking engagements and other promotional activities required her author’s hat, and the actual writing called for her writer’s hat.  She seems to have balanced both roles well.

I like the early stages of working on a manuscript.  That’s my sweet spot.  My critique group keeps me moving through the revision process.  I realized I needed to push myself to submit my work.  The realization alone was not going to make it happen for me, so I have allotted 2 to 3 hours a month for that piece of the writing process. 

Where’s your sweet spot and where do you need to push yourself?  Once you know where you need an extra push, schedule it into your writing life.  Amazing things happen when we move out of our comfort zone!

Mary Jo Guglielmo is writer and intuitive life coach who has helped writers achieve their goals. For more information check out  www.donorth.biz   or folllow her at:

http://theadvantagepoint.wordpress.com

http://twitter.com/do_north

http://facebook.com/DoNorth.biz  

Is Thinking about Writing .... Well writing?

Do you find yourself thinking about writing, dreaming about writing, and making up characters in your head? Is thinking about writing..... well the same as writing?

The answer is yes and no. Writers spend a good part of the time with their characters and actions for their characters twirling in their heads... thinking. Some call it percolating, others call it day dreaming, and yet others may call it procrastination. Keeping all those thoughts in your mind though and not on paper may be all of the above and could not be defined as writing.

Thinking about writing isn't writing if you never put pen to paper or fingers to the keyboard. We are not talking about publishing here or seeing your byline. We aren't even talking about revised and polished work. We are simply talking about getting those thoughts in your head onto the written page. That action makes you a writer even if you never get published.

Saying you are a writer when you have not written so much as anything more than your grocery list doesn't make you a writer. It makes you a wanna be.  Writers write. And all of this goes back to having three major writing goals, action plans for each of those goals, and using some of your time every day or every week to put those actions into play. Simply said, a writer writes with purpose.

When life gets in the way and keeps you from your writing it never keeps ideas from formulating in your heart and your brain. Take note of pain, sadness, and all happy things happening and record feelings or key words that will help you recall the incidents later to put on paper. Keeping in tune with what you feel, see, smell, and experience makes real life the percolating part of your writing process. Don't allow real life to assist you in procrastination. That won't make you a writer. Pulling those real life details out later to weave into a paragraph or chapter makes you a writer.

 If it is in your heart to write as it is with mine,  the seed to becoming a full grown writer has been planted. It is our job to tend to the seed by practicing our craft so at harvest our crop will be plentiful in the form of many pages of written words, our words. We are writers. It will never be enough for us to be thinkers so what will you write today?

Terri Forehand is a nurse, writer, and recently a quilt shop owner. She writes from the hills of Brown County Indiana where she resides with her husband, several rescue dogs, and 5 rescue cats. Visit her blog at http://terri-forehand.blogspot.com and her author site at www.terriforehand.webnode.com

Targeting Specific Audiences Part Two (One specific audience)

We're back with Part Two of Targeting Specific Audiences. If you haven't read Part One, please visit:
http://www.writersonthemove.com/2013/04/targeting-specific-readers-part-one.html

Targeting specific audiences, Part Two of Three:  One specific audience…

Guest post by Steve Moore

The Montclair Film Festival is in its second year.  For 2013 (from April 29 to May 5, to be precise), it’s expanded, with more venues, films, speakers, and discussion sections.  We attended last year.  Because I’m an incurable people watcher (even though I’m introverted and don’t enjoy being in large crowds), I observed that there is a large overlap between films and book lovers.  Thought-provoking films make people think while they enjoy the film—these are the films shown at the Montclair Film Festival.  A thought-provoking book does the same thing.

“Thought-provoking” is a sloppy term.  I can easily enter a vicious circle—a thought-provoking book is one that makes you think beyond its plot and characters to more substantive issues.  Even a vampire romance can make you think of issues you might not consider outside of your reading. My sci-fi thrillers will make you think too—they’re entertaining extrapolations into the future. What I observed at last year’s crowd at the Festival was that thought-provoking films and books have a common audience—people were talking about films and books.

This year I’m waging a two-stage PR and marketing campaign at the Montclair Film Festival. It sounds like I’m playing Eisenhower planning D-Day, but it wasn’t time- or money-intensive.  The Montclair Film Festival has a catalogue so people can figure out what events and movies to attend. I have a small ad in the advertising section. The local newspaper, The Montclair Times, also publishes monthly the Montclair Magazine. April’s issue will feature the Film Festival and has an advertising section where I’ve placed a bigger ad.

I believe I’m targeting a specific audience with my few marketing funds and time (because I’d rather spend it writing) in a more efficient manner. I’m reaching local people that don’t know about my books and might enjoy them if they did. How do I know this is true? Four of my PODs that I donated to the Montclair Public Library became so worn I had to replace them. Many of my “near future” thrillers take place in the tri-state area (The Golden Years of Virginia Morgan, just released, is set almost exclusively in New Jersey). Locals will definitely identify with the venues in the books.

Unfortunately, I’m at a stage in my writing career that deciding which books to promote is a problem—I have ten sci-fi thrillers and an anthology. In Montclair Magazine’s ad I focused on Virginia Morgan, my new release, but in both ads I highlighted my website URL—visiting the site allows them to peruse the entire list with their blurbs and buttons to peek inside the books at Amazon. The locals are very computer literate and shop online. Moreover, many editors and free-lancers live in Montclair because of its proximity to NYC news media outlets and publishing companies.

Who knows whether this will be a successful campaign? It’s an experiment and reflects my perhaps modest opinion that there are readers out there who will enjoy what I write if they could only discover it and know a wee bit more about my background. I discover new websites all the time. Internet sites don’t arrive and slap you in the face (and we tend to avoid those that do). Maintaining a website is a necessary condition, not a sufficient one, for writing success. Somehow, you have to drive people to it so you can see what you offer. This is true for all internet marketing, of course, but especially true for writers.

Stay tuned for Part Three in this book marketing series: the results of the Montclair Film Festival.  It'll be here May 30th.

Steven Moore
http://stevenmmoore.com



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MORE ON BOOK MARKETING

Scaling the Marketing Ladder in One Fell Swoop
What is an Author Platform and How Do You Create It?

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Surprise!

Both readers and writers can benefit from a surprise once in a while.

Creating surprises in your writing can take many forms. You can surprise a reader by choosing a word that is new to them - or at least one that is rarely used.  Consider ailurophile - one who is a cat lover, or bucolic - a lovely rural setting. 

Or consider a surprising metaphors. "A hospital bed is a parked taxi with the meter running." - Groucho Marx or  "Let us be grateful to people who make us happy, they are the charming gardeners who make our souls blossom." Marcel Proust

Similes are another great way to surprise your reader. A simile uses the words like or as to form an image for your reader. "The snow fell like billions of breadcrumbs, promising a flurry of activity and a huge pile of shit in the aftermath."

Finally you can create a surprise for your reader by a turn of plot or by a character doing something, well, uncharacteristic. Some ideas for how to surprise: 

• have a character share an embarrassing secret
• cause your character to fail at achieving their goal
• increase the emotion in a scene or change the expected emotion
• introduce a new character in an unusual way

Creating surprises for your reader ensures your reader will want to keep going. Creating surprises while you write does the same thing for you. So go on - surprise me!

_________________________

D. Jean Quarles is a writer of Women's Fiction and a co-author of a Young Adult Science Fiction Series. Her latest book, Flight from the Water Planet, Book 1 of The Exodus Series was written with coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.  

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook

How to Write a Novel: Start with a Novel Outline

by Suzanne Lieurance

Wanna know how to write a novel?

Every novelist has his/her own method for getting started. But generally it helps to have an outline.

Here’s a simple novel outline trick: Create an informal outline that contains ONLY 12 chapters.

That’s right, ONLY 12 chapters.

No matter how many chapters you end up with by the time you actually write the book, if you start with only 12 chapters in your outline, the planning and plotting process will be much more manageable.

You don’t need a formal, Roman Numeral type, outline either.

Just number 1-12 on a sheet of paper and leave a couple of blank lines between each number.



To Start Your Outline
First, decide how your story will begin.

Chapter 1 – Start with a character readers will love. Put this person in the middle of some sort of change. You’re setting the stage for the overall story problem. Write a few sentences about all this under number 1 on your paper.

Next, figure out how your story will end.

Chapter 12 – Where will your main character end up, and how will he/she change or grow by the end of the book? What has he or she learned as a result of facing all the conflict? Make a few notes about what's next for this character, too (just give a hint of this). Put all this information under number 12 on your paper.

To Fill In Your Outline
Go back and fill in each of the other chapters (numbers 2-11). Keep in mind that you want to create rising action up to the climax, then falling action and the resolution.

Here’s what you should have for chapters/numbers 2-11:

Chapter 2 – In the movies, you usually see the main character take a trip or go away somewhere soon after the movie starts, so, by chapter 2, the character is now in a different location than he/she was in the opening of the story. But this change in location can be something simple, like the character leaves his house and goes to town. It can be more dramatic, like he/she leaves home for the first time, or has to go on a far away trip for some reason.

Chapter 3 – The main character faces some sort of complication to the conflict. The action starts to rise.

Chapter 4 – We learn more about the complication and wonder how the main character will deal with it.

Chapter 5 – The main character deals with the complication and moves on. But the overall story problem still exists.

Chapter 6 – But now, another complication occurs and we wonder what he/she will do this time.

Chapter 7 – The main character deals with the second complication and the reader begins to think maybe things will be okay for the main character.

Chapter 8 – But just when we think things will be okay, they get worse.

Chapter 9 – Things reach a crisis point. An action is taken that brings about the climax.

Chapter 10 – The climax occurs – This ends the crisis in some way and changes things.

Chapter 11 – The Falling action begins – this can be the start of the resolution.

Once you have all this initial information about your novel in place, you can start thinking of scenes for each chapter.

Make a few notes to describe each scene you intend to write for each chapter.

Keep in mind that once you start writing actual chapters, you’ll probably find that you need more than 12 chapters. But that shouldn’t be a problem. If one chapter is too long, just divide it into two chapters.

You’ll probably also find that your climax comes closer to the end of the story – say, in chapter 11. But, when you’re creating your initial outline, put the climax in chapter 10 to make sure you don’t plan to end your story too abruptly without tying up all the loose ends.

Now...to start writing your novel, look at number 1 on your outline to see what your opening scene should be for the book.

Next...write that opening scene.

That's all it takes to start writing your novel.

Try it!


Suzanne Lieurance is a full time freelance writer, author, speaker, and writing coach. If you need a coach to guide you to start and FINISH writing your novel, find out more about her one-on-one book coaching at www.suzannelieurance.com.