Showing posts with label traditional book publishing. Show all posts
Showing posts with label traditional book publishing. Show all posts

Why Distribution Is Critical

By Terry Whalin (@terrywhalin)

For many years I have been writing and studying publishing. There is a critical matter that almost no one talks about the importance: distribution. For over 40 years, I’ve been writing for publication, both magazines and books. During these years, I’ve written for over 50 different print magazines, and I’ve also spent years as a magazine editor. 

My first book, a short children’s book, was published in 1992 and since then I’ve written more than 60 books with traditional publishers such as Zondervan Publishing House, Thomas Nelson Publishers, St. Martin’s Press, Alpha Books, and Tyndale House Publishers. 

No one goes into a bookstore with the intention of finding a particular publisher, yet these name-brand publishers have a high standard that ensures the quality of their books. Traditional publishers know how to distribute their books through the best possible sales channels. 

In addition to working with many different publishers as an author, for over five years, I worked on the inside of two publishers as a book acquisitions editor. I fielded submissions from individuals and literary agents and then championed the books internally at the publishing house, secured the publishing teams agreement about the value of a book, and negotiated the book contract. Because I’ve worked in almost every aspect of publishing, I have a unique perspective to write about the realities of the publishing business. Now for the last 13 years I’ve been acquiring books for a New York publisher, Morgan James Publishing, one of the top independent publishers and in business over 20 years. 

Whether I am participating in an online group or at a conference I meet writers who have grown impatient with the publishing world and have decided to self-publish their work.

If you have a book of poetry or short stories you would like to distribute to your family or friends, self-publishing is a good route. However, most writers don’t think about the critical element of distribution when they publish their book. When these writers self-publish their book, they take on the complete distribution, sales, and marketing for their product. It never crosses the uninitiated’s minds how to sell the book. They assume that their books will be sold through the local bookstore, which is difficult to achieve. Self-publishing is a viable alternative, however, to authors who speak and can sell their books in the back of the room. You will need these types of outlets to sell books if you choose to self-publish. 

Several years ago, a pastor decided to self-publish a book of his sermons. Excited to have a printed book, he announced to an online group that he planned to spend considerable amount of time the next few months contacting nearby bookstores and taking orders for his book. 

What this pastor did not understand is the typical bookstore carries about 10,000 to 15,000 titles. It is not surprising that you don’t find your particular book in the store. This writer was operating under the false assumption that bookstores would carry his self-published book. In fact, bookstores resist any self-published book and rarely stock them in their bookstore. The reason is that these books can’t easily be ordered through the same system as traditional books and, in general, they don’t sell. Because these books fall out of the normal procedures, they are often not returnable to the publisher. 

Unless you work inside publishing, you may have never heard that books can be returned to the publisher for the full price. Essentially they are sold to the bookstores on consignment and the stores have complex programs to monitor the sales of their titles. If the books don’t sell within a typical time period of 60 to 90 days, they are returned to the publisher for a full refund. This practice presents a huge problem for traditional publishers who consider it a good sale when a book has a 40 percent return or less. The self-published book falls outside of the normal channels for the retailer and with thousands of titles, he can’t make a special effort for a single book.

Many self-published authors are only selling their book on Amazon and their own website. At Morgan James Publishing where I work, Amazon is a large customer but only 24% of our overall business. If you’ve published with Amazon you are missing 76% of where MJP will distribute your book. We sell in the brick and mortar bookstores and on over 180 online platforms including Target. From my perspective, this critical detail is an important one to take into consideration as you look at your publishing options. 

With self-publishing you have the total responsibility, and I’ve met authors who have spent thousands of dollars in the creation process of their book which has limited distribution. Before you publish, I encourage you to explore the various possibilities—including Morgan James. If I can help you, don’t hesitate to reach out. The exploration process costs nothing but time and may help you with some great potential heartache about distribution when you are down the road on the publishing journey.

Tweetable:

W. Terry Whalin, a writer and acquisitions editor lives in California. Get Terrys newsletter and a 87-page FREE ebook packed with writing insights. Just follow this link to subscribe. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including  Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your SuccessHis website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Why Every Writer Needs to Publish

 

By Terry Whalin (@terrywhalin)

It’s no secret in the publishing community but an important truth: editors and literary agents are reading their submissions and looking for people who have been published (have experience) so they can publish them again. This age old practice seems unfair to new writers who have spent a lot of time and energy on a book submission. The best way to get attention is to create a publishing track record in the print magazine area. 

You may believe print magazines are dying but that is not true. The 2026 Christian Writers Market Guide lists over 150 periodicals. The editors have told you what they want in their “writer’s Guidelines.” It’s fairly easy to reach 100,000 or even a million readers with a magazine article. If a book sells 5,000 copies during the lifetime of the book that is a good number. 

On the surface, the path to publishing might not show you the diversity and range of possibilities for your writing. From speaking to hundreds of writers, I find many of them are focused on a particular area of writing such as writing a novel or a children’s book. They haven’t understood the value of learning good storytelling and communication skills that are relevant and useful for many different areas of writing. 

Because these writers are focused on a small niche area of publishing, it’s almost like they are wearing blinders and can’t see any other possibilities. In this article, I want to challenge you to remove your blinders and see the wealth of possible application for your writing within the publishing community. While each area of publishing has its own specific requirements, good writing and storytelling skills can be used in multiple areas to strengthen your overall career. 

For example, you may want to write a book and have done a little exploration but the only companies who have responded to your questions are the publishers who want you to pay them to get your book into print. These companies are called self-publishers. Instead, you are looking for a traditional publisher who will pay you an advance, then print and distribute your book. Yet because you have no background in book publishing, you don’t understand that 90 percent of nonfiction books are contracted from a book proposal and a few sample chapters, rather than a complete book manuscript. Without this critical detail, you have focused on writing a full-length book manuscript. Then you discover it may take you 12 months to find a literary agent who has to locate the right publisher. Then you learn it will take a longer-than-expected span of time for this publisher to release your book—normally 12 to 24 months after you turn in your manuscript. To a beginner, this realistic and practical publishing timeframe isn’t evident on the surface.

Also, writers don’t understand they can gain valuable training, experience, and exposure through writing magazine articles. From idea to assignment to publication with a printed magazine can be four to six months. This is a much shorter timeframe than books which can be 18 to 24 months. Every editor is actively looking for writers who can communicate—whether they are a newsletter editor, an online editor, a magazine editor, a book editor or anyone else who has the title “editor.” 

As a young magazine editor, I quickly learned I had to do less editorial work and could have greater confidence in assigning an article to a published author than an unpublished author. I read the ideas and considered giving the assignment to the unpublished author, but their chances dramatically improved with any type of publishing experience. 

Magazine and newspaper writers learn valuable skills that help their success with a longer project such as a book. These writers learn to write for a specific audience or publication and to write within a specific word length. Also, through the writing process, they learn the value of a focused headline or title and relevant subheads scattered throughout the article, as well as hooking the reader with a tightly written opening. Then they continue to feed information to the reader as they structure their writing and conclude the article with a focused point called a “takeaway.” These writers also learn the importance of meeting a specific deadline (or a better way to stand out with the editor is to complete their assignment before the deadline). In addition, writers can learn the skill of rewriting and following an editor’s direction. Sometimes your article will be “almost there” but not quite. Can you follow the editor’s directions and complete the assignment to their satisfaction? 

It’s much easier to learn about this process on a 1200-word magazine article than a 50,000-word book project. Finally, these writers built trusted relationships with their editors—newspaper and magazine. Many of the editors I’ve worked with have moved up to higher paying publications or have become book editors or editorial directors. The seeds of my relationship with them were planted through my magazine writing. As a new writer you need to understand the necessity of building these lasting publishing relationships. 

Tweetable:

W. Terry Whalin, a writer and acquisitions editor lives in California. Get Terrys newsletter and a 87-page FREE ebook packed with writing insights. Just follow this link to subscribe. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including  Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your SuccessHis website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Traditional Book Publishing - Contract to Sales to Career


You’ve chosen to write books, possibly children’s books, and you’ve done it right. You did your homework and learned the craft of writing. You created a polished manuscript and submitted it to publishers.


And, knowing it’s not necessarily the best writer who gets published, but the one who perseveres, you were steadfast and didn’t let initial rejections and lapse of time prevent you from moving forward.

Now, it’s finally happened - all your hard work paid off. A publisher accepted your book and you’re on your way.

But, this is far from the end of your writing journey . . . this is just the beginning.

After your book is accepted for publication, there are three steps you will go through on your writing journey . . . if you intend to make writing books a career.

1. The Book Contract

Once you get a publishing contract, you may want to sign it as soon as you can. 

DON’T DO IT!

Be sure to read the contract carefully before signing it. If you don’t understand something, ask for an explanation. Once you’re sure everything in the contract is okay and you agree with it, sign away.

After you sign a contract, you’ll be ‘put in queue’ and at some point editing with the publisher’s editor will begin. This will most likely involve revisions to your manuscript. This is okay. It’s part of the process.

Keep in mind that the publisher wants your book to succeed as much as you do. Everything they do is to make it better.

After the story is revised, edited, and proofed, it’ll be ready to go. Depending on the genre you’re writing in, if it’s a children’s book, the publisher will have illustrations created. Your book will also need a book cover.

From contract to actual release, the publishing process can take around 18-24 months.

2. Book Promotion

Once you’re in the submission phase of your manuscript, even before you have a contract, you should begin creating an author website and platform. This will help you create visibility for you and your book. And, publishers want to know their authors are capable of promoting their own books.

You need to become a ‘blip’ on the internet radar. To create and maintain this ‘blip,’ you’ll need to post content to your site on a regular basis and use a number of other strategies to extend your promotional reach. This will include using social media.

After your book’s release, you will want to take part in virtual and real book tours, do radio guest spots (online and off), do school visits, and all the other standard book promotion strategies. You can do this on your own or you can hire a book promotion service or publicist, if it’s within your book marketing budget.

There’s much involved in book promotion, so if you can afford it make use of professionals. Just be sure to ask around for recommendations. You want to use a service or individual who knows what they’re doing and who will give you value for your money.

TIP: Book promotion generates book sales.

You can check out these articles for book marketing tips:

Book Marketing – The Foundation

What is an Author Platform and How Do You Create It?

3. A Writing Career

Now, you’ve got your children’s book and you’re promoting it like crazy (this is an ongoing process). This is super-exciting and the beginning of your writing career.

To have a writing career though, you need to repeat the process. This means you need to write and publish other stories. Ideally, you should have been writing a new story or stories when you were waiting to get a contract for your first manuscript. 

If you haven’t been writing new stories, get started now.

Keep in mind though that it’s not about quantity. It’s about quality.

You want to write good books. You want to take your time to make sure you create books that will engage the reader. Books that the reader will want to see what happens on the next page.

This will establish you as a good writer.

But, a writing career can also be about more than just book sales. It can open doors and lead to other writing opportunities. These opportunities include: speaking engagements, conducting workshops, teleseminars, webinars, and coaching. 

Summing It Up

Writing books, whether children’s books or other, is about learning the craft. And, if you’re taking the traditional publishing route, it’s about submitting to publishers and getting contracts. Then it’s about book marketing and repeating the process.

Keep your focus on your goal and persevere.




Why Distribution Is Critical

By Terry Whalin ( @terrywhalin ) For many years I have been writing and studying publishing. There is a critical matter that almost no one t...