Stealing Writing Time - Where to Find Time When You Don’t Have Any Extra

Stealing Time - Where to Find Time When You Don’t Have Any Extra

Guest Post by Marcie Flinchum Atkins

I know you can’t really steal time. In fact, if you could, I would steal it, put it in some big boxes up in my attic, then pull a little out on busy days.

My life consists of a full-time job, a husband, two small kids, and writing. I should give myself the job title of “round-the-clock juggler.” And I know I’m not alone.

Since writing is such an important part of my life, I have to find ways to make it priority without ignoring responsibilities. In an ideal world, I’d write 6 hours a day, uninterrupted. But since that isn’t going to happen in the foreseeable future, I improvise by stealing time where I can.

Waiting Time

Wait for the right time to steal. Instead of getting frustrated that the doctor is running 20 minutes late, you can be thankful for the bonus writing time, if you prepare ahead of time. No matter what your lot in life, I know you have waiting time—at doctor’s offices, pick-up times for kids’ practices, when you’re getting your hair colored. I always carry a bag with a current project. Sometimes it’s hard for me to get big chunks of writing time while I’m waiting. However, these are great times to edit or brainstorm.

Planning Time

Stealing doesn’t always involve the act itself. Sometimes you have to plan to steal. Since I spend some of my waking hours cooking, doing dishes, or cleaning (though I swear I do the bare minimum), sometimes those mundane tasks are good planning time. While it’s not always intentional, these are times I work out writing problems in my brain. That plot issue I can’t fix while staring at the computer screen will often occur to me while I’m chopping an onion.

Other people find walking or gardening good tasks that work the body and loosen the writing brain.

Then when you actually get screen time, you can pound out the problem.

Wee Hours

People don’t usually steal in broad daylight. I write best when the rest of the world is asleep, or at least the people in my little world are asleep. Some people are late night writers. I’m an early morning writer. Even an hour before the rest of the house gets up can provide me with prime writing time. An hour a day adds up.

Plan Your Escape

If you are going to steal, you have to have a getaway plan. While, you might not be able to escape very often, even once a month is great. Plan a time to go to a coffee shop or a local library for a few hours. But plan ahead. Know before you leave exactly what the task is at hand. If you don’t know, you are liable to surf the internet instead of tackling those chapter revisions.

Stealing time happens in small increments. If you can figure out a way to grab ten minutes here, half-hour there, a couple of hours on a weekend, then you will make progress in your writing. Don’t wait until you can steal a whole weekend for your writing. Start now—chipping away at the moments you can find in the life you already have. 

Marcie Flinchum Atkins steals time to write in between her day job and her life with her family. She has an M.A. and and M.F.A. in children’s literature from Hollins University and blogs about making time to write at: http://www.marcieatkins.com/blog

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The Tent Pole Structure


The tent pole structure described by Linda Sue Park during one of her presentations at the Highlights Foundation Workshop, Books that Rise Above, is the focus of part three in this series.



Here's how Linda Sue explained being immediate and providing back story at the same time, a process she describes as the Tent Pole Structure. Begin by placing your finger at the bottom of the tent pole and tracing it to the top. That's the the action and dialogue, the backbone of your story. While proceeding upward go back and forth, leaking your back story in dribs and drabs.The base of the tent pole where you first placed your finger is the middle of your story, the strongest part. That's where your story begins. It's how you hook your reader. Action and dialogue move your story forward. But what does Linda Sue mean by back story?

Find the back story in a conversation Amy and Dan are having in Chapter 1 of Linda Sue's book, The 39 Clues: Storm Warning:

                "Jamaica was the last place anyone ever saw or heard of her," Amy said.
                She had already researched Ann Bonny online. "So that's where we should
                start looking."
                "But--" Dan stopped, trying desperately to think of a way around Amy's
                reasoning. She was good at this stuff, at seeing the big picture. He was more
                a detail guy, and right now he was very interested in one particular detail
                about the Bahamas.


 

Back story reveals only what is needed. It is intimate and personal. A drib of character description here, a drab of setting there.Woven seamlessly into the action and dialogue in the above excerpt are background, thought, and characterization. A lot of work gets done in few words.

Parting thoughts: Linda Sue suggested telling your story to your best friend. Get your story down then ground it. Have passion for your story and characters. What I took away: I'd heard this process called "weaving" a story in the past. I understood what that meant but hadn't mastered it. Something clicked for me during Linda Sue's explanation at the workshop. The technique suddenly became clear. I've been applying the tent pole structure ever since.

If you would like to read past posts in this series, please visit:

Part One: Two Ways to Hook and Keep Your Reader
Part Two: Nouns Need to be Concrete and Appear More than Once

For biosketches of Linda Sue Park and Patricia Lee Gauch, please visit:


Next month:  Leonard Marcus: Maurice Sendak as Storyteller and Artist

In future posts: A link to the complete list of "Books that Rise Above" will appear at the end of this series.

Sources: Park, Linda Sue. The 39 Clues: Storm Warning. New York: Scholastic Inc., 2010. Print; Photo: U.S. Military Pup Tent; Diagram by author.

Labels: Parts of speech, children's writing workshop, Highlights Foundation, writing, writing tips


 




Linda Wilson, a former elementary teacher and ICL graduate, has published over 40 articles for children and adults, six stories for children, and is in the final editing stages of her first book, a mystery story for 7-10 year olds. Follow Linda on Facebook.  

















Stake Your Claim

From time to time, we all need encouragement and recognition of our accomplishments. It gives us that extra boost to believe we are good writers and we have something to offer.

But, not all writers necessarily have that kind of support. We want people to be happy for us; our family or friends. You might not get the reactions you were hoping for.

Christina Katz, author of the best seller Writer Mama, says in her recently published e-book, Write For Regional Parenting Publications, "There is really one key person who should be happy about your writing career success and that person is you.”

There comes a time in your writing career when you have to come to terms with this truth so you don't slow down or give up. Decide to be happy with your successes even if no one else is.

Over the years, I have found times when I had to set a stake in the ground of something I knew to be true - never to waver again. And being personally happy about my successes has been one of those stakes.


This is going to look differently for each of us. But the one place where we all start, is believing you have something to offer. It means your passion should not be tampered with. Tweaked, yes. But if we find that fire being quenched because no one seems to encourage you or appreciate your successes, you will become discouraged and perhaps give up.

It took me awhile to grasp believing in myself. It seemed like arrogance, but it's not. It's simply knowing what you can do well and doing it. Once that is established, you are tied to this truth and will be firmly established.

Stake your claim to you. There are no disqualifications! If you are writing, it's because you love to write. Inside of you there is something people want to read. 
  
~~~

Photo credit:  cobaltfish / Foter / CC BY-SA


While homeschooling the last of her 8 children, Kathleen Moulton rediscovered her love of writing. She enjoys writing magazine articles and is recently published in NextStepU. You can find her passion to bring encouragement and hope to people of all ages at When It Hurts - http://kathleenmoulton.com/



Hearing Voices


Do you hear voices? You should. It is important to hear the voice of each and every character in your story.
            Each character is an individual, and as an individual speaks, thinks, and acts differently from the other characters. After all, that is what gives them individuality, makes them their own person. Otherwise, they would all sound alike, flat and boring. It is up to you as the author and their creator to bring your characters to live and give them substance. In other words, you have the duty to your readers to make your characters sound like real people.
            How do you breathe life into a character? First I would suggest taking note of the people around you, the ones you know and don’t know. Watch them for gestures, facial expressions, favorite words they use frequently. Do they sigh frequently as they talk? Do they have a habit of laughing at times that do not call for laughter? Do they frown a lot or have a twitch? Is there a favorite word or phrase they interject often such as “oh,gosh” or “good gosh a mighty?” Does the person have a quick temper or is he/she a mouse?
            Next get your character profiles for each character and study them. Once you have an idea of your character’s personality and background, you need to figure out how you can reflect the character’s personality, education, social background, birth place, gender, and even job-related way of talking. Have their grammar match education and slang match age and lifestyle.
            Don’t forget dialect. This could reflect the area of the country from which the character comes. Foods they eat can show where they were raised or simply show an idiosyncrasy. Be careful, though, not to overdo dialect. It could cause your reader to stop reading your book.
            Be sure to match all the elements to your character. Body language (yes, it is an unspoken voice), thoughts, and speech should all match. Otherwise you could give your reader the impression your character has multiple personalities!
Faye M. Tollison
Author of: To Tell the Truth
Upcoming books:  The Bible Murders
                              Sarah’s Secret
Member of: Sisters in Crime
                    Writers on the Move

Memes and Themes


The young delight in everything new...and then think they know it all. We oldies delight in finding newer and newer words and concepts and realize we shall never know it all.

Writers are constantly bombarded with new must-have technology to turn them into instant best sellers. I just received a marketing offer for a software meme generator. Yes, I had a vague idea what a meme was. After all the word was first coined in 1976 and hit the dictionaries from 2000 onward. 

The definition of the original meaning from the Oxford dictionary is: an element of a culture or system of behaviour (English spelling) passed from one individual to another by imitation or other non-genetic means.

Now of course in marketing terms it refers to images, videos,quotations, humorous or inspirational, that are copied and spread rapidly across the Internet.


Marketing with Memes


I'm always looking for ideas to market my non-existent book. The meme idea is great--we all love and share these iconic images on social networking sites but let's be honest, here. How likely is the normal book cover to go viral? And if it does, are Internet users just going to share the picture rather than reading the book?

Would a better idea be to re-caption an existing meme to build on a viral message already circulating?

Use a search engine to choose one of the many meme creator sites on the web. 


from memegenerator.net

Try it out here. 




These give you many cute starter images to caption and often allow you to create your own characters. That done, how do you capture audience imagination?

Marketing with Themes


It's the funnies that seem to top the viral charts. If you can encapsulate your theme into a few words that resonate with readers, and fit it to your cover or appropriate picture, then you may have a meme.

If you have a great quotation that fits your book, then you may have a meme.

But you can create them from your photographs or stock images and caption with something like PowerPoint or Paint.  

Marketing with memes is a great idea but experiment before jumping on bandwagons and buying extra software.


 Anne Duguid is a senior content editor with MuseItUp Publishing and   her New Year's Resolution is to pass on helpful writing,editing and publishing tips at Slow and Steady Writers far more regularly than she managed in 2012.




Making Use of Unexpected Free Time


March may have roared in like a lion, but it also came with a sprained ankle! Yes, on March 1, I fell and sprained my ankle. Since I was supposed to stay off my feet to recuperate (I needed a wife, but that’s another post for a different blog), I had time on my hands. What to do? Well I could still use my laptop so I got online and did some research and writing. I also decided to wade through some of those books that I haven't read.  

How much have I accomplished? Well, not as much as I would have liked. I read one book each week. I researched my family tree, (another ongoing project) as some of it could end up in a book or article or perhaps just inspire me. I didn't write anything prolific, but I did write.

Since cabin fever had set in, I attended the March meetings of my book club and my writers group, the following week. I had to hobble around with my cane, but I managed. In between the meetings, I did some research at the local public library. It was good to be out of the house for awhile, but the going was slow.

I’m glad I was able to do something constructive during my recovery this month, but hopefully April will be better!

What did you accomplish this month? (And I bet you didn't sprain your ankle!)

Debbie A. Byrne has a B.S. in Mass Communication with a minor in History. She is a member of the Society of Children’s Book Writers and Illustrators (SCBWI) and is working on her first children’s book.

Travelling an Unfamiliar Highway


Recently my husband and I travelled to Santa Maria Island, Florida.  While renting a car in Tampa, I was surprised to discover that we both could drive without an extra charge.  My husband is usually the designated car rental driver, so it’s been years since I have driven a rental car in a new city.  A friend of mine invited me to have breakfast with her in Sarasota, a 50 minute drive from the island.  I had two options to make this happen.  I could ride with her to Sarasota, but that would mean I couldn't get to the beach that day; or my second option was to drive myself in the rental car.

My mental process was something like this.
Hmm…maybe I should ride with her….I don’t know where I'm going…I don’t know all the gizmos on the car….it would be easier.

Then I stopped myself. 
Drive the car…stretch yourself….move out of your comfort zone. 

I drove the car. It turned out to be a relatively easy drive to Sarasota and my spirit was fed by the conversation along with the Spinach Eggs Benedict.  I managed to get back to the Island in time to spend the afternoon on the beach.   More important, I was willing to do something that made me a little uneasy. 

Every time we are willing to step into an unfamiliar environment, our personal world becomes a little bigger. Each time we decide not to do something because it's a little difficult and choose to stay in our comfort zone, we shrink the perimeter of our lives.  

This applies to all areas of our life. 

So what does it mean to you as a writer?  I think it is easy to find your writing niche, your writing comfort zone, and stay there.  It may be a particular genre or style.  Maybe it’s fiction, or non-fiction. Where is the territory you are afraid to explore in your writing?  For me the anxiety provoking zone is poetry.  Today, I choose to stretch my writing limits and make my writing life just a little bit bigger.

Driving down and unfamiliar highway
Not sure which way to go
Lost in a writer’s life.

Mary Jo Guglielmo is writer and intuitive life coach.  For more information check out  www.donorth.biz   or folllow her at:

http://facebook.com/DoNorth.biz  





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