The Path to Publication



When I began writing my first novel in 1996, I really did not think I would ever be published. But it was a cathartic experience, and it was something I needed to do to prove to myself that I could write a novel.

I started researching my second book in 1999. After about ten years of rewriting, polishing and collecting rejections, Cowgirl Dreams was published. I’m not telling you this to discourage you, but to encourage you.

That first attempt has yet to be published, and I am so glad it was not then. I did the best I could, but in going back and doing the rewrites (it will be the fourth in my series), I find I’ve learned so much about the craft of writing.

I met both of my publishers at writing conferences hosted by Women Writing the West. Since Cowgirl Dreams was based on my rodeo-riding grandmother, I thought that might be the best place to look, and it was. The first two books in my series were published.

At another WWW conference, where attendees can set up appointments with agents, editors and publishers, I pitched the idea of writing a series of magazine articles about the old-time rodeo cowgirls of Montana. As I was leaving, one of the other editors in the room jumped up from her table and caught me at the door. “I couldn’t help overhearing your pitch,” she said. “Make an appointment with me.”

I did, and Globe-Pequot Press offered me a contract to write a non-fiction book. When my first publisher closed down, I asked if GPP was interested in my third novel. They were and also picked up the first two books to be republished with new covers and new editing.

Dare to Dream was launched this week, the newest novel in the “Dreams” trilogy. The non-fiction book, Cowgirl Up! will come out in September.


My message to aspiring authors is this: do not be in a hurry to get that first book published. Have patience, study and practice the craft of writing, get feedback from critique groups or partners, and get it professionally edited (especially if you are self-publishing). You do not want a book out that is riddled with errors and flaws.

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A native Montanan, Heidi M. Thomas now lives in North-central Arizona where she blogs, teaches writing, and edits. Herfirst novel, Cowgirl Dreamsis based on her grandmother, and the sequel, Follow the Dream, won the national WILLA Award. The next book in the series, Dare to Dream, has just been released. Heidi has a degree in journalism and a certificate in fiction writing.

Create Less Than Perfect Characters


Create Less Than Perfect Characters
"Create Less than Perfect Characters" by Joan Y. Edwards

In order to create less than perfect characters, each character must have a flaw. It's okay to dream up a character with more than one flaw. Brainstorming your character with different types of flaws may help you decide which one creates the most havoc for him in his particular situation. You could group three primary flaws that are characteristic of one particular gigantic shortcoming for your character. However, you may want one flaw that signals their defining trait.

Flaw, according to the Google dictionary, is a mark, fault, or other imperfection that mars a substance or object. For example: The outlet store sold plates with flaws in them. Synonyms for flaw are defect, blemish, fault, imperfection, deficiency, weakness, weak spot/point/link, inadequacy, shortcoming, limitation, failing, or foible.

In 1993, to focus attention and resources to eliminate accidents and human error, Gordon Dupont, a worker in maintenance for Transport Canada developed the following Dirty Dozen list of causes for human mistakes at work: http://www.skybrary.aero/index.php/The_Human_Factors_%22Dirty_Dozen%22
  1. Lack of communication
  2. Distraction
  3. Lack of Resources
  4. Stress
  5. Complacency - a feeling of quiet pleasure or security, unaware of potential danger, defect, or the like.
  6. Lack of Teamwork
  7. Pressure (of deadline)
  8. Lack of Awareness
  9. Lack of Knowledge
  10. Fatigue
  11. Lack of Assertiveness-don't feel free or not allowed to speak up
  12. Norms-the way you've always done it
These could cause life-changing situations for your characters. But you don't want your characters to get hurt. I understand. About 6 years ago, Pam Zollman told writers you have to hurt your "bunnies" (characters).  Oh my goodness! As a writer you may be a "Mother Hen or "Protective Father" and don't want anything to happen to your little ones. However, to have a plot, to have a story at all, means that you must create something bad to happen to your main character. That's bad, spelled and pronounced B-a-a-a-a-d. After the bad experience, watch him meet the challenge. I promise you that your character will meet any challenge you give him. He will make it out of the darkest corner. With your help, how can he fail?

To look at the dark side, the darkest corners of films, watch a few film noir from the 1940's to late 1950's. The Guardian lists the Top 10 Film Noir movies and a summary of each one and why it was good. Film noir was usually in black and white. It may have been an American Detective or crime film that emphasized cynical attitudes and sexual motivations. It seemed to me that no character in a film noir ever reached the good side of human behavior. One person, the detective who solved the mystery, may have been the only one on the right side. According to Fandor, the noir style has expressionism and realism with night scenarios, strong shadows, low-key lighting, dynamic compositions, hard-boiled dialogue, flashbacks, fragmented narratives, and fluid camera movements.

One of the many I've seen on AMC on television is Out of the Past (1947).

A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.

But it could have been one of many. Film Noir present a pretty bleak view of our world. Consider this pitch description of Blackout:

A down-and-out American visits London and meets a beautiful blonde who offers him a fortune to marry her. He quickly agrees but the next day he awakens in an artist's studio covered with blood and his supposed father-in-law's corpse!

Sometimes writers put a funny spin on the foibles of the characters, one such 1955 film is "The Trouble with Harry." Poor Harry gets dug up numerous times during the story. I remember when I saw a 1989 movie Weekend at Bernie's considered a dark comedy. I was so surprised at myself for laughing hysterically at it.

Many times in life, the story behind the story is intriguing and goes to the dark side. For instance, the movie Captain Phillips (2013)

The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship hijacked in two hundred years.

Some of the men in the crew with Captain Phillips contend that Captain Phillips shouldn't have taken them there in the first place and have claimed a lawsuit against the real Captain Phillips. Now that would make another good movie.

Reverse the usual for your characters. What if everyone in your story except one person was evil...not just one flaw, they had all flaws except for one good redeeming trait. See what kind of story you get.
For instance, there's a robbery in town. Everyone helps the robber get away. Why? It's sad to think about, but what if the world was that way. What if your character has people believing the best about him and they couldn't believe he did it. He had charisma personified. But one character could see through all the songs and dances and convict the robber.

When you write a story, you get to create a world that might be hard to imagine...a sad, tragic, magic, or joyful world. But it's your story with your main character with many flaws, three flaws, or only one flaw. A flaw is what gets him into trouble. A flaw is what gets him into the deeper depths of despair. Only when your character is brave and wise enough to see things differently is he able to think of a way out of his bottomless pit. You have a choice of a happy ending or an ending that you drape in the perils of tragedy.

I thought by looking at these 12 causes of mistakes and glancing at the dark side might help you decide which flaw is "perfect" for a character in your story to make him memorable.
Here are a few first sentence story-starters or character sketches:
  1. Everyone in his family for generations has been trustworthy. But not, Ned Parker.
  2. A leader needs good communication, but the President of the United States did not have good communication on the day when the people of Zamboo declared war.
  3. Everyone cringed to think that the airplane built by Forever Airlines had not had the suggested maintenance inspections and repairs. Whose fault was it that maintenance orders were not carried out? Who is going to pay for the deaths caused when Flight 513 went down on I-95?
  4. James couldn't focus on his job as a taxi driver. He worried about his grandfather. He worried about his son in school. Most of all, he worried about his bank account. He didn't notice the lady walking out from two parked cars.
  5. Teresa was unaware of the faulty electrical cord she used to turn on her hair dryer. She never checked her surroundings. She took it for granted that everything was going to be fine and that electrical outlets stay good for a lifetime. The day her hair frizzed and the shock went through her body, was the day she became paranoid about safety.
Please leave a comment. Tell me some of your techniques for helping your characters fall deeper in trouble or rise from a b-a-a-a-a-d situation to create a better world for themselves. I'd love to hear what you think.

Celebrate you and your gift of writing,

Never Give Up
Joan Y. Edwards

I hope you'll buy Flip Flap Floodle to read to your children and grandchildren because even mean ole Mr. Fox can't stop this little duck from playing his song.


Joan’s Elder Care Guide, Release December 2014 by 4RV Publishing
Copyright © 2014 Joan Y. Edwards


Submit to Fiction Magazines with Themes

I love magazines with themes or prompts, because they expose the many, many ways our minds work differently to produce so many stories from one kernel of an idea.

For all you fiction writers out there, if you're having writer's block or if you want to challenge yourself to write something you normally wouldn't, try writing for one of the magazines or e-zines below. 

Paying Markets ($10-$50)

THEMA Literary Journal.  Each issue is based closely around a specific theme.  All genres.  Reprints accepted.  Current and upcoming themes:  "Was that today?" and "We thought he'd never leave."  Submission guidelines

The First Line Literary Magazine.  Each story must start with the same sentence.  All genres.  Current and upcoming first lines:  "Fifty miles west of Bloomington lies Hillsboro, a monument to middle-class malaise," and "We went as far as the car would take us."  Submission Guidelines.

Pantheon.  As the name suggests, this magazine's issues center around various gods and goddesses.  All genres welcome.  Reprints accepted, but unpaid. Current themes:  "Ares" and "Gaia."  Submission Guidelines.

Infective Ink.  All genres.  Current and upcoming themes:  "The future of dating," "Great friendships."  Submission Guidelines.

On the Premises.  This is run like a contest, but with no fee.  Third to first prizes $100-$180.  Honorable mentions, $40.  All genres.  Current Contest:  "Decisions, Decisions."  Submission Guidelines.

Long Count Press. E-book anthologies of fantasy fiction.  Currently closed to submissions, but check in the future.  Last theme:  "Mesoamerican Fantasy."  Submission Guidelines.

Timeless Tales.  Retold fairy tales.  Next theme:  "Twelve Dancing Princesses."  Reprints accepted.  Submission Guidelines.

Subterrain.  A Canadian magazine that requires paper submissions (and an SASE with an IRC).  Upcoming themes:  "Pulp Fiction," and "Meat."  Submission Guidelines.

Semi-Pro and Pro Markets

Crossed Genres.  Science fiction or fantasy only.  Current and upcoming themes:  "Typical" and "Robots, Androids, and Cyborgs."  5 cents/word.  Submission Guidelines.

Unlikely Story.  Their two main themes are "entomology" (bugs) and "cryptography" (codes and ciphers).  They also have other theme issues, like "cartography" (maps).  All genres.   5 cents/word.  Reprints accepted at a lower rate.  Submission Guidelines.

Crab Orchard Review.  Literary.  One yearly theme (submissions accepted October).  This year's theme:  "Stories that covers any of the ways our world and ourselves have changed due to the advancements, setbacks, tragedies, and triumphs of the last twenty years, 1995-2015."  $100 minimum.  Submission Guidelines.

Penumbra.  Speculative fiction only.  Upcoming themes:  "Pain" and "Lewis Carroll."  5 cents/word.  Submission Guidelines.

Cobblestone Publishing's non-fiction magazines for kids 9-14 accept 800-words stories based on specific themes.  Your choices:  Calliope (world history), Cobblestone (American history), Dig (archeology), Faces (world culture and geography), and Odyssey (science).  Check the guidelines for query dates and themes.  Very good rates.  Submission Guidelines (choose the individual magazine you're interested in).

Guidelines

Fiction magazines these days come and go, so be sure to verify the details before submitting.  And, as always, read the submission guidelines, word count requirements, and theme information very closely.  Some are so specific you'll pretty much have to write a story with the magazine in mind.  Others are looser, so you can match up stories you've already written. 

Whatever you do, have fun and keep writing.



Melinda Brasher's first fiction sale was in THEMA, one of the magazines above.  She has other stories published in various magazines, including On the Premises.  She also loves to travel and is currently writing a budget traveler's guide to cruising Alaska.

4 Book Marketing Strategies That Are Guaranteed to Keep Your Online Platform Moving Forward

By Karen Cioffi

Your author or writer online platform is all about numbers and reach. It’s about how many people are aware of you within your niche and how many of those people think you have authority within your niche. In other words, it’s about how many connections you have. You might equate it to a popularity contest.

Unfortunately, there are millions of contestants in the online platform arena trying, as you are, to get the golden subscriber email address and get the emails they send opened.

Because of the sheer number of marketers, people are bombarded with marketing emails on a daily basis. This in turn has caused a drop in email opt-ins and a drop in marketing email open rates.

So, what can you do to fight the odds and keep moving forward to reach your goals?

There are four strategies you can use to keep you connected to people and keep you on the visibility radar.

1. Connection frequency

You need to connect with your subscribers and target market on a regular basis.

This doesn’t mean adding to the email inbox bombardment, it means to be visible in multiple places. How many times a week are you connecting with your subscribers and your target market?

This matters.

Are you taking advantage of the different venues you can reach people? Are you being active in groups? How about social media, such as Facebook, Linkedin, GooglePlus, Twitter, and Pinterest? Are you offering valuable information on a regular basis?

Each of these connection venues is another layer of visibility and familiarity. This frequency helps establish a relationship and helps it grow.

2. Consistency

Everyone when first starting a platform is determined and motivated. You diligently keep on top of social networks, blogging, article marketing, sending out a newsletter on a regular basis, and so on. But, then, when results aren’t what was expected or don’t come quick enough, the motivation and effort slows down.

Well, being consistent is what will help you reach your goals. In fact, without being consistent you most likely will never reach your goals.

Coleman Cox says it best: "Even the woodpecker owes his success to the fact that he uses his head and keeps pecking away until he finishes the job he starts."

Create a plan of action steps and stick to them. Be consistent.

3. Authority and Usefulness

According to pro-marketer Travis Greenlee, statistics show that published authors have a 300% higher credibility rating than non-published authors.

That’s quite a difference and gives the published author a big advantage in authority. If you’re not published yet, a quick remedy is to create an ebook and get it out there. With that said, your ebook needs to be a quality product.

But, having an ebook isn’t the cure-all. In addition to this, you need to deliver quality (useful) information to your target market on a regular basis.

The point here is that you need to be perceived as a person of value to your target market. Your actions and offerings need to demonstrate that you can help them with their problem, need, or want.

If you are perceived as having high authority (knowledge and experience) and value (capability and usefulness), people will want to be connected with you.

4. Visibility

Visibility and frequency go hand-in-hand. While you need to make frequent connections, you need to know where and how to make those connections. That’s where visibility comes in.

How many different formats are you using to be visible to your connections and make new connections?

There are a number of marketing formats you can use to generate visibility, including:

•    Blog posting
•   Guest blogging
•    Creating podcasts
•    Creating videos
•    Creating e/books, reports, etc.
•    Sending out newsletters or ezines
•    Offering webinars, teleseminars, or workshops
•    Staying current on social networks, such as Facebook, Linkedin, GooglePlus, and Pinterest

You get the idea. Keep it fresh. Don’t use the same formats to bring information to your subscribers, readers, and visitors.

You need to use all four of these strategies to keep your online platform moving forward.

Karen Cioffi is an author, ghostwriter, and online marketing instructor for authors and writers. Get her weekly newsletter with must-know writing and marketing tips at: http://thewritingworld.com

MORE ON WRITING AND BOOK MARKETING

Goal Setting – It’s Not About Ideas, It’s About Making Ideas Happen
Selling Your Book - 2 Steps Toward Success
26 Reasons a Writer Should Blog (Part 1)




Apps to Help You Find New Tweeps

Guest Post by Frances Caballo

We all know that social media isn’t a numbers game. While we may ooh and ah over a colleague’s 45,000 Twitter followers, we know that what’s most important is whether we have a dedicated following that frequently retweets our messages, buys our books and leaves comments on our blog.

However, if you are thinking of leaving the self-published route behind, a prospective agent or publisher invariably will ask you if you have a marketing platform. Then that person will want to know how many followers and Facebook page Likes you have.

So even though social media is about engagement and not numbers, someone – without fail – will be more interested in your follower count.

If you feel that you have too few followers and you want to boost them before pitching your book to an agent, there are several strategies you can implement to boost your numbers.

Twubs - http://twubs.com/

If you want to grow your following, consider occasionally joining a twitter chat. When you sign up for Twubs, you can use this tool to find a Twitter chat and join one. Joining a chat from Twubs enables you to jump into a discussion and Twubs will take care of adding the chat’s hashtag to your tweet. By joining a chat you will discover like-minded individuals who share your interests and who have great content to share.

Tweepi - http://www.tweepi.com

Tweepi is familiar to many Twitter users. With its free version, you can unfollow anyone who isn’t following you back, assuming that’s an important criterion for you. However, you can also use Tweepi to follow new users based on which Tweeps they follow. In addition, if you especially like industry experts such as Jane Friedman or Joel Friedlander as examples, you can use Tweepi to follow their lists. If you are willing to upgrade to a paid account, you can also search for tweets based on geolocation and the topic of their messages and decide if you want to follow them. Another paid feature would allow you to search for new users according to keywords they used in their bios to describe themselves, such as authors, writers, or bookworm.

ManageFlitter - http://manageflitter.com

ManageFlitter is a helpful tool that will enable you to unfollow Tweeps who haven’t yet personalized their avatar and accounts that are fake. In addition, it will identify Tweeps who rarely use Twitter. It’s paid plan will search through more than 80 million Twitter accounts and find the right people for you to follow. You can also use this app to copy other Twitter account’s followers or accounts they follow.

If you feel as though your follower account is stagnating, it might be a good idea to use one of these apps to boost your count. I’ve noticed that as my follower account grows, my book sales increase. So even if you aren’t thinking about finding a publisher, it might be wise to boost those numbers on occasion as long as you don’t compromise engagement.

What Twitter tools do you use?

About the Author: Frances Caballo (http://socialmediajustforwriters.com) is a social media manager for writers and author of Avoid Social Media Time Suck: A Blueprint for Writers to Create Online Buzz for Their Books and Still Have Time to Write, Social Media Just for Writers: The Best Online Marketing Tips for Selling Your Books and Blogging Just for Writers. Presently, she is the Social Media Manager for the Women’s National Book Association-SF Chapter, the San Francisco Writers Conference, and the Bay Area Independent Publishers Association. You can find her on Facebook, Twitter, LinkedIn, Pinterest and Google+.


Book info:

Avoid Social Media Time Suck: A Blueprint for Writers To Create Online Buzz for Their Books and Still Have Time to Write.

Synopsis: Social media is no longer an option for writers--it is a required element of every author’s platform. If you’ve been avoiding Facebook, Twitter, Pinterest, and other social networks because you think tweeting and posting will take large chunks of time out of your day and leave you with little time to write, think again. Using social media to market your books doesn’t need to be time-consuming. And with the four-step formula you’ll find in this book, it won’t be.

Whether you’re a seasoned or a newbie social media user, this book will introduce you to posting schedules, timesaving applications and content-rich websites that will help you economize the time you spend using social media to promote your books. You will learn:

•    How to create and perfect your author platform.
•    Where great content exists on the Internet and how you can use it to further your brand within your niche.
•    The importance of being social and applications that make this task easy and fun.
•    Tools that enable you to track and measure your success so you can better understand the return on investment of your valuable time.
•    Which tools prevent you from accessing the Internet when the time comes to sit and write that next book.
•    Exercises for introverted writers to help you feel comfortable on the social web.

Frances Caballo is also hosting a book giveaway for Avoid Social Media Time Suck on Goodreads during the month of April.

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To keep up with writing and marketing information, along with Free webinars, join us in The Writing World (top right top sidebar).

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You Know You're a Writer When . . .


Bloom where you're planted  Photo by Linda Wilson
You have a desire to express yourself. It won't go away. Pieces come out in your everyday life. At work. At home. With the people you know and love. With acquaintances and strangers, too. You might trek to the farthest reaches of the earth and sea. Start your own business, a new hobby; begin an exercise program, pick up a musical instrument. Go into politics or find volunteer opportunities. Yet you still want to do more. So, you sit down and write. You become a writer.

As busy as you are with your life, have you ever wondered where this desire to write comes from? You may be a physician/writer, a teacher/writer or a writer/writer. But deep down you know: Writing is your heart and you never want to stop.

The reasons one becomes a writer are as varied as life itself. Some of them are collected here, for you to ponder and perhaps to remind you of your own beginning, when you first noticed that pulse that beat so strong inside that it spilled onto the page and hasn't stopped. It's only grown. And you've grown, too.

You know you're a writer when you . . .

. . . Enjoy looking up words in the dictionary and thesaurus.
  • Speaking from personal experience, I like nothing better than to look up words. I am now in the market for an electronic dictionary/thesaurus. Any recommendations left as a comment would be appreciated.
. . . Are willing to forgo a social life, belonging to clubs, playing bridge, etc.
  • Years ago, I read an article where best-selling author Barbara Taylor Bradford (A Woman of Substance, and twenty-nine other books), was quoted as saying that you must choose between having a busy social life or becoming a serious author. In a recent article where Bradford offered writing tips she wrote: "First and foremost, you need to be serious about your desire to become a published author. It takes an extraordinary amount of time, effort and dedication to hone your skills and produce a work worthy of publication. But like anything else, if you possess the talent and the determination, you will likely succeed."
. . . Love the process without concerning yourself with the end result. Your mind is always working on an idea or problem for an article or story.
  • Newbery medalist and well-loved children's author Betsy Byars described one of the best things about our craft in the reference book, Something About the Author,  " . . . creativity. I can't define it, but I have found from experience that the more you use it, the better it works."
. . . Are willing to keep learning your craft and grow.
  • In the article, "Timeless Advice on Writing from Famous Authors," June 18, 2012 published  by Brainpickers, Chilean novelist Isabel Allende is quoted as saying, "Show up, show up, show up, and after a while the muse shows up, too."
. . . Keep working and don't give up despite any odds against you, such as rejections, self-doubt and lack of time.
  • Through the years, I've heard successful writers and editors say that it's sad. Many talented writers give up too soon. They've become discouraged because of the demands that come with being a published author. If they had hung on a little longer, their work would have been ready.
. . . Want to share what you've learned.
  • A Catholic nun was the first person who encouraged me to write. I had made puppets and a puppet stage and written and adapted puppet plays for the children in our church when my daughters were very young. She told me how my project could help others if I would take the time to share what I had done. The article I wrote and photographs I included became my first published piece. Thanks to her encouragement I learned right from the start the satisfaction that comes from sharing our work.
. . . Have become a good listener, a good observer, a good student of life.
  • "A writer, early and late, does a lot of listening at doors . . ." Richard Peck, Newbery-medalist
I hope you will take the time to leave a comment about how you got started on your creative path.

Next month: You Know You're a Writer When . . . Part II

Sources:
http://www.brainpickings.org/index.php/2013/05/03/advice-on-writing/


Linda Wilson, a former elementary teacher and ICL graduate, recently completed Joyce Sweeney's online fiction course. Linda has published over 40 articles for children and adults, six short stories for children, and is in the final editing stages of her first book, a mystery story for 7-10 year olds. Follow her on Facebook. 


The Critics

Critics are everywhere. 

They will stop us dead in our tracks or make us more determined with our dreams.

Writers bare their soul with words. Our work is an expression of who we are. First drafts of angst or sheer joy flows across the page with unhindered rhythm.  



But, unfinished symphonies of literary beauty have been lost because of the critic - unless the writer has learned to work through the struggle. 

The critic has a place. But you don't want the opinion of someone to crush your creativity.

Be inspired with this video clip, Why Your Critics Aren't The Ones Who Count, by Brené Brown.

Brené is a research professor and nationally renowned speaker on topics such as vulnerability and courage.  I met Brené through Christina Katz, author and writing coach, who shared this video with her readers.

I sincerely hope you are inspired as I was.

Let me know what you think!

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After raising and homeschooling her 8 children, Kathy has found time to pursue freelance writing. You can find her passion to bring encouragement and hope to people of all ages at When It Hurts http://kathleenmoulton.com



Using Personality Typologies to Build Your Characters

  Contributed by Margot Conor People often have asked me how I build such varied and interesting character profiles. I’m fond of going into ...