Showing posts with label consistency. Show all posts
Showing posts with label consistency. Show all posts

Build A Body of Work


By Terry Whalin 
@terrywhalin

Have you had golden moments of conversation which stick with you and your writing life for years? These may happen late at night during a writer’s conference or maybe in the car with someone on the way to a conference? During my decades in this business, I’ve had amazing opportunities and had numerous special conversations. 

Years ago, I was on the faculty of an East Coast writer’s conference and had several hours in a van to meet and get acquainted with a literary agent. It was early in my writing career, and he asked me, “What are you doing to build a body of work?” I’d never heard the term “body of work.” As we talked, I understood this agent was probing me for a long-term game plan in the writing world. At that time, I didn’t have a long-term plan and had written for a few magazines and published a couple of books. 

As writers, I find most of us are focused on publishing (or promoting) a single book or writing for a magazine. We are not thinking about building a body of work. This agent and I discussed our mutual friend, Jerry B. Jenkins who has written a variety of types of books but also published in print magazines. To build a body of work, it is important to intentionally be diverse. For example, I’ve written adult books but also children’s books. I’ve written for adult print magazines, but I also wrote a cover story for Clubhouse, a children’s magazine with Focus on the Family.

Early in my writing life, I began writing profiles of different bestselling authors. Some of my close writer friends questioned me about why I was doing this type of writing. I ignored the questions and continued writing these types of articles. I’ve interviewed over 150 bestselling authors and learned much more from each interview than I could possibly include in a 1200-to-1500-word article. I’m one of the few journalists who has interviewed Chuck Swindoll. Chuck told me, “There are no heroes in the Body of Christ. We are all like a bunch of guys in the back of a pick-up truck trying to get our stuff together.” Each one of these interviews brought great opportunity and helped me build my body of work. On another occasion, I was on the back lot of Disney Animation interviewing Glen Keane when he was drawing Beast in the film, Beauty and the Beast

For you to build a body of work, you will have to learn some key skills like how to write a query letter and how to write a book proposal.  When you learn the skill of writing these specialized tools, you can use them many times to pitch the editor, get an assignment then complete the writing on their deadline. When you are building a body of work as you are published more frequently, your reputation among the editors will increase which opens more doors and opportunities for your writing. 

The process of building a body of work doesn’t happen overnight but it is something every writer can do with their writing. What steps are you going to take to build a body of work?

Tweetable: 

Are you building a body of work? This prolific writer and editor encourages authors to take a long view in their writing life. Learn the details here. (ClickToTweet)

W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Consistent Action Instead of Perfection

By Terry Whalin @terrywhalin

We love a good story. When we hear or read the words, it makes us lean into the conversation or the words fly past as we turn the pages. It’s a skill every writer needs to learn and constantly improve. Some of us write our stories, then rewrite them and tweak and rewrite them—to the point we never submit them. They are constantly in motion and never submitted. It’s this action that I’d like to address in this article.

Over my decades in publishing, I’ve had great opportunities to write for magazines and various books. It’s not that I’m the best storyteller in the room but I am one of the more consistent and persistent authors. It’s a key trait. At conferences, I meet with editors and pitch my ideas. The editor says, “Great idea. Write that up and send it to me.”

After the meeting, I make a little note then I go home, write it up and send it to them. Now taking that action doesn’t mean I get published. It means I gave myself a chance to get published. It’s key to take action and submit your material. If you don’t submit, then you don’t give yourself a chance for that to happen.

As an editor, I go to conferences and meet with writers and listen to their ideas. I encourage them, “I’m interested. Send it to me.” Then I hand them my business card. What I’ve found is only about 10% will actually follow up and send it to me. I follow-up and ask for it but still only a small percentage will send it.

The process is balancing act. You have to learn the skill of storytelling. I encourage you to perfect this skill in the magazine world. It’s easier to write 1200-word magazine article than a 50,000-word book. A magazine article needs an interesting beginning, solid middle then a takeaway ending (a single point to the article). AND if you put ten of these articles together into a single theme, then you have a book manuscript. 

Consistent action is one of the keys. Admittedly we want our writing to be excellent and help others. I’ve seen many people get stuck in the process and never submit their words for publication. Even if your material isn’t perfect, you need to get it into the market and published.

A resource to help you in this area is the book from Michael Masterson called Ready, Fire, Aim: Zero To $100 Million In No Time Flat. Whether you buy the book or check it out of your library or listen to the audio version of the book, you will be encouraged to move forward even if it isn’t perfect. 

The publishing world is full of opportunity, but you have to build the relationship, follow-up and then take action and submit your material. It is not complicated but requires consistent action taking.

A true statement: nothing is built instantly. Instead, it takes consistent and persistent effort. If you make such an effort, then you can find your place in the world of publishing. If you pitched something years ago and never sent it, then you have not missed your opportunity. I encourage you to reach out to that editor and still send it. The other day, a writer who had pitched something to me in 2018 emailed and asked if she could still send her submission. Immediately I responded that she should send it.  I’m continuing to look for the right books and the right authors. If I can help you, don’t hesitate to reach out to me. 

Tweetable: 

Are you a perfectionist? This prolific writer and editor encourages consistent action instead of perfection. Learn the details here. (ClickToTweet)


W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Every Writer Needs A Safety Net


By Terry Whalin 
@terrywhalin

Every summer, Peru, Indiana has a local circus to celebrate the history of the town. Students train all year for these performances. That summer one student walked the high wire on stilts. Each time the crowd gasped because he performed without a safety net. As an intern at the Peru Daily Tribune, I wrote most of the material in the annual circus edition.

As writers, I know the importance of having a safety net and in this article, I want to give you several reasons for this added protection. Because of my role as an editor, I’ve met numerous writers at conferences. I recall one writer boldly telling me that she had quit her day job and was writing her novel full-time. Yes, she was all-in for the publishing world—and I only listened but recognized her potential danger and folly.

Publishing Is Unpredictable

This week a New York Times bestselling novelist was telling me about how several of her publishers have gone out of business. No one could have predicted the challenges to the supply chain or a worldwide pandemic or many other factors inside publishing. There are many decision points where despite your best intentions, the projections for book sales do not happen.

Life Is Unpredictable

While it happened decades ago, I clearly recall the details. I had been out to lunch with a major Christian magazine editor and was telling her that my publishing company was “part of a revolution.” A few hours later, I sat at a conference table with my editorial director, and he began, “I’ve got to let you go.”  I’ve faced unexpected job changes, divorce, illness, death of a family member and even a costly lawsuit. No one has a crystal ball to forecast the events in our future. As a Christian, I understand God has numbered our days and knows the shortness of our lives.

How to Keep Moving Forward

While publishing and life can be unpredictable, I want to give you several action steps to take to help your writing life to continue to move ahead.

1.  Don’t quit your day job. Many well-known authors have written in their off times and kept their day jobs. Several years ago, the New York Public Library published an article about 10 Famous Writers who kept their day jobs. I encourage you to read this article and learn about authors like Kurt Vonnegut and Margaret Atwood. These authors show us the value of their day jobs and how they continued publishing and writing.  

2. Diversify Your Writing. There are many ways to get published and when one aspect slows or folds, you can tackle another type of writing. In the first chapter of Jumpstart Your Publishing Dreams. I have a fairly extensive list of various types of writing. Follow this link to download the chapter.

3. Keep working to expand your personal network and relationships and look for the open doors. Who you know is almost as important in publishing as what you know. I continue to expand my connections with editors, agents and others. As you help them, they will help you. You never know when a relationship from the past can become an important one. 

While publishing has challenges there are also many opportunities—if you are actively looking for the right one. Make your plans and get knocking on those doors to see which one will open for your writing. It’s the active role I’m taking for my own safety net.   

Tweetable

Do you have a writer’s safety net? This prolific writer and editor details the reasons every writer needs a safety net. (ClickToTweet)


W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Why Writers Need to Build An Audience

  


By W. Terry Whalin @terrywhalin

At every writer’s conference or group of writers, there is buzz around the word “platform.” Editors and literary agents are searching for authors with a platform or a personal connection to their readers. What’s that about? Many authors believe their task is to write an excellent book and get it to the right publisher. Don’t publishers sell books to bookstores? The questions are good ones and in this article, I want to give you some answers from my decades of writing books for publishers, yet also sitting on the inside of several publishing houses as an acquisitions editor. Admittedly publishing is a complex business and I’ve been studying the various nuisances of it for years (and still learning more every day).

              Writing a Good Book Is Foundational

While I’ve looked at thousands of submissions in my years in publishing, I also have interviewed other acquisitions editors. During one interview, I asked, “How do you know when you find a good submission?”

He said, “Terry, I read the first sentence and if it is a good sentence, I read the next one. If it is a good paragraph, I read the next one. If it is a good page, I read the next one.” You want to start your manuscript with a bang and draw the editor immediately into your writing. Don’t bury your best material over in a later chapter because the editor may not read that far. Good writing in your submission is essential.

Every Writer Needs a Proposal

Whether you write fiction or nonfiction, you need to put the writing energy into creating a proposal. I understand they take lots of work to create. Two of my proposals got six-figure advances from publishers (and I have lengthy stories about what happened with those books—for another time). Your proposal shows you understand the market and your target reader. It includes your game plan about how you are going to reach your audience and sell books. The proposal is an important document for you to write even if you self-publish. I have a free book proposal checklist

The Editor’s Search

I often tell authors that making books is easy but selling books is hard. Over 4,500 new books are published every day (including the self-published books). Yes that is a lot of books and why every author needs to have a plan and ability to reach readers. As editors, we are searching for these types of writers. 

Publishers produce beautiful books and sell them into bookstores (online and brick and mortar). Authors drive readers to those bookstores and sell the books out into the hands of readers. Publishers certainly have an investment in the books they publish but authors need to be even more invested in reaching readers. It’s what many people call building a platform (audience).

Action Is Key

It’s easy to get overwhelmed with this process and confused about what action to take. Here’s the key (no matter what you are writing): do something and do it consistently day after day. Here are some basic facts about this process:

• Everyone starts small and builds

• Your personal email list is more important than your social media audience

• You should focus on what you can control (email list) instead of rented media in places like Twitter or Facebook (which you don’t own or control)

• It takes hard work for every writer but you need to do this work

• There are many different ways to build your audience. Pick one or two and see what works best for your writing.

• If the process were simple everyone would succeed (sell many books),

• Persistence and consistency are important for every writer.

Every editor and agent is actively looking for the right author who is building their connections to readers and has learned how to sell books. I’ve been in some of the top literary agencies and publishers in the nation. From their questions, I know they are actively looking for these authors—no matter what how they respond to your pitches. Be encouraged and keep growing in your craft (ability to write) and your knowledge about your readers and the market. It doesn’t happen overnight but can happen if you continue to work at it. 

Tweetable:

Why Do Writers Need to Build An Audience? Isn’t that what publishers do? Get the details from prolific writer and editor Terry Whalin. (Click-To-Tweet)

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

I'm Tired Of Pitching

 

By W. Terry Whalin @terrywhalin

Can you identify with my title for this article? Whether you are just starting in publishing or have been doing it for years, you may be tired of pitching. Yet pitching is a reality into the fiber of every aspect of publishing. If I’m honest, some days I don’t want to pitch but after a long time in this business I’ve learned the hard way that if I don’t pitch then nothing happens.

For example, I’ve been teaching at a large writers’ conference almost every year for decades. Last year I participated in the event as an editor, but I did not teach a workshop or single session. As I thought about it, I understood why I wasn’t a part of the teaching instructors.  I did not pitch any workshops (new or old) to the conference director. Other people did pitch possible workshops and their sessions filled the schedule.

Every aspect of publishing involves pitching. To get an agent, you have to make a connection with them at a conference or pitch a book or book proposal that captures their attention. It’s the same for a publishing house. You can’t get a book deal without some sort of pitch that shows why you are the unique person to write and publish this particular book.

Pitching is not just for agents and editors; it is a critical part of the process for magazine work as well. You will have to learn to write a query letter, or a one-page pitch targeted to that publication and get the editor’s attention and request for you to submit your article.

When it comes to marketing and selling your book, it also involves—yes pitching. Radio station producers, podcasts hosts, bloggers for guest blogging articles and even writing for local or national newspapers—each aspect involves learning the specialized steps to catch their attention and get on their show or podcast or publication.

And when it comes to reaching readers, you have to pitch something to them that they want so they will join your email list (and then stay on your email list and not unsubscribe). To get the gig, every author has to learn to pitch.

There are a few exceptions to my statements about pitching. You can hire a publicist (after you get their attention (pitch). Then this publicist will do the pitching and scheduling of interviews for you. Or maybe you are invited to become a regular columnist for a publication. Even these regular gigs can come to a sudden end. For one well-known publication in one issue, they announced I was their book review columnist—then the editors abandoned the column with their next issue. Change is one of the consistent elements of publishing. One day you are up and the next day you are down—but you still have to continue pitching.

I may be tired of pitching but if I want to continue to be an active part of the publishing community, I’m going to continue to pitch. It’s like a teacher tired of teaching. Each of us need to understand it’s part of the fiber of this business and work every day to perfect our pitch and open more doors of opportunity. Every writer has a wide-open door of opportunity, but you have to take action and knock on the right door—which will take some effort and work but is definitely possible.

What steps do you take if you are tired of pitching? Let me know in the comments below.

Tweetable:

This prolific writer and editor is tired of pitching. He explains how pitching is in the fiber of every aspect of publishing so he will continue to pitch. Learn the details here. (ClickToTweet) 

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

A Simple Way To Be "Different"


By 
Terry Whalin (@terrywhalin) 

While I’ve been in book publishing for decades, one topic is central to our business yet something I rarely see written about or discussed: communication.

Communication undergirds everything from email to print to phone calls to face to face. I believe it is infrequently highlighted because we work in a non-communication environment. Writers work hard on crafting their query letters or proposals. They edit and rewrite them and even send them off to their critique partners or outside editors before sending them to the literary agent or editor. This extra polish and set of eyes gives them a better chance at success.

After you fire off your gem of an idea, it goes into black hole. You hear: nothing or it earns a form rejection letter or form email rejection letter. The experience brings despair or determination to find the right place. I hope you are determined because finding the right fit is a key part of the publishing process.

Jack Canfield and Mark Victor Hansen were rejected 140 times for Chicken Soup for the Soup, one of the most prolific series of books in the English language. Determination and persistence are qualities for every writer.

Why don’t editors and agents communicate? Can’t they send a simple email that they received it? Unfortunately this practice is not built into our publishing community. If you are a good communicator, your use of this skill is another way that you can use this simple way to be a "different" type of writer.

My authors at Morgan James Publishing consistently tell me they are surprised with my speed of communication. Sometimes they will write me after they have tried others (with no response) because they know I will help them.

I’ve learned a number of tips for communication and I want to detail some of them in this article.

Email is the best tool to use.  If you are following up a submission, a brief email asking if it was received is the preferred approach. 

Last week I got multi-paragraph email from a writer I will see at conference this week. It was too much information and while I read it, it would have been better in a few sentences and made a better impression. Here are some other key tips:

1. Text is OK—but use sparingly.

2. Phone is the worst way to approach an editor or agent and something I recommend you rarely use if at all. 

At Morgan James Publishing, we acknowledge every submission with a physical letter in the U.S. mail—and each year we receive over 5,000 submissions for only 180 to 200 books which are published. Communication with authors is built into the fiber of Morgan James. Many writers neglect to send their mailing address with their submission yet it is a critical part of our process of getting a submission started. Fairly often I have to email a writer and ask for their mailing address.

Some of my publishing professional colleagues have boundaries on their emails. For example, they only answer emails between their working hours in their office Monday through Friday 8 am to 5 pm. If you have emailed me, you know I don’t have such a boundary and will often answer emails early or late or on the weekends. It is all part of my commitment as a writer and editor to be a communicator. 

As a writer what steps do you need to do to increase and improve your communication skills? Let me know in the comments below.

Tweetable: 

Good communication is a simple way every writer can stand out. Get some tips and insights here from this prolific editor and writer. (ClickToTweet)

________________________________________

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s newest book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success.  Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Why I’m Still Blogging (and You Should too)


By Terry Whalin @terrywhalin

“As an acquisitions editor, you should not be blogging,” one of my long-term writer friends told me in 2008. I worked inside a well-known publisher and she believed a blog was a complete waste of my time.  I was an early adapter to the blogging trend.  I ignored her advice and I’m still blogging for many different reasons. Isn’t blogging out of step? Many writers are still blogging regularly including my long-term friend, Jerry B. Jenkins, who has been on the New York Times list 21 times. We talk about blogging some in this Master Class interview (follow the link). In this article I will help you understand why you should be blogging too.

Pick Your Audience and Focus for Every Entry

Before you post your first blog article, you need to determine your audience or readers. Just like no book is for everyone, no blog is for every reader. You can’t be all things to all readers and the focus of your blog will be critical to drawing returning readers. For example, my blog is called The Writing Life because each entry (now over 1,600 of them) are focused on various aspects of my life in publishing. I tell personal stories, point out resources and things that I’m learning. It is not just books but magazine and other aspects of the publishing business. My focus is broad enough to allow a great deal of variety. It never grows old to me (so I abandon my blog—which many people do) and I have an endless supply of material. These aspects are foundational and critical when you start blogging. Also determine how frequently you can post. If you post once a month, that pace is too infrequent for drawing readers. If you post daily, the pace may be too consuming—and you will possibly give up. I decided to blog once a week and I post on the same day every week.  Throughout each week, I have numerous ideas and I keep track of these ideas (develop your own system to capture them) and they become articles.

Some people organize a team of contributors on a topic and rotate article. Others (like me) post my own blog articles. 

Multiple Reasons to Blog 

From my view, there are multiple reasons to regularly blog:

Consistency. Blogging is an easy way to build a consistent writing habit. You can also mentor and help many others with your blog entries.

Platform and influence. Literary agents and publishers are looking for writers (despite their form rejection letters). Your blog is part of your platform, a way to show your writing skills and influence others.

A place to store your various ideas. Articles for my blog are made quickly and random topics. A number of years ago, I took those random entries and organized them into a book. Within publishing we call this process a Blook. My Jumpstart Your Publishing Dreams originally started as blog entries.

A place to repurpose my ideas. When I need a blog article for someone else, I often turn to my blog with a wealth of material. In a short amount of time I can repurpose and rewrite a blog entry for these needs.

A way to make money. It’s not my first reason to blog but I make money from my blog. Through blogging, I’ve found authors that publish through Morgan James. I’ve made affiliate income from my blog and much more. I’ve even got a risk-free eBook called The 31 Day Guide to Blogging for Bucks (follow the link) for more insights on this topic.

Practical Lessons for Your Blog

Here are several practical lessons I’ve learned for your blog

--Get a header or look to your blog which people will recognize when they go to it. It doesn’t have to be complicated but should be distinctly your look. You can use a template or get help from someone at Fiverr.com but do invest this energy into the appearance.

--Add a search tool into your blog. I picked up mine from google but look for a simple HTML addition that you can add to help your readers. For The Writing Life, my search tool is in the right hand column (scroll down to find it). I use this search tool often when I’m looking for something among my many entries.

--Always include a royalty-free image with each blog entry. You can’t use just any image you find but should get it from a royalty-free source (check this link for some resources). The image gives others an easy way to pass on your articles and give you additional readers.

--Add a subscription tool to your blog. I use Feedblitz and have about 500 people who receive any update to my blog through their email. Use this link to subscribe to my blog.

--Add a ClickToTweet for every entry. There are other tools but I use ClickToTweet and from monitoring my social media, I know a number of people use this tool. Follow this link to learn how to install it.  Make it easy for people to share your articles.

A key part of the writing life is a word I don’t really like but actively do: discipline or the discipline of consistently writing. A blog is an important part of this process for me.

Tweetable:  

Are blogs still relevant? This prolific writer and editor tells why he is stillblogging (and you should too). Get the details here. (ClickToTweet)

________________________________________

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s newest book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

Are You Building a Body of Work?


By Terry Whalin @terrywhalin

Are you writing consistently? Are you continuing to work at building relationships with the gatekeepers (magazine editors, online editors, book editors, literary agents and other professional writers). I know it is basic but consistent writing and working at this business is critical. It rarely comes easy or quickly to any of us. In fact, we often fight the discipline and consistency of writing.

Occasionally someone will look at the volume of my own writing and exclaim, “How do you do it?” As writers, we write one sentence then one page at a time. Some days I’m amazed that I’ve written over 60 books and the first one. When I Grow Up was published in 1992. In these years, I’ve been able to build a body of work. The concept of consistency and building a body of work may be new to you.

Years ago on the way to a writer’s conference, I chatted with a literary agent. I was just beginning to be published and he encouraged me to continue building a body of work. It’s not a single book or a single magazine article but the sum of your work in publishing that eventually makes an impact. Are you growing in your understanding of the publishing business? On a consistent basis, I learn new terms and new aspects.

Some days I don’t feel like cranking out some words but I do it. As I’ve traveled the country and worked with different writers. I know some writers are inspirational writers. They only write when they feel the story in their fingers and put it on paper. Others are journeymen and professional writers. They pound the keys day in and day out—whether they feel like it or not. I fall into that latter category (most of the time). It’s helped my consistent writing.

As a young journalist training in news editorial, one summer, I interned on the Peru Tribune, a small town newspaper in Peru, Indiana. We had no computers and the typesetting was done with a Linotype machine in the back of the building. We had our story meetings at 7:30 a.m where the managing editor talked with the reporters about the stories to be written that day. In that short meeting we received our particular assigned stories, then hit it with the full knowledge of our 11 a.m. copy deadline. Our stories went quickly through the editor and appeared in the printed afternoon paper at 3 p.m. We had no time to sharpen our pencils or hem and haw about writer’s block. We had a deadline to meet—which we met day after day.

Whatever you write (children's books, fiction books, nonfiction books, magazine articles, online publications or anything else) what steps are you taking to build a body of work? It will not happen overnight but can certainly happen if you are consistent. I’m committed to writing consistently. I want to keep my fingers on the keyboard and keep them moving to write articles, chapters for books and book proposals. I’m committed to building a body of work. It might not pay off immediately but in the long run, I know consistency counts.

How are you building a body of writing work? Tell me in the comments below.

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. 
He has written for over 50 magazines and more than 60 books with traditional publishers.  His latest book for writers is  Book Proposals That $ell (the revised edition) released to online and brick and mortar bookstores. 
Jim Cox, Editor-in-Chief at Midwest Book Review wrote, If you only have time to read one 'how to' guide to getting published, whether it be traditional publishing or self-publishing, Book Proposals That Sell is that one DIY instructional book. You can get a free Book Proposal Checklist on the site. He lives in Colorado and has over 190,000 twitter followers

Tweetable:

How To Write A Book


By Terry Whalin @terrywhalin

Often writers will ask me, how in the world have you written over 60 books with traditional publishers? I have a simple answer, writing books is like eating an elephant. The task seems daunting and impossible at first.

How do you eat an elephant? It's an old joke but you eat an elephant one bite at a time.  It the same way to accomplish any huge task—one action at a time. Recently I began to write another book.  It doesn't matter that I've done it over and over through the years. Each time it looks daunting to write an entire book manuscript. No matter what others will tell you for everyone getting started is hard. The writing in the middle is hard and finishing is hard. Yes the task is difficult and looks impossible. So how do you get it done? One bite at a time.

What is the deadline for completing your book? If you don't have a deadline, then I suggest you set one. After you have a deadline, how many words a day are you going to write to complete the deadline? Make sure you build in some extra days for the unexpected (happens to everyone) but make sure you hit your deadline.


Or maybe your goal is tied to your social media. You want to reach a certain number of followers on Twitter or a certain number of connections on LinkedIn. Are you actively working on these networks? Are you posting a number of times each day? Are you connecting with new people? Without your regular actions, then it will be hard to increase your presence and meet your goals.


Do you want to do more speaking? Are you pitching different conference directors and leaders? From my experience you have to be proactively promoting your speaking skills to get more speaking meetings.


Do you want to appear on more radio shows and talk about your latest book? There are thousands of radio stations and programs which use guests on their program. These bookings do not happen just sitting back and waiting for them to call. Your phone will be silent if you take this action. Instead, you need to be actively pitching the producers of these programs.


Or maybe you want to write more magazine articles or appear on more podcasts? Waiting for the phone to ring will likely not happen. What proactive steps are you taking to either go ahead and write the article then submit it to the publication? Or you can write a query letter and send it simultaneously to different publications and get an assignment?


Many are surprised that I have written over 60 books through the years. There are several keys in this process but one of the most important is consistent writing.  It is a matter of writing one paragraph, then another paragraph which becomes one page then another page. It is the same process as eating an elephant—doing it in bite-size pieces.


Do you break your writing into smaller pieces? I'd love to have your tips and insights in the comments below.


Tweetable:


It appears impossible. How do you write a book? Learn the secret in this article from this prolific writer and editor. (ClickToTweet)

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  He has written for over 50 magazines and more than 60 books with traditional publishers.  His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. Get this book for only $10 + free shipping and over $200 in bonuses. On October 5th, his classic Book Proposals That $ell will be released. He lives in Colorado and has over 190,000 twitter followers

Perseverance Pays Off


By Terry Whalin @terrywhalin

Whether they know it or not, many book authors are doing aimless marketing. These authors have no plans or goals and are almost certain to fail.

Yes, I understand I’ve made a sweeping statement which is a bit harsh. Yet from my years of experience watching authors and working with them, I know it’s true. I encourage you to keep reading because I’m going to provide a series of steps so you can change from aimless marketing to a targeted effort for your books. If you take action, then you will move forward with your dreams of reaching others with your books.

The old saying goes “If you aim at nothing you will be sure to hit it.” The first question you need to answer is who is your target reader? Please don’t say “everyone” because no book is for everyone. While some books achieve a broad spectrum of readers, every book has a specific target audience. Write to a specific group of people and you will have your target clearly in front of you. Next write down a secondary group of people who would be your target.

Create what Mark Victor Hansen calls a “Big Hairy Goal.” What is your overall plan to reach your target audience? Set aside anything that your publisher or anyone else is going to do for your book and focus on yourself and your efforts. Do you plan to sell 5,000 books over the next 12 months? Write down your specific goal on the back of a business card, and then stick that card in your wallet or someplace where you will visually see it often. It can serve as consistent reminder of your goal. 

For your next step, break down your large goal into incremental steps. How are you going to take the tiny steps to achieve those book sales? Maybe it means taking an hour a week to focus on having a more active role in an online forum (where you include mention of your book). Or maybe it means you will create a postcard about your book then send it to 1,000 names and addresses. Each goal should be definable and specific. The successful Internet marketer, Dan Kennedy, wrote about the most important component of success in business boils down to “one thing.” Implementation was the “one thing” which means to take action and complete the most important activities in your business. I encourage you to take small steps yet also make consistent action to complete those goals.

If you are going to take consistent action, you need perseverance. Consider the perseverance in the story of Andy Andrews, author of The Traveler’s Gift. A popular speaker, Andy wrote a manuscript which he tried to get published. It was rejected 54 times. How many of us can handle this level of rejection? He continued in his popular speaking work but did not have a book for his audience. One day Gail Hyatt was in Andy Andrews’ audience. She came up to him afterwards and suggested that he write a book.

Looking a bit sheepish, Andy told Gail, “Your husband’s company (Thomas Nelson) has already rejected my manuscript.” Gail asked for a copy of his manuscript and promised to read it. Andy sent her the manuscript. She showed it to her husband (Michael Hyatt,  at the time he was the president of Thomas Nelson, the largest Christian publisher) and the book was published.


Notice the perseverance in what happened next. When Andy got his new book, he gave away 12,000 copies of the book. Most of those review copies didn’t make much of a difference. But one of those copies got in the hands of Robin Roberts, who at the time was a producer of ABC’s Good Morning America. Roberts selected The Traveler’s Gift as their Book of the Month. The Traveler’s Gift sold 850,000 copies and the rest is history.

From my study of publishing, there is no formula to make a bestseller or achieve success with your book. Each author has a different definition of success. For some it is simply creating their book and getting it into the market. For other authors, they want to get on a particular bestseller list. A range of answers lies between these two extremes. What is your goal and how are you going to reach it? Consistent action is the key. Michael Hyatt wrote about The Power of Incremental Change Over Time. I encourage you to take action and turn aimless marketing into consistent marketing. Productive authors have a commitment to marketing their books on a personal and consistent basis.

Have you seen perseverance pay off? Let me know in the comments below.

Tweetable:

How can perseverance pay off? Get insights and encouragement in this article. (ClickToTweet)

_______

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 205,000 twitter followers

Five Ways to Get Your Writing Unstuck


By W. Terry Whalin

Throughout my day, writers will email me for help with their writing. One of the key reasons is because of the words in my Twitter profile: “I love to help writers. Let me know how I can help YOU!”  I include my email in my twitter profile to encourage such correspondence.

As an acquisitions editor at a New York publisher, I get a lot of email every day. Yet I make a point to answer each one of the emails from writers who are asking for help. From my 20+ years in publishing, I know it is hard to navigate the publishing world. I've sent my share of emails and letters into the system which have gone into a void—or so they seem because nothing came back from my careful shaping and sending them. It can be discouraging.

Recently a ministry leader wrote me about being stuck. He had started writing a book but gotten stuck at the second chapter. What actions should this leader take to move forward on his dream of writing a book?

Many times writers are stuck and unsure how to move forward. It happens with book projects because they are not simple 30 minute or an hour in length. To write a book takes a great deal of consistent effort and energy. When it comes to writing a book, one of the best tools is to first, write a book proposal. The key portion of the proposal that will keep you writing and moving ahead is the chapter-by-chapter outline. This simple outline is the structure for your book. You can even print it out then cross off the chapters as you write them. 

If you are stuck in your writing, here's five ways to get unstuck:

1. Evaluate Your Goal. Are you committed to this writing project? I've always found if I've made a commitment, then the writing will get handled. OK. I've committed to write a book or a magazine article or an online article or a press release. Think about the type of consistent effort will it take to accomplish your goal. For example, books are not produced overnight but will take a consistent effort.

2. Set a Goal You Can Accomplish. Be reasonable with yourself and set a writing goal that you can achieve. From my experience it is often a certain number of words such as 500 words a day or 5,000 words a day (which is a lot of intense writing to reach 5,000 words a day but it can be done). 

3. Move Consistently toward Your Goal. To accomplish any goal you have to move forward. I like what one of my writers friends told me about creating a 400+ page novel, “No little elves come out at night and write my pages.” No one else can do the work for you. You have to find the time and simply do it. If it means getting up an hour or two earlier or staying up late at night or skipping some television, then you have to work at it to meet your goal.

4. Periodically Evaluate Your Goal. If you are having success, then take moments to celebrate. Each of us will celebrate differently. It is important to evaluate and celebrate if you are moving toward your goal. If you measure how you are doing with your goal and you are not making progress, then possibly it is time to readjust your goal and make it more reasonable or something that you can actually accomplish. Don't beat yourself up that you have to readjust. Simply acknowledge it and keep moving forward.

5. Get an Accountability Partner. Yes maybe you could accomplish your goal on your own. From my experience, it is better if you have someone else asking you periodically about your goal and how you are moving toward it. This person can be someone that you speak with periodically on the phone or email or best physically see often. 

I know I was only going to write five ways to get your writing unstuck. I'm throwing in a bonus sixth method. Maybe you are stuck in your writing because you have been trying to accomplish a long piece of writing such as a book or a novel or a workbook. If you have been chipping away at completing a longer work, here's something to consider in this process:

6. Diversify Your Writing. While many people want to write a book, there are many ways to get published—outside of books. Often books take a long time to get into the market—especially if you go through a traditional publisher. 

Magazine articles are short and fun to write plus you can get them published a lot quicker than a book and it will reach many more people than the average book.

People like me who are in publishing want to see that you have been published. Your magazine publishing credits will help you attract the attention of a literary agent or book editor. My updated version of Jumpstart Your Publishing Dreams has a great deal of information about publishing to help you get unstuck.

Use these five methods to get unstuck and move forward with your writing. Take action today. 

When you are stuck in your writing, how to you get unstuck? Let me know in the comments below and I look forward to reading your tips.

Tweetable:

Are you stuck in your writing? Read five tips from this prolific writer and editor. (Click to Tweet)

-----
W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success.  He lives in Colorado and has over 210,000 twitter followers.
 




AddThis Social Bookmark Button

10 Common Challenges Many New Novelists Face

by Suzanne Lieurance New novelists often encounter a range of challenges as they begin writing their book.  Here are 10 of the most common p...