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A Search for the Best Writing App

 

 

Contributed by Margot Conor

I started looking for alternative platforms for my creative writing process. Moving all my projects is a daunting thought. I’ve written everything in MS Word since I first got a computer. I have many unfinished manuscripts and short stories. This also means they have been written in various renditions of Word.

I’ve recently realized that it is not easy to move Word documents into other programs. Word has hidden coding that gets messed up when transferring. Both personal data and field codes. Which is a pain in the neck to deal with if you want to format your book for publication in a different program.

If you use Word and want to share pages of your manuscript or short stories written in Microsoft Word with colleagues, agents, or publishers it's a good idea to review the document for this hidden data or personal information and remove it. Copying content from Word and pasting it into other programs often does not convert, and shows up as garbled text.
 
MS Word 365 is also expensive. It will cost you $159.99 to install (at the time of this article). No doubt that the price will increase. You can only install it on one machine. Files written in new versions don’t play well with older versions.

Microsoft Word files are considerably larger than text files. Some people have complained that the interface is too challenging to learn and there are too many options: Most people only use 50% of the offered tools because of the complexity of the system. I can attest to that.
Finally, a big downside for authors, that it’s not compatible with EPub or Mobi.

I was surprised to learn there are open-source alternatives to Word. For those of you who are familiar with all the ins and outs of Word but want something more affordable, I found two Open-Source options that are like MS Word. They are available in other languages too. Both are free and can basically do everything Word can do.

However, I don’t plan to use them because they are not compatible with EPub or Mobi. In some cases, there is a workaround by getting extensions. But I am not very tech-savvy to begin with and I’m not interested in complicating my process. 

These are two WordMS alternatives:

Apache Open Office: https://www.openoffice.org/
Has an extension: Writer2ePub: https://extensions.openoffice.org/en/project/writer2epub

Libre Office: https://www.libreoffice.org/

Here is the point of realization, MS Word and alternative programs like it, were created for office use, and they are not the best tools for an author. My goal is to find the most advantageous place to create stories and novels. So, then, I asked myself… if MSWord and its alternatives are not the best platform for an author, where should I be creating?

This led me to my writer's groups to ask what programs they use. I will share my discoveries and my research here. There are now some very sophisticated alternatives designed specifically for writers, which I found encouraging.

Scrivener App:

- Cost: Scrivener offers a 30-day free trial to let you explore the features and find out if it’s right for you. 

The full version for Windows or Mac OS costs $59.99. There’s an educational license for students and academics for $50.99.

- Helps you organize long writing projects such as novels, nonfiction books, academic papers, and even scripts.

- Simplifies Editing is an essential part of any writing project. Scrivener has many tools to help you edit more efficiently whether it’s correcting simple errors or restructuring entire sections and chapters.

- Helps you clarify your ideas and plan your manuscript. Scrivener’s folders and subfolders help you arrange and rearrange the various parts of your writing project.

- Formatting for screenwriters. You easily format your screenplay so you can focus on the essential elements of character, dialogue, and action.

- Features for academic and nonfiction writers. It has features such as footnotes, references, and a bibliography correctly formatted. Scrivener provides templates for writing in styles such as APA and MLA so you can focus on your writing.

- Tools for exporting and publishing. Scrivener integrates with many formats so you can export to Microsoft Word, Open Office, RTF Final Draft (for screenplays), PDF, and more.

- For Editing it lets you track word frequency. Allows you to color code to label characters, POV topics, or any other specific category you need.

- It does bookmarking, tracks your progress, has a compile tool so you can take sections from different documents into one document.

- Formatting lets you quickly change fonts, headings, block text, and titles.

- Has a metadata feature to add dates, lists, and other data to track important issues.

- I can do a split screen for an easy view of two sections of your book.

- Compatible with EPub.

AutoCrit:

The monthly subscription is $30 and the annual is $297. A lifetime subscription is only offered occasionally.

I’ve praised AutoCrit in previous articles, so I am not going to go into too much detail here about how it works. What I can tell you is that the 2.0 version went from a simple editing platform to a full-on writers' community. You can now write your entire novel on your Writer’s Desk in the app. They have a header that looks a lot like MS Word but is easier to use.

- In addition, there is a whole system built-in to edit and restructure whatever you write. There are digital notes and note boards if you are a plotter or just want to keep track of some details. 

I have a lifetime pro membership which gives me access to clubs and other special features. They also have courses and other perks if you are a paid member. And it is affordable. I went from a monthly payment plan to yearly, and then jumped on the chance for a lifetime membership when they switched to 2.0.
 
- With the new version, they have a voice reader with eleven voice options. This is handy for catching mistakes in your text which you might otherwise overlook.

- They offer Zoom courses on the craft of writing and give their members a lot of personal attention. They will do first-chapter critiques and feedback on your pitch to agents. (These are for an additional fee, but it is reasonable.)

I have to say, however, that the free version is very limited. A budget-limited young writer I suggested it to showed me how all the great things I told her about were not accessible to her in the free option.

While I haven't felt like writing there, I do use it for editing, and love it. Honestly, I should have transitioned fully to AutoCrit for writing, considering I’ve already paid for it. I can’t explain my reluctance.

Pro Writing Aid: 

 Cost is $20 a month, $120 per year, or you can get their lifetime subscription for $399.
 
- The free version offers many features, but the word count is limited to only 500 words at a time.

- You can select your document type. Fiction writers can choose from various genres, such as fantasy, historical, or contemporary. You can also analyze your writing against other famous authors.

- They check your grammar, give you feedback on your style issues, pacing, cliches, overused words, sensory details, and more.

- A big plus is that you can download it to your desktop so you’re not limited to on-line use.

- It offers writing reports, such as diction, which looks for vague words, transitions, and alliteration.

- There are no writing clubs or classes or other services.

Story Planner: https://www.storyplanner.com/

- This is an extensive writer’s app designed to help you organize what you write from the synopsis to the structure of your story. It outlines the scenes, locations, and characters.

- There are synchronization issues that some authors have complained about, and it can also be slow to render. This is an app best suited to plotters who like to outline everything.

I was not impressed with their website, mainly because there was no breakdown of what they offer in each type of account. It only says that the premium starts at $15 for three months. But nothing about what comes after that, and you must commit without knowing. I personally do not like the lack of transparency.

Campfire: https://www.campfirewriting.com/

A paid subscription is $14 a month or $140 yearly (with 2 free months).

The artist in me is attracted to this app. First of all, the design is just beautiful, and you can customize everything. 

- You can add photos or illustrations to your character bios, and make interactive maps. The layout is great, making it possible to reference your notes while you write. You can do collaborative projects too.

- With the free tier, you get access to all worldbuilding tools, collaboration, unlimited storage, and some tutorials. 

- You can export to EPub and other formats. 

- With a paid subscription you get unlimited elements and you can edit any element.

Hemingway Desktop App: https://hemingwayapp.com/

They took an interesting approach. They use different colored highlighting to point out where things need improving. Blue for adverbs, green for passive voice, pink highlights a phrase that could have a simpler alternative, yellow are sentences that are hard to read, and orange for very hard to read. There is a simple header with a few options.

This is a simple app that could be very useful to writers who are learning their craft.

It seems to only be available in a beta version, but there is a waitlist to use it.

OmmWriter: https://ommwriter.com/

Cost is only $6.11 to download to your desktop.

Their premise is simplicity. They provide the ideal setting for you to concentrate and just focus on your writing. They take the minimalist approach to design, with only basic functions required for writing. Simple upload and download buttons.

- Other selections include typeface, backgrounds, and sound elements. It opens into full-screen mode so nothing disrupts your creative flow.

- The environments are meant to transport you to a natural setting with the sounds of nature. There are various music options and audio tracks.

- One cute thing they do is add keyboard sounds when you type, one is like an old fashion typewriter. I love everything about this app. It is just a beautiful design with a fresh take on what a writer needs.

I hope this gives you some ideas of what's out there and what you'd like in your writing program.

ABOUT THE AUTHOR

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.

 You can learn more about Margot and her writing at her Facebook page: https://www.facebook.com/margotconor/



The Author Website: Which is the Best Hosting Service?

 


Contributed by Margot Condor

Make no mistake, as an author you are embarking on a business. To be successful you must be willing to step outside the creative space and learn how to market your product. Even if you’re traditionally published, there will be an expectation that you get involved in the process of driving traffic to your bookstore.

Websites are no longer optional investments for businesses in the twenty-first century, if you’re a professional, an online presence is important. Sure, social media landing pages are good, but if you want to put yourself out there as a serious writer, you need a website.

The question becomes how much are you able to invest in that website?

As a new author, I have only just begun to research the various options for creating one, and I can tell you I hit a wall immediately when it comes to cost.

What I find absolutely maddening is the fact that many of these sites do not have an easy-to-find cost options page. When I tried to Google this simple question and I get directed to a page that says “Get Started.” Basically, it means unless you commit, you don’t find out what you will be paying! They obscure the cost and want you to join before that information can be seen. I really don't like the lack of transparency!

This article will explore the various options I researched. In order to get the information, I share with you here, in some cases, I just had to ask other authors what web hosting service they use, how easy their site was to create and use, and what they paid. I’ll explain later what I finally decided for myself and why.
 
Let me begin by suggesting that you buy your own domain, (this is the URL of your site) this can be added to any of these plans to make it easier for your readers and fans to find you. I use Dynadot: https://www.dynadot.com/). On the average it is around $12 a year.

I should say that there are several sites offering variations on the same basic package, they have templates, and they are easy to set up, even if you know nothing about coding, which I don’t. When you find a template you like, you can customize it to fit your needs. Drop in your own images, add your text, add pages, there are a lot of ways to make them unique to you. The template is just a place to start.

I was so impressed with the variety of options out there now. Many years ago I designed my first artist’s website with the help of my husband who does know all those magical things that turn a series of digits into images on your screen.

The design part was a laborious endeavor and took me forever. Of course, at that time, the only way to get a website designed, other than going through that grueling process, was to hire a pro to do it. But that wasn’t affordable for me or many creative people I knew. It still isn’t.

A DETAILED LIST OF HOSTING SERVICES FOR AN AUTHOR WEBSITE

1. WIX was the first to show up on the market that let you drag and drop your art into easy-to-use templates. The problem there was the lack of a personal URL. Last time I built a WIX website for an art collaboration they offered a way to get around having a link that featured WIX in your e-mail address rather than your name, by opting for a paid WIX site rather than the free one. Now… they no longer offer the free variant.

It is difficult to find the payment options on their site, so I’ll just give you that direct link: https://www.wix.com/upgrade/website

It starts with 3 GB of storage space for $16 a month, to 100 GB of storage space for $45 a month. Each of their tier options offers a variety of services. On the upside, they have a huge choice of templates, more than most: 900+ and 250+ apps. It’s easy to use and not a bad price, depending on how much you plan to load on your pages.

2. WEB.COM is another do-it-yourself website builder. They offer a free domain with your website package. With drag-and-drop template designs. They give you one-hour free tech support with their experts. It will work with WordPress, eCommerce, and shared hosting platforms. You can also move your existing WordPress website to Web.com hosting. They have a 99.9 percent uptime guarantee. Evidently, some sites crash a lot. They promise theirs will not.

Web.com offers 24-7 customer support by phone or through their online help center. They do not have a free plan. Their low introductory rates draw users in, but renewals are much more expensive. For example, starting at $4.95 to $19.95 per month, that only lasts for one billing cycle. Afterward, they jump up to $9.99 to $39.99, which is a significant increase. So, once you’ve committed and built your beautiful website, you end up paying a lot more than you expected. Seems dishonest to trick people who are not paying attention to the small print.

But if you stick with them, one upside is the social media integration for platforms including Instagram, Disqus, and Pinterest. You can showcase your Instagram Feeds, add a Pinterest “Pin It” button or link all your social media profiles. With the eCommerce Essentials or eCommerce Premium plan, you can sell on Facebook or Instagram to get your followers on your sales funnel. https://www.web.com/

3. GO DADDY has a free option; just pick a template to start. There are 15 categories with twenty options in each one to choose from. Add your content and business info to make it yours. Use built-in marketing to let people know you’re open for business. Manage everything from one dashboard on any device. Upgrade to an online store when you're ready to start selling. Their paid options are from $12 to $23 a month.

4. WEEBLY is impressive, although, similar to these others. I like their clean and simple interface, where everything is easy to find. Including their price structure which is quite affordable. They have the drag-and-drop builder, like the others, but also some extras that are not common elsewhere: Advanced animation effects, custom fonts, video background elements for dynamic designs, and you can add your own videos too. There is a built-in photo editor. This web builder appeals to the artist in me.

5. PUBSITE: I was very interested in this site. A couple of writers’ webinars I attended gave presentations about this site and it looks like an amazing place designed specifically to support authors. It is also a do-it-yourself website platform. It lets you easily display all your books, excerpts, videos, social media links and feeds, author tours, and online bookseller links, and you can sell your books directly from your website. Seems there are two options for blogging, design in-site or import your WordPress blogs that you created elsewhere.

It sounds very user-friendly and they have thought about everything you need as a writer. Pub Site has a monthly fee of $19.99 which includes hosting. Which comes to around $240 a year. Not bad considering all they offer. Everyone I have talked to who uses it has had great things to say about it. 

6. SQUARE SPACE:  I have several writer friends who swear that Square Space is the way to go. Honestly, after researching it, this is my least favorite choice, and I would not recommend Square Space to any writer who is not very tech savvy. This site does not offer a free plan either.
 
The cost to build a website with them depends on the number of pages, custom features, and functionality you choose. You pay extra for search engine optimization. You pay more if you have a project deadline, like a book launch. You pay differently depending on the expertise of the person designing for you. The cost of expert help is around $100 an hour. You’ll end up paying at least $2000 on the low end for their help with the design.

They want you to buy your domain name through them at the cost of $20 to $70 yearly. (I pay $12.00 a year at Dynadot.com) Then on top of all that, their yearly hosting fee is between $200 to $600 with an average cost of $300.

7. CANVA PRO is what I will be using, I saved it for my last entry as I am sharing more links on this one. I am already paying for the pro app to make leader magnets and social media ads. Canva Free, Canva Pro, Canva for Teams, and Canva for Education users can publish websites for free. But you get a lot of extras with the paid options.

There are a ton of templates for anything you want to do, all for $120 a year. Included in all plans are: Docs, whiteboards, presentations, social media templates, video, print options, and of course Website hosting is included in that price. All designing is drag and drop and easy to use. My feeling is that their design options are as good as any of the other sites I researched, but in addition you can create a lot of other things to help with promotion.

On the Pro option, they have amazing goodies: starting with 100 million stock photos, videos, and graphics, (if you need them. I have my own images that I created; I don’t use stock). But that alone is huge! For authors who want to self-publish, you can use their royalty-free stock and design your covers in Canva.

Logo and brand kits are available. There are some impressive video editing tools. For example, you can remove images or backgrounds in videos with one click, you can auto-match soundtracks with video footage. You get Magic Eraser, Magic Write, and Beat Sync.

Another cool feature: you can schedule social media content on 8 platforms! There is 1TB of cloud storage, which is way more than the other sites offer. That beats all other sites on options and price.  I’m not sure I will use all of that, but it is included.

Be sure you build on a website template. They have other templates that look similar which are for portfolios. I made the mistake of building a whole website design with multiple pages and then realized I could not make it live because it was not made for website. The tabs look different: a website template has a little square icon on the tab, all other design templates have a circle with a C in it.

Here are some additional links for “how to” if you also want to try Canva Pro:

How to use your own domain with Canva
(You can buy your domain URL through them or with an outside hosting company).
https://www.canva.com/help/publishing-websites-own-domains/

How to create a blog on Canva:
https://www.canva.com/learn/how-to-start-a-blog/

Your blog can be linked to your Canva website:
Choose the "embed" option in the Canva design editor then paste a link to the blog post into the embed field. The blog post will then appear in the design where you can resize it to fit into the design as you like.

Here it shows you how to do it:
https://www.youtube.com/watch?v=5eSkF6NR9Ys

You will first need to host your Blog elsewhere. Hostinger.com is an affordable option. It manages over 29 million users across 39 countries worldwide.

Hostinger's Key Plans:
Single Shared: $1.99 per month (discounted price)
Premium Shared: $2.99 per month (discounted price)
Business Shared: $3.99 per month (discounted price)

Creating a newsletter on Canva:

https://www.canva.com/newsletters/
https://www.websitebuilderinsider.com/how-do-i-create-a-newsletter-on-canva/

Newsletter e-mail from Canva:
https://www.websitebuilderinsider.com/how-do-i-make-a-newsletter-email-on-canva/

I haven’t finished building my website yet. But I hope you will look for Margot Conor and check out what I put together with Canva! I’ll be posting updates there. 

ABOUT THE AUTHOR

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.

 You can learn more about Margot and her writing at her Facebook page:
https://www.facebook.com/margotconor/



All About Work-for-Hire Opportunities for Writers

by Suzanne Lieurance 



What is work-for-hire, you might ask?

 

Well, Webster’s Dictionary defines work made for hire as “work (art, music, writing, or a computer program, for example) that is the property of an employer when made by one acting as an employee or is the property of the party for whom it is specially ordered or commissioned when that is expressly stipulated in writing —used in copyright law.”

 

With that definition in mind, let’s take a look at the different kinds of work made for hire (known as WFH or simply write for hire or work for hire) in the writing world.

 

When a publisher or other client offers a flat fee for a writing project, with no royalties, and they buy all rights to a project, this is a work-for-hire. 

 

An employer could also have an employee write something as part of their regular job but the employer (not the employee) would retain the copyright to the work.

 

Books, short stories, articles, scripts, testing materials can all be work-for-hire projects. 

 

The company hiring the writer is usually the one to come up with the concept or idea for the item to be written. 

 

For example, often publishers will hire writers to adapt old fairy tales or other old stories for today’s children’s book market. 

 

The publisher gives the writer very definite guidelines to follow, then the writer writes the story according to those guidelines. 

 

The writer is paid a flat fee to write the story. 

 

The writer does usually get a byline for the story, even though he/she is giving up all rights to the story once it is published by this publisher. 

 

Many children’s publishers also hire writers on a WFH basis to write nonfiction books on a variety of topics.

 

These books are usually part of a series.

 

Other children’s publishers have fiction projects, such as easy readers, early chapter books, etc. as WFH projects.

 

Finding WFH projects can be a bit tricky however, since most publishers don’t mention WFH on their websites.

 

Instead, they rely on a stable of freelance writers who have written for them in the past.

 

These publishers also post WFH at online job boards such as indeed.comlinkedin.com, and Upwork.com.

 

Some of these job boards require you to sign up for membership to search their job listings and they also charge a fee for each project you acquire through them.

 

Instead of going through these job boards, another way to get WFH jobs without paying a fee (although it might take a bit longer to get a project this way) is to research publishers who offer WFH and then send them a submissions packet.

 

Generally, this packet should include a cover letter, your resume, and one or two writing samples that show you can write the type of materials they publish (so be sure to tailor make your samples for each publisher you send a packet to).

 

You probably won’t hear from these publishers right away, but if they need a writer and see from your resume and samples that you can do the work they need done, they will contact you.

 

FYI – years ago I sent a packet to a publisher and didn’t hear from them for over a year. But once they contacted me, I got regular assignments from them for years. It was a great way to earn money, gain publication credits, and get experience working with editors. It also helped me grow as a writer since I had really strict guidelines to follow for each project. Throughout the years, I have had many work-for-hire assignments from other publishers and individuals, as well.

 

Here are a few companies that offer WFH opportunities:

 

ABF Creative – They create and publish multicultural content (mostly podcast material, but look around at their website to learn more about their content).

https://www.abfc.co/work-with-us/

 

Study.com – They create study and testing materials, so this would be good if you’re a teacher or former teacher. You’ll probably find opportunities with this company at sites like upworks.com, but get familiar with study.com first.

https://study.com

 

Benchmark Education Company

Study the different book series for children to get a feel for what they produce

https://www.benchmarkeducation.com/

 

Capstone Publishing – Scroll down the page to see how to apply for WFH assignments

https://www.capstonepub.com/contact/submission-guidelines

 

Red Line Editorial – The website says they are always looking for freelancers. If you want to write nonfiction books for kids, this might be a good publisher to try.

https://reditorial.com/jobs/

 

Brightpoint Press – Hi-Lo Nonfiction for Teens

http://www.brightpointpress.com/about.html

 

Check indeed.com and Linkedin.com regularly for WFH job postings, then study each publisher before you apply. 


For more about work-for-hire, check out this article by Terry Whalin.


And, more writing tips and other resources delivered to your mailbox every weekday morning, get your free subscription to The Morning Nudge.



Suzanne Lieurance is an award winning author with over 40 published books and a writing coach.


Visit her site for writers at writebythesea.com.

Middle Grade and Young Adult Differences

 


By Karen Cioffi

Lately, I've notice that a number of clients don't understand the difference between a middle grade (MG) book and a young adult (YA) book.

So, let's go over a few of the basic differences.

Also, keep in mind that there is simple MG and upper MG as well as simple YA and upper YA.

THE READER AGE GROUP FOR EACH GENRE

MG books focus on readers in the 9-12 age range. According to editor Mary Kole, "That's really the sweet spot." (1)

Along with this, there is an upper middle grade group that caters to the 12-13-year-old reader. They're not quite ready for YAs, but they're more advanced than a 9 or 10-year-old.

There is also a lower middle grade group that caters to the 8-10 range.

Another factor to consider is the age of the protagonist.

Generally, the protagonist is between 11 and 12 years old as kids want to read up. They want the protagonist to be as old or older than they are.

If it's an upper MG, the protagonist is usually 12-13.

It is important that the protagonist isn't in high school, thus the 13-year-old limit for upper middle grade.

Young adult books focus on readers in the 13-18 age range.

This genre is also divided into lower (younger) YA and upper (older) YA.

For the younger YA readers, the protagonist is usually aged 14-15.

For older readers, the protagonist is usually 16-18 years old, but he shouldn't be in college.

I'm currently ghostwriting a YA where it starts with the protagonist at 14 and will go with him through high school to 18-years-old.

WHAT CAN AND CAN’T BE IN THE STORY

With middle grade, especially younger middle grade, the story should still be simple and it'd be a good idea to keep it to a single point-of-view.

For upper MG, you can use two points-of -view, but my preference is still only one.

While the subject matter can be more mature than chapter books, it should be age appropriate. Keep in mind that the MG age group is still young. They're not experienced or mature enough to handle complex or mature topics.

Things like fitting in, simple crushes, and all the other things that go into the middle school years are fine.

If you're writing for upper middle grade, things can get a bit more advanced. Kids are experiencing the world. They know what they're seeing on TV and other media. You still though want to avoid dark or explicit subject matter. And, profanity should be avoided.

With young adult, kids are becoming savvy. They're experiencing everything from terrorism, violence, pandemics, and so on.

YA stories can go into the darker and grimier side of life.

While you still want to tone it down a bit for the younger YA group, for the older group you can pretty much go into everything. Although, explicit sexual content should still be limited. This is not the place for adult content.

You can though, add two or more points-of-view.

THE WORD COUNT

MG

The word count for middle grade is 15,000 to 65,000. Although, my fantasy adventure, Walking Through Walls, is about 12,000 and is great for the reluctant MG reader.

The general parameters are:

- Young MG is usually 15,000 to 25,000
- MG is usually 25,000 to 45,000
- Upper MG is usually 45,000 to 65,000

There is also the fantasy or sci-fi MG which can have a higher word count. But, it's not advisable not to go beyond 85,000 words.

YA

The word count for young adult is 50,000 to 75,000.

For the younger YA, keep it on the lower end of the word count.

While these are just the basics of the differences between MG and YA, it gives you a general idea of where your story should fit.

According to an article at Writers Digest, "a book that doesn’t fit within the parameters of either age category is a book you won’t be able to sell." (2)

An example of this:

With the story I mentioned earlier that I'm ghosting, it started as a MG. But, as the client wanted older subject matter and wanted the protagonist to go through high school, I had to change it to a YA.

The client actually wanted the protagonist to go through college also, but I had to pull in the reins.

You need to stay within the genre limits.

I hope this clears up the major differences between middle-grade and young adult stories.

This was first published at:
https://karencioffiwritingforchildren.com/2020/06/28/middle-grade-versus-young-adult/

References:
(1) https://marykole.com/how-to-write-middle-grade-fiction

(2) https://www.writersdigest.com/write-better-fiction/the-key-differences-between-middle-grade-vs-young-adult 

ABOUT THE AUTHOR

Karen Cioffi is an award-winning children’s author and children’s ghostwriter as well as the founder and editor-in-chief of Writers on the Move. She is also an author/writer online platform instructor with WOW! Women on Writing. You can check out Karen's books at:
https://karencioffiwritingforchildren.com/karens-books/

You can connect with Karen at:
LinkedIn  https://www.linkedin.com/in/karencioffiventrice
Twitter https://twitter.com/KarenCV  
Instagram: https://www.instagram.com/karencioffikidlitghostwriter/


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What Are the Requirements for a New Edition of Your Book?


Confused About New Editions

                         What Are the Requirements for a New Edition of Your Book?

By Carolyn Howard-Johnson, author of the multi award-winning
 #HowToDoItFrugally Series of Books for Writers.

My friend Judith Briles decided to reimagine her whole series of brilliant (if I do say so myself!) how-to books for writers and do it in what seems like no time at all. I have been involved with a variety of new editions for my #HowToDoItFrugally Series of books for writers over a period of time that has spanned more than a decade. That contrast should convince writers that there is no one set way to do it right. You might be considering a new edition to boost sales, to celebrate a historical anniversary or publishing anniversary for the book itself, or to make it fit a new project or the style choices of a new publisher.

To maintain the traditions of the book industry, though, authors (and publishers) should plan on these five essentials or it to be considered a true new edition:

1.    A new ISBN number.

2.    A new cover.

3.    An "Edition Number" addition to the title of the book.

4.    A thorough look at the book to be sure grammatical and formatting efforts are up-to-date.

5.    A substantial update of specifics like internet addresses.

6.    New revisions or updates of the general content of the book.

If somehow a factual error slipped through in an earlier edition, consider using an errata feature in the front or back matter of the book. (The publishing world borrowed the Latin word errata as a more formal approach to admitting an error.) And here are two good reason to decide against a new edition:  

1.    A new edition—just like the first—requires time and effort to publicize it.

2.    A new edition needs to be paid for. But then, you've been through that before and have an idea of the cost. You'll still need to factor in inflation and any fancy ideas you have for the new one.

I am including part of my sell sheet I'm using for the new third edition of my winningest book from the #HowToDoItFrugally Series of books, "The Frugal Editor" for you. (See below.) It may give you some ideas for your own new edition or at least for some of the processes that may be involved in developing one:

Why a Third Edition of The Frugal Editor?

It surprises people when they learn that grammar rules change over time. Or that what they learned in high school or advanced grammar classes in college is either passé or may not apply to fiction. It also surprises them to learn that a perfectly edited book is never perfect because there are always so many disagreements among experts. And even experts are often misinformed. The worlds of grammar and style choices are filled with myths and misinformation like, “Never use contractions in your writing,” “Never use fragments,” and “Never end a sentence with a preposition.” As my client base grew, I kept running into more flagrant publishing world scams perpetrated by "professionals." Thus, a new edition of The Frugal Editor was a must! So here is a smattering of what is new:

       The Third Edition has been reorganized and my publisher tells me I outdid myself with about 50% new (helpful!) material including new “Editor’s Extras” based on my own school of hard knocks!

Authors will love the all-new sections including:

o    Beta readers and peer reviewers

o    What you probably don’t know about custom dictionaries

o    Up-to-date rules for accommodating gender-specific and other cultural needs

o    A chapter for word-lovers and poets

o    Quickie reviews of word processors for you

o    What even traditionally accepted front and back matter can do for your book sales, your career, and your readers

o    Political Correctness considerations change and grow with each passing day. So, yes! Lots of updating here!

o    And a few new grammar terms I coined for the sake of making it easier to understand--and more fun.

The Third Edition of The Frugal Editor still includes the basics that make you into an on-your-own editor when you must be. Few writers other than Stephen King can afford to hire an editor for every query letter, every media release, every media kit, every blog post. So until your career is so star-studded you can afford a publicist and editor on a retainer basis, writers need to know both the basics of editing and the little-known secrets.

The third edition is still loaded with reader favorites like what authors need to know about book covers—but it’s updated!

New information will dispel myths like these:

o    Agents are a cantankerous lot. (Nope! In The Frugal Editor, twenty-one of the nation's best tell you their pet peeves and they do it in the best of spirits.)

o    If your English teacher told you something is okay, it is. (No! Language rules have changed since you were a sophomore. Anyway, your English teachers likely have no background in publishing, so apart from basic grammar, how much help can they be?

o    If a manuscript or query is grammar-perfect, you'll be fine. (No! Lots of things that are grammatically correct annoy publishers.)

o    Always use your Spell and Grammar Checker. (No! Some suggest you don't use it at all, but The Frugal Editor will help you make it your partner instead of your enemy.)

o    It's easy to avoid agent and editor scams by asking other writers. (The Frugal Editor gives you a to-do and not-to-do lists to help you avoid being taken.)

o    Your publisher will assign a top-flight editor. (Maybe, but don't count on it. The more you know, the better partner you’ll be for an editor!)

o    Formatters and editors will take care of the hyphens, ellipses, and all the other grungy little punctuation marks that English teachers avoided teaching because they didn't know how to use them either. (Chances are, you'll catch even great formatters and editors in an error or two if you know your stuff!)

“Careers that are not fed die
 as readily as any living
  organism given no sustenance.”

More About Carolyn:

Carolyn Howard-Johnson brings her experience as a publicist, journalist, marketer, editor, and retailer to the advice she gives in her HowToDoItFrugally Series of books for writers and the many classes she taught for nearly a decade as instructor for UCLA Extension’s world-renown Writers’ Program. The books in her HowToDoItFrugally Series of books published by Modern History Press include the third edition of The Frugal Book Promoter and the third edition The Frugal Editor which won awards from USA Book News, Readers’ Views Literary Award, the marketing award from Next Generation Indie Books, and the coveted Irwin award in its earlier editions. It will soon be available at this shortened URL provided by representatives at AmazonCentral.com: https://www.amazon.com/dp/B0BK5224CF

Short Story Writing Builds Skills for Tighter Text


 Short Story Writing Builds Skills for Tighter Text by Deborah Lyn Stanley

Writing short stories is a great way to build skills and a daily writing practice. Don't try to understand what people want. Instead, figure out what you want to say and write the heart of it.

We will be more satisfied with our stories if we learn from the master authors of classical short stories. For a worthwhile reference see: https://americanliterature.com/   I am quite impressed with their menu options as well as creating a personal library for my quick “planning ahead” reads. At the top right, open the “login” and create your account with an email with password. Now start building your personal library.

Short Stories have traditionally ranged from 1,500 to 5,000 words (but 3,000 is more common). Short Stories use the 3-Act structure (beginning, middle, end) used for novel writing. A short story is condensed, with setting and action beginning from the start. Structure with art in the delivery.

How do we find great story ideas?
I have a book by Fred White titled: Where Do You Get Your Ideas? A Writer’s Guide to Transforming Notions into Narratives. He mentions:
* Sometimes a newspaper report will catch your eye or hit a nerve, and become a story.
* You might retell an ancient myth into a current tale.
* You’ve grabbed an idea you can work with. Here are some pre-drafting activities you might find useful. Lists can provide inventory for content; Maps help create a layout for events; Profiles help develop your characters; and Collages visualize your story idea.

In How to Write Short Stories, Jerry Jenkins includes several points. I have included a few below:
* Learn to recognize the Kernel of an idea, a memory, a problem or fear.
* Make a practice of jotting down notes to expand upon during free writing, discover what comes to mind. Descriptions of characters to add or a setting for the story might pop in from your notes.
* We come in contact with people daily: at the supermarket, walking, and on the web. Use some of those traits to help develop your characters.   
* Now start writing. There’s plenty of time for changes and additions once you have a draft. If something doesn’t seem quite right, cut it out (at least for now).
* Be sure to craft a satisfying end, that leaves the reader appeased for the time well spent.

The Take Aways:
•    When you have a collection of 12 or more Short Stories, consider combining them in book form as an anthology. Consider thematic clusters, or maybe choose all 12 of a similar theme. Plus, remember, a powerful, interesting title is key for grabbing the reader’s eye.
•    Approach magazine publications and propose adding one of your stories to a coming issue.
•    Where Do You Get Your Ideas? See: https://www.amazon.com/Where-You-Get-Your-Ideas/dp/1599635305
•    Jerry Jenkins https://jerryjenkins.com/how-to-write-short-stories/
 

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Mom & Me: A Story of Dementia and the Power of God’s Love is available:
https://www.amazon.com/Deborah-Lyn-Stanley/
& https://books2read.com/b/valuestories


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Use the Power of Asking


By Terry Whalin 
@terrywhalin

As a writer, there is a great deal which is outside of our control. Publishers, editors, booksellers, agents and others in the industry appear to have much more control and power than writers. I want to give you some action-oriented ideas how you can use the power of asking in your writing life.  I wrote about this topic on this blog in 2008 but this article has completely different content and ideas. 

James, the Apostle and brother of Jesus, wrote, “You desire but do not have, so you kill. You covet but you cannot get what you want, so you quarrel and fight. You do not have because you do not ask God. When you ask, you do not receive, because you ask with wrong motives, that you may spend what you get on your pleasures.” (James 4:2-3, NIV)

Before You Ask

To be successful in your asking, there are several steps to take before you ask. As I’ve said before in these articles, who you know in publishing is almost as important as what you know. As a writer, each of us needs to be consistently building and maintaining relationships with others. There are many ways to build these relationships such as connecting on LinkedIn, joining their email lists, reading their newsletters, commenting on their blog, reviewing their books, and many other ways to catch their attention and help them—before you ask for anything. As you do these additional steps, you will position yourself in a different way and hopefully help the asking process to go smoother and much more positive (getting a yes answer rather than silence or no).

Ask In the Right Way

Whenever you ask someone for something, you want to follow several key principles. First, create a short, personal email. If you are asking for an endorsement or a foreword, offer to draft the material (write it) for the other person. In general, an endorsement is a couple of sentences while a foreword is 1000 to 1500 words and more like a short magazine article. In your pitch, you can include a draft of this material to make it easier for the person to say yes. I suggest including a deadline so the other person understands the timeframe. If you ask in a thoughtful and careful manner, you give yourself the best opportunity to get a yes response. 

When you launch a book or new product, many people gather a launch team. Create unique benefits and gifts for people who agree to be a part of your launch team. Take the time to learn some of the tools and techniques for creating a launch team such as a private Facebook group, then build and encourage this group and ask for their help to spread the news about your new book. Remember there are thousands of new books entering the marketplace every day. What steps are you doing to make your book memorable and standout? Use the power of asking others for this process.

Whenever you pitch a magazine editor, a book editor or a literary agent, you are asking for their assistance. Before you send them anything, make sure that you are asking the right person in the right way. It’s important to personalize your pitch and make it targeted to whoever is receiving it. Your extra effort will give you the best possible opportunity to get a positive response. These professionals receive thousands of pitches and can quickly tell whether the writer has done their homework or not.

When you pitch the media (and every author needs to learn to pitch the media—journalists, podcast hosts, radio hosts and many others), learn to craft a short, attractive and targeted pitch. These professionals receive thousands of submissions and can quickly tell which authors have done their homework before asking.

No matter who you are asking, understand and use the power of asking in this process. It is something every writer can learn and do—whether you have been in this business for decades or are only beginning. My hope is that your using this power will open new opportunities for your writing.

Tweetable: 

Every writer needs to use the power of asking in their writing life. This prolific writer and editor provides a series of insights to help you get a positive response. Learn the details here. (ClickToTweet)

________________________________________

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s newest book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success.  Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Grow Contract Awareness for Magazine Work

 

Grow Contract Awareness for Magazine Work by Deborah Lyn Stanley

As we grow writing skills and expertise through magazine submittals for publication, we must be contract wise.

Magazine work is a great way to earn money and to promote various topics to gage readership response. The online world has made it possible for the rapid growth of digital magazine publications. So, be sure to research the magazines that catch your interest for the right fit for you and your audience. Plus, a topic focused specialty is attractive to a publisher.

Once you land a deal with a publisher, a contract will follow. If for some reason, no contract is sent to you, create your own. Don’t work without a contract describing all conditions.

Contracts cover all pertinent information and must be considered point by point. Take it slow and break it down item by item. Be thoroughly aware of the publisher’s expectations and your commitments. For example, the delivery date must be doable.

The Contract’s main and subsections include:
1.    Payment method and rate
       a.    Payment upon acceptance or on publication, but typically between 30-90 days
2.    Rights and responsibilities
       a.    First North American Serial Rights,
             1.    Provides the publisher exclusive rights to be the first to publish your article. Note the time   period for this exclusivity, commonly 90 days.
       b.    One Time Rights,
              1.    Gives the publisher the right to publish your article one time
       c.    Second Serial Rights or Reprint Rights,
              1.    Grants the publisher a nonexclusive right to publish, one time, a piece already published somewhere else.
       d.    All Rights
             1.    You are selling all the rights to your article to the publisher—this takes careful consideration. What if you want to publish the article somewhere else? And, what if they rework the piece so much that it’s not yours any longer?
       e.    Electronic Rights
             1.    This means all forms of electronic media: CE’s, DVD’s, games, apps, etc.
3.    Deadlines, format for delivery, and Word count
4.    Magazines often have their preferred contract format; However, I have included two links that might help you get acquainted with a couple.

Basics Tip: An essay is all about the writer; whereas, an article is all about the reader. An essay is an analytical or interpretative composition, and an article is informational non-fiction prose.


Helpful Resources:
Writing for Magazine - Is It the Perfect Job for You?  By Suzanne Lieurance
https://www.writersonthemove.com/2014/02/writing-for-magazines-is-it-perfect-job.html

Contributor’s Agreement Sample  —    http://publishlawyer.com/contrib.pdf 

Memorandum Agreement Sample —   https://www.lightspeedmagazine.com/wp-content/uploads/2017/03/LIGHTSPEED-Original-Contract-Short-Story.pdf   

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Mom & Me: A Story of Dementia and the Power of God’s Love is available:
https://www.amazon.com/Deborah-Lyn-Stanley/
& https://books2read.com/b/valuestories


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The Writing for Children Ropes - 8 Tips

 


By Karen Cioffi

Since I was a kid, I always enjoyed writing. I wrote poems, short stories, even songs. And although I enjoyed writing, I never thought of publishing my work or making it a career until around 2007. As a novice, I figured it'd be a breeze – easy-peasy. I mean how difficult could it be to write simple children's stories? 

Since I always felt comfortable writing, I thought it be a natural transition. Writing was something I always went to when in awe, when being inspired, or during struggles. And, I was always able to think of things to write about. So, I began the process of actually writing children's books with the intent of having them published. 

 My eyes were quickly opened. Another world sat before me, one filled with a lot of hard work, time, road blocks, and rejection letters. 

While I minored in English Lit in college, it had been many years ago. Along with this, it's not really the background specifically needed in writing for children or writing to get published in the market at the time … or now. 

To write for children … 

- You need to know what the current market wants. 

 - You need to know techniques such as the Core of Threes and having the protagonist solve the problem, not the parent or grandparent. 

 - You need to know showing is a must, and telling should be limited. 

 - You need to have the right sentence structure along with proper grammar and punctuation. 

- Your words and dialogue must be age appropriate. 

- You need to have an age-appropriate plot. 

- There should be only ONE point of view, one main character. 

- Your main character needs to grow in some way as a result of his journey. 

 - You need to watch out for blind spots in your writing. Spots where you know what you intended to be conveyed, but the reader won't. 

 - You need to understand and utilize words such as tighten, good voice, focus, point of view, hook, and lots of other writing elements. It goes on and on and on. 

Well then, just how do you learn all the information needed to write for children, especially if you don’t want to get a degree in children’s literature or are unable to enroll in a school specifically geared toward this subject? 

The answer is the internet. Sounds easy, right? 

Well, think again. Since I've gotten my Bachelor's degree, I've taken a few college courses and other courses long distance and online and I can tell you that learning a subject in a classroom is much easier than learning through other means. 

And, learning on your own with the internet is even more difficult and very time consuming. 

Why is it so hard? 

The reason for the difficulty is there are thousands and thousands of websites and blogs that offer children's writing information. 

You'd think this is a good thing, but not everyone online knows what they're talking about. For this reason, it's important to use common sense when searching for information. 

Make sure the site is current and posts content regularly. Another must is to research the blog owner. Does she have published books? Traditionally published? 

 Is she in the business of writing or a hobby writer? 

Another difficulty is that finding good sites can be time consuming. 

If possible, get recommendations from other authors or writers in your writing groups. 

So, what can you do to ease into this? 

 1. Writing Groups 

Your first order of business is to join a children's writing group. One of the best is SCBWI Society of Children's Book Writers and Illustrators (SCBWI). There are new and seasoned people in the business of writing there who are willing and able to help. This is also a good place to network. 

 2. Critique Groups 

 Next on your plan should be to join a children’s writing critique group. You'll be able to find one in SCBWI.  

3. Writer Conferences 

If you're able, it'd be a good idea to make it a priority to attend a writer’s conference. 

Some of the bigger ones are: 

SCBWI Annual Conferences 

The Highlights Foundation Workshop Retreats 

Blue Ridge Mountain Christian Writers Conference 

Northwestern Christian Writers Conference 

You can also do a search for others. Just be sure to look at dates. I've found a number of sites that list events that are outdated – by years.  

4. Writing Workshops and Webinars 

There are also a number of sites that offer online writing whether workshops, zoom meetings, or others. 

 MasterClass 

SCBWI 

WOW! Women on Writing 

JaneFriedman.com 

WritersDigest.com 

Gotham Writing Workshop 

The workshops and sites mentioned in this article may not all focus directly on writing for children, but they will offer great writing information.  

5. Blogs 

Another source of advice is children's writing tips from children's editors, publishers and agents' blogs. Often, you'll get super-useful tips and information. Find reliable and well-established sites. An excellent one is GoodStoryCompany.com and KidLit.com with Mary Kole. 

Here are a few others: 

Steve Laube Agency 

Caitlin Derve Truby's Writing Studio 

Children's Book Insider  

Writing for Children with Karen Cioffi 

The Write Practice 

Writer's Digest 

Writers Helping Writers.net  

6. Books on Writing for Children  

Below are a few:  

How to Write a Children's Fiction Book by Karen Cioffi 

The Magic Words by Cheryl Klein 

The Business of Writing for Children by Aaron Shepard 

How to Write a Children's Book by Katie Davis and Jan Fields 

Yes! You Can Learn to Write Children's Books by Nancy I. Sanders  

7. Read, Read, Read  

Read writing books and books in the genre you want to write. 

 As you read, pay close attention to the books in your genre. 

What do you like about the book? How did the author convey emotion? How did the author hook you? How were the sentence, paragraphs, and chapters written? How was the dialogue written? How did the story flow? Who was the protagonist? How did s/he grow through the journey? 

Pick up on everything you can.

 8. Industry Standards Matter 

Keep up with the industry standards. What are traditional children's publishers and literary agents looking for? What's being published? What are the standard word counts for the different genres? What books are winning valid awards? 

This matters whether you're traditionally publishing or self-publishing. You want a professional book. One that screams that the author knows what she's doing. 

While the world of writing for children can feel overwhelming, it can also be very rewarding. Take the time to learn the ropes so you can create a publishable book. And, create a time management plan. 

Keep on learning; keep adding tools to your writing toolbox. 

With hard work and perseverance, you can write a children's book that you'll be proud to be the author of and one that will be publishable as well as marketable. 

This article was first published at: https://karencioffiwritingforchildren.com/2021/03/28/the-writing-for-children-ropes-8-tips/

ABOUT THE AUTHOR


Karen Cioffi
is an award-winning children’s author, a successful children’s ghostwriter with 300+ satisfied clients worldwide, and an author online platform instructor with WOW! Women on Writing. For children’s writing tips, or if you need help with your children’s story, visit: https://karencioffiwritingforchildren.com

You can check out Karen’s books at:
https://karencioffiwritingforchildren.com/karens-books/

 

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