Here's What You May Not Know About Adverbs

Pesky Adverbs or the Means to Making Pure Gold?

 

Here’s What You Seldom Hear About Adverbs

By Carolyn Howard-Johnson, 
writer of fiction, poetry, and the multi-award winning HowToDoItFrugally Series of books for writers

 

We are often warned that adverbs can be overdone. Then writers take the warning too literally; they think they shouldn’t use any at all! 

 

Of course, we wouldn't have adverbs if they didn't serve a purpose. But when we examine them—carefully (very carefully!) we often find that they duplicate a quality that the verb itself (or another adverb) has already achieved for us. That makes them redundant. 

 

Adverbs are often awkward. Or they slow down the forward movement of a sentence. Or both.

 

Authors often worry when an editor removes their adverbs. They think those edits will change their voices. Though an author can (and should) reject edits that he/she thinks aren't appropriate, these edits of adverbs rarely change a voice. Certainly voice isn't achieved by using adverbs or most other edits. It is achieved by much subtler elements of writing. Point of view. Use of colloquialism or slang. Choice of detail. 

 

For the most part, I think most writers worry way too much on having their voice changed and not enough about improving their writing skills.

 

Having said that, I worry more about editors who don’t really have the training to be editors. Would an editor really remove all of a writer’s adverbs? And how would a new author know if an editor is overstepping if he/she doesn’t have lots of information on editing under his or her own little writer’s belt?

 

I hope those of you who have been relying on an outside editor—someone you hired or a friend—will read The Frugal Editor in its 3^rd edition and now published by Modern History Press. It includes lots of do-it-yourself stuff. I know most authors—you?—don’t hire an editor for all the daily stuff they do like writing query letters, media releases, etc.) but this book also includes how to partner with an editor, how to save money hiring an editor, and how to hire one that is compatible with your personality and the kind of writing you do. Many good editors like Barbara McNichol (www.barbaramcnichol.com) specialize in specific genres, nonfiction vs. fiction, etc. Larry Brooks (www.storyfix.com) helps writers of fiction with structure. Good editors know that it is hard to be an expert at everything.

 

Editing is a two-way street. There's gotta be some trust and also some confidence. The more an author knows about editing, the better equipped she or he is to discard or keep edits. That’s comforting. But it’s essential to know things like agents’ pet peeves. They rarely have anything to do with the grammar we learned in the fourth grade.

 

Essential? Yes, because those are the documents you send to the people who have something to say about the future of your book including newspaper and magazine feature editors, movie producers, and the millions of folks who read what you put out there on the web. So, yep. Examine every adverby "ly" word. And then use each one to your advantage. Know the adverbs we usually don’t think of when we hear the term adverbs (like “even” and “just”). There is a list in The Frugal Editor (see Amazon’s new series page for it at https://www.amazon.com/dp/B0BTXQL27T .) Make a list of the ones you tend to overuse. Either discard each one or use one of the methods in The Frugal Editor to turn them into more visual writing. Their best quality? Adverbs can turn you into a magician—that is help you turn them into image-producing gold—similes, or better, metaphors.

 

ABOUT THE AUTHOR

Carolyn Howard-Johnson edits, consults, and speaks on issues of publishing. Learn more about her other authors' aids at https://www.howtodoitfrugally.com. She blogs on editing at https://www.thefrugaleditor.blogspot.com and all things publishing (not just editing!) at https://www.sharingwithwriters.blogspot.com. She tweets writers' resources at www.twitter.com/frugalbookpromo .

 

 

                                                                         LINKEDIN

The Writing Juggling Act

 

By Karen Cioffi

Writing a story is time consuming… at least to write a good story.

I’m sure there are writers who sit down and write a story in a day, but I’m talking about doing it right.

This is especially true of writing for children.

It’s so important to know the rules. Know what the standard industry guidelines are and adhere to them.

There’s a lot that goes into writing. And if you want it to be publishing and marketing worthy, again, you want to do it right.

But what happens when you finish your manuscript. You revised it, edited, and proofed it, and possibly even had a professional writer look at it.

Your manuscript, your baby, is ready to fly.

You enter the traditional submitting phase. You’ve done your research and have found literary agents and book publishers in your genre. The submitting process is in full gear.

This process can easily take longer than the writing process, but you need to persevere.

In the meantime…

Should you just sit around and wait for a bite from an agent or publisher?

Should you sit around and gather dust on your keyboard?

Absolutely not!

You need to move onto another story as soon as you start the submitting process on your first book. Once book two is being submitted, it’s onto book three, and so on.

This goes even more so for articles.

According to writing coach Suzanne Lieurance you should have around 12 articles out circulating to magazine editors.

This is how you get work.

It’s the writing juggling act.

Keep the stories or articles moving.

Once you finish one story, get started on the next.

Another aspect of the writing juggling act: Book Marketing.

While you do need to keep writing those stories and getting them published, you also need to work on marketing you and your writing.

Marketing is a part of every author’s writing life, if you expect to sell your books.

-The first step of marketing is to create a quality book.
-The next step is to submit your work – this is pitching your work.
-If you’re self-publishing, you will need to publish it and distribute it so it’s available for sale.

Once the book finds a home, it’s about creating visibility. If people don’t know it exists, you won’t sell it.

The marketing and visibility process is ongoing.

If you’re wondering if having to promote your books is a must, even major publishers expect their authors to have an online author platform. They also expect the author to be able to help sell their books through that platform.

And, small publishers expect you to do all the marketing.

Marketing is that important.

So, what are the basics of an author online platform?

-The first step is to have a website and keep it current.

-Next is to post to social media to bring awareness about you, your books, articles, or services.

This will take up any spare writing time you may have.

So, if you’re a writer, there is no such thing as downtime. It’s all about the writing juggling act.

This article was first published at:
https://karencioffiwritingforchildren.com/2021/08/15/the-writing-juggling-act/

ABOUT THE AUTHOR

Karen Cioffi is an award-winning children’s author and children’s ghostwriter, editor, and coach with clients worldwide.

Karen also offers DIY How to Write a Children’s Fiction Book and
Writers on the Move Press (Self-publishing help for children's authors.)

 

Reach More Readers: Go Bilingual

Soon my picture book, Tall Boots, will be
available in English and Spanish

By Linda Wilson  @LinWilsonauthor

While presenting programs about stories from my books at schools and libraries, I’ve gotten to know many students and teachers, some from EL (English Learner) classrooms. The EL students’ reading needs are being addressed with dual language books, or side-by-side books, for ages K-12. Many more books are needed. My experience could be because I live in the American Southwest—New Mexico. But the need is more widespread than that. According to the article in My Class Tracks, “How Many People Speak Spanish in the US in 2023:” As of 2022, around 42.5 million individuals in the US speak Spanish as their native tongue, accounting for 13.4% of the total population. Additionally, there are 12.2 million bilingual Spanish speakers living in the US.” I think we can all agree that this number will only grow.

The Need is Strong

Dual language books, also called side-by-side books, parallel texts, parallel textbooks, or interlinear books, are books that offer “two different languages on the same page with the second language being a translation (comparison) of the first.” 

According to the article, “The Case for Bilingual Books: 4 Ways Dual-Language Books Can Boost Biliteracy in Young Children,” by Melissa Taylor, March 18, 2021, in  the English learner (EL) student population is surging. “Parents are searching for ways to promote their heritage language, the language their children speak at home with them.” Taylor goes on to write, promoting a child’s language spoken at home “is not easy because, as many immigrant parents know, students lose their heritage language skills soon after starting school . . . Studies show that if the heritage language is not supported in school and at home, children can lose their ability to communicate in their first language within two to three years of starting school.” And most important to children’s authors, she writes: “Studies—backed by my first-hand experience—show that bilingual books are a critical tool.”

Where do we Come in?

What better way to meet the needs of EL students than to offer our books to them in both English and Spanish? If you need to find a translator, there are many companies that offer translation services to choose from. You can find these companies by googling, “Where to find Spanish speaking translators for my children’s book.” The cost, according to Google, is anywhere from $0.08 to $0.18 per word.

A guide book, “Your Helpful Guide to Book Translation,” https://gteloculize.com offers advice on how to translate a book:

• Establish an end goal—Why translate your book into another language?
• Determine your target market.
• Hire a professional translation service.
• Have your book edited and proofread.

In my case, I was fortunate enough to meet a middle school teacher whose first language is Spanish. She agreed to translate my picture book, Tall Boots, as a first project. If we succeed, we will work together on all my books. 

A friend, who is fluent in Spanish, suggested that I have our translation reviewed and possibly edited by a professor at the University of New Mexico, or another expert in the field, for Spanish grammar, as she said Spanish grammar is tricky. 

The company, 1000 Storybooks, that has formatted and illustrated Tall Boots and my latest picture book, Cradle in the Wild, has agreed to take on this project. They will create a new picture book to include Spanish text, using the original artwork in the current edition of Tall Boots.

If you don’t know Spanish, don’t let that stop you. I don’t know Spanish myself. I do believe that our bilingual books will be welcomed, and that we will be able to find help reading the Spanish texts to students from the teachers, teachers’ assistants, and even the students themselves. Just think how many more students our books can reach when offered in English and Spanish. And how many more students will enjoy our stories and learn the message that our books send. 

Sources:  https://unuhi.com/what-is-a-bilingual-book/ 

                https://imaginationsoup.net

Linda shares her picture book, A Packrat's Holiday:
Thistletoe's Gift, at a presentation in
Alamogordo, New Mexico

Linda Wilson writes stories for young children. Visit   Linda at https://bit.ly/3AOM98L. Click the links for free coloring pages and a puppet show starring Thistletoe Q. Packrat. While you’re there, get all the latest news by signing up for Linda’s newsletter. 

 Find Linda’s books at  Amazon Author Page.

 Connect with   Linda: Facebook, Twitter, Pinterest, Instagram

Celebrating the 3rd Edition of The Frugal Editor with a List of Resources

Recommended Reading, Listening,
 And Help from The Frugal Editor

By Carolyn Howard-Johnson

 

   I am celebrating the release of the third edition of the second book in my HowToDoItFrugally Series of books for Writers with peek at the Appendics for visitors to Karen Cioffi’s #WritersontheMove blog. It’s a list of recommended reading for authors, some of them oldies but goodies, some new. It is a way to express gratitude and underscore my belief that reading one book on any how-to topic for the publishing industry is never enough because there is no more frugal way for a newbie to learn more about a new career. A great book with notes in the margins is much, much less expensive that classes from respected writers’ schools. And there is no better way than to learn more about publishing than from experts who have been there, done that, and care enough to have taken time from that trajectory to share with other authors.

 

In the Appendix of The Frugal Editor, you'll also find lists of the agents who contributed to the chapters on writing picture-perfect query letters, a short list of common errors, sample query letters, sample cover letters and even writing aids. Here are some recommended books, books I have read and found something new and important for my work in progress (WIP) or surviving the expectations of the traditional world of publishing. The editing process can be so much fun it become as addictive as chewing gum. Like chewing gum, there are some great benefits.

 

Editing

Lapsing Into a Coma: A Curmudgeon's Guide to the Many Things That Can Go Wrong in Print--And How to Avoid Them, by Bill Walsh.

 

Editors

Barbara McNichol, editor and writer, was introduced earlier in this book. Learn more about her at www.barbaramcnichol.com.

 

Dr. Bob Rich, an Aussie who can bring a worldwide sensibility for the English language to titles that would benefit from that expertise. Find him on Twitter @bobswriting.

 

Grammar and Style

AP Stylebook by Associated Press. This is the better of two major stylebooks for those who write for newspapers and other print and online media.

 

Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It Right, by Bill Bryson.

 

Chicago Manual of Style by the University of Chicago Press Staff. It’s the go-to source for authors of books as opposed to online or print media.

 

Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation, by Lynne Truss. For the author who doesn’t mind following strict grammar rules assiduously.

 

Far From the Madding Gerund, by Geoffrey K. Pullum et al. Those of you who are thinking what the heck is a gerund? are the ones who should be reading this.

 

Garner's Modern American Usage, by Bryan A. Garner, is complete and excellent for Americans. Choose the more formal style choices this book offers to avoid riling the ire of gatekeepers like agents and publishers. 

Grammar Snobs Are Big Meanies: Guide to Language for Fun & Spite, by June Casagrande. Use this book when you want to argue with an editor, not when you want to impress one. A more formal tome for that purpose is The New Fowler's Modern English Usage (Fowler and Burchfield). It isn't nearly as entertaining, however. And authors (as compared to freelance writers) probably won’t learn as much from it.

 

The American Heritage Book of the English Language is available only in hardcover and is expensive, but you’ll find features in it you love.

 

Perrin and Smith Handbook of Current English has been around so long you might find it in a used bookstore. When you’ve read it, you’ll know the difference between temerity and timidity—or at least know to look them up. “Half knowing a word may be more dangerous than not knowing it at all” is the kind of truth you’ll find within its pages.

 

The Cambridge Grammar of the English Language. A classic.

 

The Elements of Style, Fourth Edition, by William Strunk Jr. , E. B. White, Roger Angell. Do not read this until you fully understand the difference between a style book and a book of grammar basics.

 

The Describer's Dictionary: A Treasury of Terms & Literary Quotation, by David Grambs. Keep this one forever and add your own notes when you visit museums and other places where you might encounter words you don’t know.

 

Craft of Writing

Writing Dialogue by Tom Chiarella is a must-read because poor dialogue technique is a glaring tip-off to editors and publishers that a manuscript is written by a beginner who has not taken the time to learn our craft. Mini review from me: This book has everything you’ll ever need to know about writing dialogue.

 

Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End, by Karl Iglesias. Authors of books can learn a lot from great screenplays. 

 

Custom Dictionaries

Many professional organizations will share their print conventions with authors—from medical terms to lists of shady trees. Just ask. 

 

You’ll find my recommendations for frugal learning for other aspects of publishing in all the books in my HowToDoItFrugally Series. Today we’re celebrating the release of The Frugal Editor’s third edition and, because blog posts must be more limited that books, it is only a taste of the resources you will find in it.) Nevertheless, a good place to start is to subscribe to this blog so you get their articles directly to your email box and when they arrive do a search using each contributors names. Most of them have at least one how-to book for you to consider.

~~

MORE ABOUT THE FRUGAL EDITOR

Carolyn and her husband Lance edit
his how-to book for immigrants.

          That would be me, as well as the name of the book I am celebrating today. In its first edition The Frugal Editor (the book) was subtitled Put Your Best Foot Forward to Avoid Humiliation and Ensure Success. I wrote it because I needed a text for the class on editing I would soon be teaching for UCLA Extension’s Writers’ Program. At that time (2007), available books on editing didn’t cover what all writers needed including self-publishers. It turned out to be the winningest book in my series of books for writers. 

I also write fiction and poetry and I think my favorite award for them was an honorable mention from Writer’s Digest for my first full book of poetry, ImperfectEchoes. I love #sharingwithwriters as a presenter and with visitors who frequent blogs like this one. So this bio comes with huge thanks to Karen Cioffi, owner of this Writers on the Move and many others who are celebrating with me.

3 Reasons You Need a Blog if You're a Children's Writer

by Suzanne Lieurance

Many children's authors have websites these days.

But not all of them have a blog.

Yet, whether you're a world-famous children's author, or you're just starting to write for kids, you gotta have a blog.

Why?

Because a blog will:

1. Help you get in the habit of writing regularly.

And even the posts to your blog should be well-written with a little pizazz—which will be excellent writing practice and help you become a more disciplined writer since you'll want to post to your blog at least once a week or preferably 3 to 5 times a week.

2. Help you establish an online readership.

You'll be providing readers with helpful and/or interesting information each time you post to your blog.

Information people will begin to look forward to reading on a regular basis.

If you're an established children's book author, children and adults who read your books will look to your blog to find out what's new with you.

They'll want to know your current writing project(s), new books you have coming out soon, and information about author visits you might offer to schools, libraries, etc.

And, if you use your blog to build a mailing list, you will be able to contact people on your list, so they can preorder an upcoming book, or be the first to know where you will be doing a book signing or other event.

It's too difficult to keep a website updated on a daily basis with this kind of information, but it's easy to update your blog.

3. Help you establish yourself as expert in the world of children's writing and publishing.

Even before you are published, you can interview more experienced children's writers and post these interviews to your blog or write reviews of new children's books.

This information will tell readers you know "what's what" in the world of children's publishing, and it will make you more credible to editors and agents, too.

These are just a few of the many reasons to start blogging if you're a children's writer.

Try it!

For more writing tips and resources, get your free subscription to The Morning Nudge at www.morningnudge.com.

Suzanne Lieurance is the author of over 40 published books and a writing coach. 

Learn more about her products and services at www.writebythesea.com.

Should I Self-Publish?

 

By W. Terry Whalin @terrywhalin

I could see the resolution in the eyes of this author across the table from me when she said, “I’m going to self-publish.” 

We were meeting at a conference (pre-pandemic) and talking about her manuscript. I liked the shape of her proposal, her title and the energy that she had put into her book idea. In just a few minutes, I could see the potential. I acquire or find books for one of the top independent publishers. We spent the next few minutes exploring why she wanted to self-publish. I’ve heard these words from other authors:

“Everyone is doing it.”

“Isn’t this the best way for any author to get started in publishing?”

“I want to get it out quickly while the market is hot for my topic.”

“I don’t want to give up my rights to a publisher (and the control).”

Without a doubt, no matter what direction you decide to publish, just entering the field is challenging. I’ve been working with books for decades and yes, every book is filled with unique challenges.

Before you take the leap into self-publishing, I encourage you to move forward armed with a bit of reality: “According to the latest Bowker data (Publishers Weekly, February 20, 2023), 2.3 million books were self-published in the US in 2021, which was the third year in a row that more than two million books were self-published. This is the number of new titles that received an ISBN from Bowker. Several years ago Bowker stopped releasing the numbers of new titles that were not self-published, but a recent industry estimate is that each year “between 500,000 to 1 million . . . new titles are published through traditional publishers” Here’s where I got this information with much more detail: The 10 Awful Truths about Book Publishing.

Anyone with a computer (and everyone has a computer) feels like they can get a book published.  I understand some of their motivations. I often tell authors that making books is easy. Now selling those books you make—that is a completely different story. Statistics have proven the average self-published book sells 100-250 copies during the lifetime of the book.

Many companies are happy to take your money and make books (and a number of those companies are scams). In fact a prominent large Christian publisher has a self-publishing imprint. I’ve seen some poorly created books from this publisher. While on the surface it looks like an “easy” way to get published. The reality is something quite different. You are not really working with that publisher (giving money to them for the referral yes). In the production, you will be working with people in the Philippines (part of why you speak with a different person each time). The books will not be sold inside any brick and mortar bookstores (poorly distribution—a key consideration). And, the parent company (something they will not tell you about) has many different imprints and produces over 20,000 books a year (anything from poetry to porn). Yes, these companies are a scam preying on uneducated writers. I’ve met several authors who have unnecessarily spent $20,000 with such companies which is tragic because they will never sell enough books to recover such an investment.

To be fair, every publisher has unhappy authors and complaints. It’s part of the publishing landscape. Yet some companies have many complaints which should be a red flag to potential authors. 

One of the best ways to learn about complaints is to use Google and type in “NAMEOFPUBLISHER + complaint” and see what you learn.  Ask questions about what you discover and listen to the answers. Occasionally I field complaints about Morgan James and have answers but authors have to take the initiative and ask questions (your responsibility).

From my experience, the best publishing involves working with a team and involves cooperation, give and take. To get this experience, you have to write a book proposal. I believe even if you self-publish, you should write a proposal because this document will become your business plan or blueprint for your book. To help writers, I wrote Book Proposals That $ell. Writers have used my book to get an agent, get an advance and much more.

Or you can write an excellent manuscript and skip the proposal if you send the book to me for possible publishing. For eleven years, I’ve been working with one of the top independent publishers (Christian owners but not all Christian books). Our books have been on the Wall Street Journal bestseller list over 100 times. This fact alone demonstrates broad distribution not just online but selling in brick and mortar bookstores.

On the surface, publishing looks simple but in reality is complex with many decisions and variables. I encourage you to watch this 36-minute video master class where New York Times bestselling author Jerry B. Jenkins asked me a number of questions—including about publishing. Keep learning all you can from every possible source and reach out to me if I can help you.

Tweetable:

Everyone is self-publishing. Should you? This prolific writer and editor gives his insider’s perspective. Learn the details here. (ClickToTweet)

W. Terry Whalin, a writer and acquisitions editor lives in

Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

Purposeful Writing

 

Purposeful Writing: Use Freewriting by Deborah Lyn Stanley

Purposeful writing is knowing why we are writing and who we wish to serve. What is special about our writing that readers can’t just get from the next blogger?

At a loss of what to write? Need to generate ideas? Or, do you want to tell your message in a unique way? I suggest you consider freewriting the topic you have chosen, or one that is your favorite. Make a list of prompts for yourself to use for freewriting, and several photos that tell a story.

Start writing and watch the topic come alive!

Once we have our article drafted, we’ll review it for clarity, grammar improvements, plus description changes to stronger verbs and nouns. Read it aloud. Consider any changes you wish to make to the point of view.

Let’s take a closer look at how to use freewriting to inspire your article or story:
1) Choose prompts that kindle your writing, be it a word, a phrase, or a poem that stirs up a memory or your imagination.
2) Make it fiction, a true story, or part of a memoir.
3) All freewrites are good, there is never a perfect freewrite!
4) Write whatever comes to your mind. It doesn’t have to make sense, just keep writing for ~20 minutes. Write the story you see in your mind’s eye.
5) You are writing for yourself as a starting point for your topic, then you will develop the topic it to get your message across and flowing.

More info about freewriting:
Masterclass.com
https://www.masterclass.com/articles/how-to-improve-your-writing-with-freewriting

The Write Spot – Jumpstart Program  (See the “Blog” for prompts)   https://thewritespot.us/

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.

Visit her My Writer’s Life website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Mom & Me: A Story of Dementia and the Power of God’s Love is available:
on Amazon

 

 

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