5 Basic Functions of Dialogue



In an article over at Writer’s Digest, the author explained that ‘real’ dialogue doesn’t spell everything out.

So, what does this mean?

Well, people communicate with more than just words and often there’s a lot left unsaid in a conversation. Narration or the protagonist’s thoughts can fill in the blanks.

Here’s an example from “Crispin – The Cross of Lead” (honored with the John Newberry Medal for the Most Distinguished Contribution To American Literature For Children):

“Where’s Bear?” she asked when we entered the back room.

“Asleep.”

“You mustn’t be seen,” she said. “He should have told you.”

I made no reply, assuming Bear had told her of the attack on me, and that she felt a need to protect me. If Bear trusted her, I told myself, so should I.


Perfect blend of dialogue and narration.

With this in mind, let’s go over some of the functions of dialogue with the help of narration.

1. Dialogue helps reveals the character’s traits.

“Hey, Pete. Looks like you’re having some trouble with that tire. Need a hand?”

“Ugh,” moaned Pete as he struggled to lift the tire. “I-I got it.”


So, here with a bit of dialogue, it shows that Pete may have a chip on his shoulder, maybe because he’s smaller than the other character. He’d rather struggle than accept help.

Here’s another example:

“The car’s stuck in the mud. There’s no way we’re getting it out of there. It won’t budge,” said Desmond.

Brain shoved his baseball cap back on his head. “All we have to do is get the truck. We’ll hook on a tow line and pull her out.”


In this scene, through dialogue we learn that Desmond sees the cup half empty – he can’t see how something can be accomplished. Brian on the other hand sees the cup half full. He knows he can get the job done. And, we know Brian wears a baseball cap.

Here’s another example:

“I’ll have turkey on rye with the mayo, lettuce, and tomato on the side. And, I’d like the bread lightly toasted. Please be sure it’s just lightly toasted. And, I’d like water, no ice, with two lemon slices on the side.”

Just from a simple lunch order, we know that the character is extremely picky. She knows what she wants and expects to get it.

I got this scenario from “When Harry Meet Sally” with Meg Ryan and Billy Crystal. It’s an amazing scene in the movie.

2. Dialogue can show what a character does for a living.

Christine looked over the documents. “Who’s responsible for these prints? They’re all wrong. The bathroom should be on the second floor and the living area should be an open concept. Somebody’s head is going to roll.”

In this scene, Christine obviously deals with blueprints. Maybe she’s an architect reviewing a subordinate’s plans. We also know she’s in charge and doesn’t take mistakes lightly.

Here’s another simple example:

“Give her oxygen and get her into the OR stat.”

From this little bit of dialogue, we can assume the person talking is a doctor and she’s working in an emergency room.

Here’s another example:

Rachel tapped the pencil on the desk. She looked around the room. Everyone was busy writing. “Man, I should have studied,” she whispered.

In this scenario we can assume Rachel is a student and her class is taking a test. We also know she wasn’t prepared for the test.

3. Dialogue can show relationships.

“Mom said you have to clean the garage before going to practice,” said Frank with a smile.

“Geez. How come you don’t have to clean the darn garage?”


From this conversation, we know the two involved are siblings, probably brothers. And, it would seem the one who has to clean the garage is older and has more chores. He’s also annoyed about that fact.

Now on the flip side, you can have information dump in dialogue – this isn’t a good thing:

“Mom said you have to clean the garage before going to practice,” said Frank with a smile.

“Geez. How come you don’t have to clean the darn garage? Just because you’re two years younger than me you get away with everything.”


It’s easy to see that the last sentence is added just to inform the reader that Frank is two years younger than his brother. This is information dump.

4. Dialogue can show how educated a character is through choice of words.

“You need to ascertain whether you and he are compatible.”

“You need to figure out if you two are a good match.”


Simple examples, but you get the point.

5. Dialogue can show tension between characters.

Sammy dropped his books and stood with his fists clenched. “Do that one more time and you’ll never do it again.”

Dylan shook his hands. “Ooohhh. I’m scared. Do you mean don’t do this again?”


This scene clearly shows tension between Sammy and Dylan. And, it shows that Dylan is the instigator of the tension.

Here’s another example:

Sara stormed up to Alicia’s desk. “You stole my idea. Mr. Peter’s is doing a full campaign based on it. Tell him it’s my idea or I’ll tell him.”

“That’s not happening,” said Alicia without hesitation. “If you weren’t careless enough to leave your notes on your desk, I wouldn’t have seen them.” She pulled a lipstick and mirror out of her desk and fixed her lips. “If you go to the boss, he won’t know who to believe. Want to risk him think you’re lying to get ahead?”


Again, this is a tension packed scene.

There are also other functions of dialogue like conveying underlying emotions, creating atmosphere, and driving the plot forward. Using dialogue and narration allows you to paint vivid pictures. Your choice of words will give your characters and your story life.

Source:
Writing a Scene with Good Dialogue and Narration

Karen Cioffi is an award-winning children’s author. She runs a successful children’s ghostwriting and rewriting business and welcomes working with new clients.

For tips on writing for children OR if you need help with your project, contact her at Writing for Children with Karen Cioffi.

You can follow Karen at:

Facebook  https://www.facebook.com/writingforchildrenwithkarencioffi/
LinkedIn  http://www.linkedin.com/in/karencioffiventrice
Twitter  http://twitter.com/KarenCV


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Discover Pitch Wars by YA author Brenda Drake

"Alone we can do so little; together, we can do so much." Helen Keller
Our chapter of the Society of Book Writers and Illustrators had the honor of welcoming New York Times bestselling YA author Brenda Drake for our August ShopTalk meeting. Brenda is the founder of Pitch Wars, Pitch Madness, and #PitMad. In 2012 the idea came to her while watching an episode of "Cupcake Wars" on TV. On the Pitch Wars’ website, Brenda writes, “["Cupcake Wars" is] a show where bakers have an assistant help them prepare the best cupcakes possible for a round of judges. While watching all the yummy creations come together, I thought it would be great to have a publishing contest where agented/published authors, those who are a few steps ahead, could mentor authors’ full manuscripts and guide them through the publishing trenches.” But even before the "Cupcake Wars," Brenda started her first contest in 2010, described on the website as “Pitch Wars . . . a legacy,” which developed into the contest called “Pitch Madness.”
 
Today, Pitch Wars is a mentoring program for Middle Grade, Young Adults, New Adult or Adult manuscripts, described on the website:“where published/agented authors, editors, or industry interns choose one writer each, read their entire manuscript, and offer suggestions on how to make the manuscript shine for an agent showcase. Pitch Wars is open to completed and polished full-length fiction manuscripts only. The mentor also helps edit their mentee’s pitch for the contest and their query letter for submitting to agents.”

Pitch Wars has developed into a community of authors, editors, agents and more who come together to help each other by offering advice, with the eventual goal of publication. One of the authors in our SCBWI chapter found her critique partners in the community. After participating in the mentorship program, the idea for her second book came to her fast. And she says, the information you learn will stay with you.

How Can You Participate?
•    Do your research. Study the Pitch Wars website. Begin on the page, “New? Start Here.” This page offers step-by-step instructions on how to get involved, how to find a mentor, to prepare your submission, submit and join social media. Also, the page provides the Pitch Wars schedule.
•    Click on “About #PitMad,” which is a pitch party on Twitter where writers tweet a 280-character pitch for their completed polished and unpublished manuscripts. All genres are welcomed. Agents and editors make requests by liking/favoriting the tweeted pitch. Every unagented writer is welcome to pitch. All genres/categories are welcomed. #PitMad occurs quarterly and upcoming dates are posted.
•    Go to the Pitch Wars Blog to learn more about the Pitch Madness contests.

Take a few moments and visit Brenda’s website, https://brendadrake.com, take the “Library Jumpers Mystik World Tour,” and check out her other books in a second series, “The Fated;” and her latest standalone book, dubbed “a fast-paced romantic adventure” by Kirkus Review, “Analiese Rising.” One peek at Amazon Reviewers for Thief of Lies, the first book in the Library Jumpers series tells it all: “This has to be one of my all-time favorite fantasy books!” and “Conceptually, this book (series) is brilliant.”
Image courtesy of: https://www.freepick.com
 
Linda Wilson, a former elementary teacher and ICL graduate, has published over 150 articles for adults and children, and several short stories for children. She has recently become editor of the New Mexico SCBWI chapter newsletter and is working on several projects for children. Follow Linda on Facebook.

805 Writers Conference in November 2019



What's better than having a working vacation?

805 Writers Conference will be back on the beach at Mandalay Beach Resort in Oxnard Shores on November 2nd and 3rd.

There's only a few days left for early discount registration, so if you think you'd like to attend, sign up now!

With an overwhelmed market, authors need all the help they can get. This conference offers writing workshops, like "How to Reboot Your Book" with our own Carolyn Howard-Johnson, and "The Essentials of Characters" with Toni Lopopolo.

They'll also be lots on self-publishing and marketing books.

All the tools an author needs to write and sell books!

For more details and a registration link, visit:
https://sharingwithwriters.blogspot.com/2019/08/time-to-treat-yourself-to-this-perfect.html


PLEASE SHARE!

Platform, Brand and You

What does it take to reach your audience and promote your writing?  Your Platform, your Branding, and your Website


Your Platform and your brand, presented via your website, tell your readers who you are and what you are about. These three, closely aligned will present a consistent message. Readers will return often to ask; “What do they have for me today?” “What more can I do to build my writing business?”

What is Platform?
Your Platform is useful if you are a blogger writing essays, articles, or books. Our success requires visibility, thus we must communicate with our readers. Work to make your message clear and valuable, fostering trust. As for me, I want people to know where I am, what I offer in the way of writing craft, and the pieces I’m working on. How do they connect with me? My Website.

OK, so what is my Brand?
You Are! You are your brand. We build brands through words, images and actions—your actions. Your brand is your promise, so deliver. Be consistent. Know who you are writing for and write to resonate with them. Make sure you send the same message through your words, images and actions. You are establishing an ongoing relationship.

Your writing is your business. Agents represent brands, publishers work with brands, readers buy brands, and companies hire brands. Develop your brand—it’s a strategic business practice.  Newbie’s: it’s not too early to start developing your brand. Get started; people are watching.

How do I get my message out to my readership?

  • Always be authentic, be personal and professional.
  • Provide valuable information; you will build authority in your niche, through communication.
  • Announce your website and purpose on social media sites.
  • When you post to your site, do the same on your social media pages and provide a link to your website.
  • Build an email list by offering subscriptions on your website and send out newsletters.
  • Invite Guests who will contribute to your message by sending you articles to post.
  • Provide added value resources.
  • Take advantage of speaking engagements.
  • Offer on-line courses, webinars and podcasts.

Add value - it’s the best path to grow your readership and promote your work.
 Grow Content = Successful Marketing
 
Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.

Visit her web-blog: https://deborahlynwriter.com/
Facebook at: Deborah Lyn Stanley, Writer


Everyone Starts Small So Get Started


By Terry Whalin @terrywhalin

When I talk with would-be book authors about starting an email newsletter or an ezine, I often hear, “No one will be interested in my newsletter and my list will be so small.” Or “What in the world will I write about or use to fill the newsletter (or starting a blog)?” Here’s the truth of the matter: everyone starts small. When you start any publication, you put yourself, your spouse and a few close friends to pad your newsletter list and get it going.

The key is to start and then consistently put out your newsletter. It doesn’t have to be often but it does have to be consistent and continually grow. Many people talk about writing and even repeatedly go to writers conferences, but the ones who succeed are the ones who continue to grow in their craft--and they consistently write. They write for magazines and they write fiction and nonfiction but they keep working at their writing.

I’m suggesting you can do the same thing when it comes to growing a newsletter. Over fifteen years ago, I started Right-Writing News I had less than 50 subscribers. Today I have thousands of subscribers and this list continues to grow. Yes, I’ve had a few people unsubscribe but that happens for many reasons and some of them have even unsubscribed then returned. It’s a free newsletter and I’ve produced 54 issues. If you look at the newsletter, I don’t write all of it but get articles from my friends and those articles promote their books and other work. You can do the same with your newsletter. It doesn’t have to be as much work as it appears. I have an  inexpensive Ebook to get you started called My List Building Tycoon. Newsletters, blogs or a book project or any type of consistent writing project takes work. Just keep the big picture in mind and take the plunge. If you struggle to get a publisher’s attention, a newsletter is one means to gain their interest.

New York Times bestselling romance novelist, Debbie Macomber continues to grow her newsletter list and use it. This Christian writer often uses her newsletter to reach her fans to tell them about her newest book plus promote a 20-city tour. Publishers Weekly wrote about a Chicago signing where fans lined up for more than two hours to meet her. Then the magazine says, “Many attendees learned about the signings through e-mails from Macomber. At every appearance, she invites readers to join her e-mail list--already over 90,000 names. Mira reports 480,000 copies in print (of Twenty Wishes).” Macomber has established a personal connection to her audience.

The value of your list and that direct connection to the author will be evident in your book proposal and pitches to publishers. It will pay off. Are you struggling to get a publisher’s attention? Whether you are a first time author or a much published author, I encourage you to build your newsletter audience and communicate with them on a regular basis.

Years ago when I was a literary agent, I sold a book project to Harvest House Publishers. This author has a newsletter list with 10,000 people. He travels the world and teaches but collected this database of people and regularly communicated with them. The publisher could see potential book sales because this author was connected with his audience. He’s now published several books with the same publisher.

A newsletter does not have to consume hours of your time or attention. You do need to send it on a regular basis. I encourage you to imagine yourself as a magazine editor. Collect stories from others and write your own stories on a topic—and build your audience through your newsletter.

As you take action, you will become a more proactive author and increase your visibility in the marketplace. Do you have an email list and use it consistently? Let me know in the comments below.

Tweetable:

With an email list, everyone starts small so get started. Get insights and encouragement in this article. (ClickToTweet)

 ------

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 205,000 twitter followers 

Market Research--Horror Tree


For those of you looking for markets to submit your fiction to, especially if you write horror or other speculative genres, here's a resource for you:

Horror Tree  (Horrortree.com)

It's a blog that includes various types of posts, including interviews with authors.  

I like it for its postings of magazines accepting submissions.  One thing I really appreciate is how clearly it outlines the pay structure (or lack thereof).  Other pertinent information (deadlines, what they're looking for, word count, etc) is also very clear.  It's a great resource.  On the left, you can also narrow your search.  

If you're a writer of speculative fiction, I challenge you to go check this out and submit at least one story to a magazine you find here.


Melinda Brasher's fiction and travel writing appear most recently in Hippocampus (May/June), Leading Edge (Volume 73) and Deep Magic (Spring 2019).  Her newest non-fiction book, Hiking Alaska from Cruise Ports is available on Amazon.    

She loves hiking and taking photographs of nature's small miracles.  

Visit her online at http://www.melindabrasher.com



5 Good Reasons to Write Short Stories

If you’re a person who wants to write a novel, good for you.

But did you know that many famous authors got their start writing short stories?

Stephen King, Mark Twain, and Ernest Hemingway started their writing careers with short stories.

You might want to try this route, too, because there are loads of reasons you should be writing short stories.

Here are just a few:

1. Writing short stories will help you discover and learn more about the kind of writing you really enjoy.

You can try different genres to see which ones you enjoy the most.

You can also find out if you prefer writing in 1st person or 3rd person.

2. Writing short stories will help you become a better writer.

Short stories require you to write “tight” since they have fewer words than novels.

And when you write short stories in specific genres you get better and better at writing within these genres.

You also gain more skill with each of the story elements.

3. Writing short stories requires less of a commitment in terms of time and energy than novels.

Maybe you don’t have long stretches of time to work on a novel, but you can write a little every day or a little a few days a week.

You can easily complete a short story every month without committing to months of work.

4. Writing short stories can help you earn income and also develop a readership.

When you learn to write “marketable” short stories, and you understand which markets are best for your stories, you can start selling your stories to these markets.

You might also decide to turn your stories into Kindle Singles and start your own little publishing empire!

Either way, you’ll gain visibility as a writer and start building your readership.

5. Writing short stories allows you to develop many ideas in a short amount of time.

Most writers have all sorts of ideas.

So many ideas, in fact, that they never develop them all.

If you write just one short story each month, by the end of a year, you’ll have developed 12 ideas into finished pieces.

And by the time you’ve written 12 marketable short stories, your writing skills will have improved a great deal, and you’ll probably be ready to start writing that novel you’ve been wanting to write.

If you need a little help starting a short story, accept our free Cooking Up a Short Story Challenge at writebythesea.com, and you’ll get four weeks worth of tips, lessons, and resources so you write a “marketable” short story in just one month.

Try it!


For more tips and resources to help you become a better writer, get your free subscription to The Morning Nudge.

Suzanne Lieurance is the author of over 35 published books, a writing coach, and editor at writebythesea.com.

How to Assure Getting a Book Cover That Sells

  Book Cover Tips Your Publish Might Not Know   How to Partner with Your Cover Designer   By Carolyn Howard-Johnson Award-winning writer of ...